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Works with the most recordings by WDR Symphony Orchestra Cologne in this catalogue. Open a work to explore its recordings and performers.
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Performers sharing the most recordings in this catalogue.
The recording archive
1,921 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| Undine: Akt II „Finale: Vernehmet, Ritter und Vasallen“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt III „Auf, ihr Zecher“ |
Labels with the most releases featuring WDR Symphony Orchestra Cologne.
WDR Symphony Orchestra Cologne (1947) is a orchestra from Germany. 1,921 classical recordings in this catalogue.
Composers represented most often in this discography.
Gustav Mahler145 recordings · Czech Republic
Wolfgang Amadeus Mozart140 recordings · Austria
Ludwig van Beethoven138 recordings · Germany
Carl Orff114 recordings · Germanyorchestra
| Albert Lortzing |
| orchestra |
| — |
| Undine: Akt II „Seid zwiefach mir willkommen“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt II „Was ergreift mit bangem Schrecken“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt II „Für euch, o Fürstin, eine frohe Kunde“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt II „So wiss, dass in allen Elementen“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt II „Was seh ich? Ihr seid glücklich wieder da?“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt II „Nun, mich freut es nur, dass Euch die Geister nicht totgeschlagen haben“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt II EntracteAlbert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt I Finale: „Doch halt! Wo ist der Mann“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt I „Ihr seid nun vereint“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt I „Uns beiden ist die Hauptstadt wohlbekannt“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt I „Viel schön Gaben“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt I „Züchtig Bräutlein, darfst erscheinen“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt I „Verzeiht, wenn ich störe, gestrenger Herr“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: Akt I „Ich ritt zum großen Waffenspiele“Albert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Undine: OuvertüreAlbert Lortzing orchestra | Albert Lortzing | orchestra | — |
| Trionfo di Afrodite - VII: Apparizione de AfroditeCarl Orff orchestra | Carl Orff | orchestra | — |
| Symphony no. 3 in D minor: Langsam. Ruhevoll. EmpfundenGustav Mahler orchestra | Gustav Mahler | orchestra | — |
| La mer: III. Dialogue du vent et de la merClaude Debussy orchestra | Claude Debussy | orchestra | — |
| La mer: I. De l'aube midi sur la merClaude Debussy orchestra | Claude Debussy | orchestra | — |
| Symphony no. 3 in D minor: Comodo. Scherzando. Ohne HastGustav Mahler orchestra | Gustav Mahler | orchestra | — |
| Symphony no. 3 in D minor: Lustig im Tempo und keck im Ausdruck: “Bimm Bamm. Es sungen drei Engel”Gustav Mahler orchestra | Gustav Mahler | orchestra | — |
| Symphony no. 3 in D minor: Tempo di menuetto. Sehr mäßigGustav Mahler orchestra | Gustav Mahler | orchestra | — |
| Symphony no. 3 in D minor: Kräftig. EntschiedenGustav Mahler orchestra | Gustav Mahler | orchestra | — |
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