| Stabat Mater, op. 58: X. Quando corpus morietur Nikolaus Harnoncourt, Peter Dijkstra, Bavarian Radio Symphony Orchestra | Nikolaus Harnoncourt, Peter Dijkstra, Bavarian Radio Symphony Orchestra | 2008 | - | 7:40 |
| Stabat Mater, op. 58: IV. Fac, ut ardeat cor meum Nikolaus Harnoncourt, Peter Dijkstra, Bavarian Radio Symphony Orchestra | Nikolaus Harnoncourt, Peter Dijkstra, Bavarian Radio Symphony Orchestra | 2008 | - | 9:15 |
| Stabat Mater, op. 58: I. Stabat mater dolorosa Nikolaus Harnoncourt, Peter Dijkstra, Bavarian Radio Symphony Orchestra | Nikolaus Harnoncourt, Peter Dijkstra, Bavarian Radio Symphony Orchestra | 2008 | - | 20:38 |
| Stabat Mater, op. 58: II. Quis est homo Nikolaus Harnoncourt, Peter Dijkstra, Bavarian Radio Symphony Orchestra | Nikolaus Harnoncourt, Peter Dijkstra, Bavarian Radio Symphony Orchestra | 2008 | - | 11:35 |
| Otello: “Credo in un Dio crudel” Helmuth Froschauer, WDR Funkhausorchester, Franz Hawlata | Helmuth Froschauer, WDR Funkhausorchester, Franz Hawlata | 2003 | - | 4:30 |
| La fanciulla del West: Atto II. “Billy, è fissato?” Leonard Slatkin, Munich Radio Orchestra, Cornelia Wulkopf | Leonard Slatkin, Munich Radio Orchestra, Cornelia Wulkopf | 1992 | - | 1:36 |
| La fanciulla del West: Atto II. “Il mio bimbo è grande e piccino” Leonard Slatkin, Munich Radio Orchestra, Cornelia Wulkopf | Leonard Slatkin, Munich Radio Orchestra, Cornelia Wulkopf | 1992 | - | 2:04 |
| La fanciulla del West: Atto I. “Dove eravamo?” Leonard Slatkin, Munich Radio Orchestra, Éva Marton | Leonard Slatkin, Munich Radio Orchestra, Éva Marton | 1992 | - | 3:36 |
| Symphony no. 9 in D minor, op. 125 “Choral”: 4. Presto - Allegro assai Seiji Ozawa, Saito Kinen Orchestra, Anne Schwanewilms | Seiji Ozawa, Saito Kinen Orchestra, Anne Schwanewilms | - | - | 24:46 |
| Symphony no. 9 in D minor, op. 125 “Choral”: 4e. Allegro ma non tanto Seiji Ozawa, Saito Kinen Orchestra, Anne Schwanewilms | Seiji Ozawa, Saito Kinen Orchestra, Anne Schwanewilms | - | - | 4:33 |
| Leonore, Hess 109: Act III, no. 18. Finale. “Wer ein holdes Weib errungen” (Marzelline, Jaquino, Rocco, Fernando, choir, Florestan, Leonore) (1 bar cut in 1805 version restored, bridge passage before Florestan’s solo shortened) John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Monteverdi Choir | John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Monteverdi Choir | - | - | 5:26 |
| Leonore, Hess 109: Act I, no. 4. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jacquino) John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Christiane Oelze | John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Christiane Oelze | - | - | 4:01 |
| Leonore, Hess 109: Act I, no. 5. Aria “Hat man nicht auch Gold beineben” (Rocco) John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | - | - | 2:27 |
| Leonore, Hess 109: Act I, no. 6. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) (2 cuts from 1806 version, 2 cuts along the lines of 1814 version) John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Christiane Oelze | John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Christiane Oelze | - | - | 5:59 |
| Leonore, Hess 109: Act II, no. 12. Finale. Recitation “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) - “Nun sprecht, wie ging’s?” (Leonore, Rocco) - Duet “Noch heute, noch heute?” (Leonore, Rocco) John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | - | - | 2:41 |
| Leonore, Hess 109: Act II, no. 12. Finale. Duet “Wir müssen gleich zu werke schreiten” - Quartet “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro) John Eliot Gardiner, Matthew Best, Orchestre Révolutionnaire et Romantique | John Eliot Gardiner, Matthew Best, Orchestre Révolutionnaire et Romantique | - | - | 3:40 |
| Leonore, Hess 109: Act III, no. 14. Melodrama “Wie kalt ist es in diesem unteirdischen Gewölbe!” (Leonore, Rocco) (1814 version with 2 bars cut) - Duet “Nur hurtig fort” (Rocco, Leonore) John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | - | - | 1:41 |
| Leonore, Hess 109: Act III. Duet “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore) John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | - | - | 4:01 |
| Leonore, Hess 109: Act III, no. 15. Trio “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) (1 bar of first section from 1814 version, 32 bars of repeat from 1806 version) John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Franz Hawlata | - | - | 4:52 |
| Leonore, Hess 109: Act III, no. 16. Quartet “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco) John Eliot Gardiner, Matthew Best, Orchestre Révolutionnaire et Romantique | John Eliot Gardiner, Matthew Best, Orchestre Révolutionnaire et Romantique | - | - | 4:27 |