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Works with the most recordings by Ensemble instrumental de Lausanne in this catalogue. Open a work to explore its recordings and performers.
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Performers sharing the most recordings in this catalogue.
The recording archive
465 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”Johannes Brahms orchestra | Johannes Brahms | orchestra | 2023 |
| Et la vie l'emporta: III. Offrande |
Labels with the most releases featuring Ensemble instrumental de Lausanne.
Ensemble instrumental de Lausanne is a orchestra from Switzerland. 465 classical recordings in this catalogue.
Composers represented most often in this discography.
Claudio Monteverdi153 recordings · Italy
Johann Sebastian Bach85 recordings · Germany
Antonio Vivaldi60 recordings · Italy
George Frideric Handel35 recordings · Germanyorchestra
| Frank Martin |
| orchestra |
| 2023 |
| Et la vie l'emporta: II. CombatFrank Martin orchestra | Frank Martin | orchestra | 2023 |
| Et la vie l'emporta: I. ImplorationFrank Martin orchestra | Frank Martin | orchestra | 2023 |
| Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”Johannes Brahms orchestra | Johannes Brahms | orchestra | 2023 |
| Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich”Johannes Brahms orchestra | Johannes Brahms | orchestra | 2023 |
| Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”Johannes Brahms orchestra | Johannes Brahms | orchestra | 2023 |
| Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”Johannes Brahms orchestra | Johannes Brahms | orchestra | 2023 |
| Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”Johannes Brahms orchestra | Johannes Brahms | orchestra | 2023 |
| Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth”Johannes Brahms orchestra | Johannes Brahms | orchestra | 2023 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)George Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)George Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)George Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)George Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)George Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. PifaGeorge Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)George Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)George Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: OvertureGeorge Frideric Handel orchestra | George Frideric Handel | orchestra | 2022 |
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