Altus: From Castrato to Countertenor
Checking favorite status…Altus: From Castrato to Countertenor (2008), Format unverified, on Warner Classics. Music by George Frideric Handel, Antonio Vivaldi, Johann Sebastian Bach, Franz Schubert, performed by Gérard Lesne, Alan Curtis, Emmanuelle Haïm, Fabio Biondi; 38 tracks.
Report a catalog issue
Prepare a correction for Altus: From Castrato to Countertenor. Your draft stays on this page until you copy it. Review it before posting publicly on Fider; avoid personal information.
Fider requires a separate sign-in. Your Classikal sign-in does not sign you into Fider.
Composers
Tracklist
Disc 1
Giustino, RV 717: Act 1: "Vedrò con mio diletto" (Anastasio)
Antonio Vivaldi - Giustino: Vedro con mio diletto (Anastasio)
Jean-Christophe Spinosi, Ensemble Matheus, Philippe Jaroussky
Serse, HWV 40: Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse)
George Frideric Handel - Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse)
Stabat Mater in F minor, RV 621: I. Stabat Mater dolorosa
Antonio Vivaldi - Stabat Mater, RV 621
Fabio Biondi, Europa Galante, David Daniels
Es ist vollbracht (St John Passion, BWV 245)
Johann Sebastian Bach - Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!"
Michel Corboz, Ensemble instrumental de Lausanne, Andreas Scholl
Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1, Aria. "Vergnügte Ruh beliebte Seelenlust"
Johann Sebastian Bach - Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Hans-Martin Linde, René Jacobs
Messiah, HWV 56: Pt. 2, Scene 1: Aria "He Was Despised and Rejected of Men"
George Frideric Handel - Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
Andrew Parrott, Taverner Players
Fernando, rè di Castiglia, HWV 30: Act 3, Scene 4: Aria. "Sincero affetto dolce preghiere" (Sancio)
George Frideric Handel - Sosarme, re di Media, HWV 30: Atto III
Alan Curtis, Max Emanuel Cenčić
Amadigi di Gaula, HWV 11: Act 2: Aria. "Minacciami, non ho timor" (Amadigi)
George Frideric Handel - Amadigi di Gaula, HWV 11: Atto II
William Christie, Xavier Sabata
Serse, HWV 40: Act 3, Scene 4: Aria. "Amor, tiranno Amor" (Arsamene)
George Frideric Handel - Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene)
William Christie, Lawrence Zazzo
Weihnachtsoratorium, BWV 248: Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben"
Johann Sebastian Bach - Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“
Philippe Herreweghe, Collegium Vocale Gent, Michael Chance
Saul, HWV 53: Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David)
George Frideric Handel - Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David)
Paul Esswood, Philip Ledger, English Chamber Orchestra
Disc 2
Stabat Mater: I. Stabat mater dolorosa
Giovanni Battista Pergolesi - Stabat Mater for soprano, alto, strings and basso continuo
Nisi Dominus in G minor, RV 608: IV. Cum dederit
Antonio Vivaldi - Nisi Dominus, RV 608
Fabio Biondi, Europa Galante, David Daniels
O qui coeli terraeque serenitas, RV 631: IV. Alleluia
Antonio Vivaldi - Longe mala, umbrae, terrores, RV 629
Fabio Biondi, Europa Galante, David Daniels
Sentimenti devoti espressi con la musica, Book 2, Op. 6: No. 4, Ave Regina coelorum
Giovanni Legrenzi - Ave Regina Coelorum
Marie-Nicole Lemieux, Philippe Jaroussky
Pianti, sospiri e demandar mercede, RV 676: "Cor ingrato dispietato"
Antonio Vivaldi - Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Magnificat in D major, BWV 243: VI. Duet. "Et misericordia"
Johann Sebastian Bach - Magnificat D-Dur, BWV 243
Emmanuelle Haïm, Philippe Jaroussky, Toby Spence
George Frideric Handel - Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI, 16. Duetto “Son nata a lagrimar (Son nato a sospirar)” (Cornelia e Sesto)
Emmanuelle Haïm, John Nelson, Orchestre de chambre de Paris
Admeto, HWV 22: Act 2: Aria. "Chi è nato alle sventure" (Trasimede)
George Frideric Handel - Admeto, re di Tessaglia, HWV 22: Atto II
Fernando, rè di Castiglia, HWV 30: Act 3, Scene 7: Aria. "M'opporrò da generoso" (Fernando)
George Frideric Handel - Sosarme, re di Media, HWV 30: Atto III
Leçon de ténèbres du Mercredi saint, H. 120: Troisième Répons - Ecce Quomodo
Marc-Antoine Charpentier - Ecce quomodo moritur, H.131
Venga pur (Mitridate, re di Ponto)
Wolfgang Amadeus Mozart - Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace)
Harry Bicket, Orchestra of the Age of Enlightenment, David Daniels
Disc 3
Oedipus, Z. 583: No. 2, Song. "Musick for a While" (Version for Voice and Guitar)
Henry Purcell - Oedipus, King of Thebes, Z. 583: Act III "Music for a While"
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet"
Henry Purcell - Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Gustav Leonhardt, Orchestra of the Age of Enlightenment, Christopher Robson
Mass in B minor, BWV 232: Agnus Dei
Johann Sebastian Bach - h-Moll-Messe, BWV 232
Philippe Herreweghe, Collegium Vocale Gent, Charles Brett
Orfeo ed Euridice, Wq. 30: Act 3: "Ahimè! Dove trascorsi? ... Che faro senza Euridice" (Orfeo)
Christoph Willibald von Gluck - Orfeo ed Euridice, Wq. 30, Atto III, scena 1: “Ahimè! Dove trascorsi!” (Orfeo)
Harry Bicket, Orchestra of the Age of Enlightenment, David Daniels
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!"
Jean Lacquemant - Plainte sur la mort de Monsieur Lambert