
Harpsichord · Piano
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Works with the most recordings by Thomas Adès in this catalogue. Open a work to explore its recordings and performers.
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The recording archive
362 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| LisbonGerald Barry instrumentalist (Piano) | Gerald Barry | instrumentalist (Piano) | — |
| Five Eliot Landscapes, op. 1: II. Virginia |
Labels with the most releases featuring Thomas Adès.
Thomas Adès (1971) is a conductor from United Kingdom. 362 classical recordings in this catalogue. Instruments: Harpsichord, Piano.
Composers represented most often in this discography.
Thomas Adès132 recordings · United Kingdom
Leoš Janáček70 recordings · Czech Republic
Ludwig van Beethoven38 recordings · Germany
Franz Schubert36 recordings · Austriainstrumentalist (Piano)
| Thomas Adès |
| instrumentalist (Piano) |
| — |
| Five Eliot Landscapes, op. 1: III. UskThomas Adès instrumentalist (Piano) | Thomas Adès | instrumentalist (Piano) | — |
| Sonata da caccia, op. 11: I. GravementThomas Adès instrumentalist (Harpsichord) | Thomas Adès | instrumentalist (Harpsichord) | — |
| Sonata da caccia, op. 11: II. GayëmentThomas Adès instrumentalist (Harpsichord) | Thomas Adès | instrumentalist (Harpsichord) | — |
| Sonata da caccia, op. 11: III. NaïvementThomas Adès instrumentalist (Harpsichord) | Thomas Adès | instrumentalist (Harpsichord) | — |
| Sonata da caccia, op. 11: IV. GalamentThomas Adès instrumentalist (Harpsichord) | Thomas Adès | instrumentalist (Harpsichord) | — |
| The Origin of the Harp, op. 13: I. Dolcissimo ed espressivoThomas Adès conductor | Thomas Adès | conductor | — |
| The Origin of the Harp, op. 13: II. Largo con motoThomas Adès conductor | Thomas Adès | conductor | — |
| The Origin of the Harp, op. 13: III. SpettraleThomas Adès conductor | Thomas Adès | conductor | — |
| The Origin of the Harp, op. 13: IV. [untitled]Thomas Adès conductor | Thomas Adès | conductor | — |
| Piano Quintet in A major, D. 667 "Trout": II. AndanteFranz Schubert instrumentalist (Piano) | Franz Schubert | instrumentalist (Piano) | — |
| Three Canons for Ursula: No. 2. Canon 6/9/10/15Conlon Nancarrow instrumentalist (Piano) | Conlon Nancarrow | instrumentalist (Piano) | — |
| Three Canons for Ursula: No. 3. Canon 2/3Conlon Nancarrow instrumentalist (Piano) | Conlon Nancarrow | instrumentalist (Piano) | — |
| Concerto Conciso, op. 18: IThomas Adès conductor, instrumentalist (Piano) | Thomas Adès | conductor, instrumentalist (Piano) | — |
| Concerto Conciso, op. 18: [𝅘𝅥𝅯. = 116]Thomas Adès conductor, instrumentalist (Piano) | Thomas Adès | conductor, instrumentalist (Piano) | — |
| Powder Her Face: Act I: Overture (Orchestra)Thomas Adès conductor | Thomas Adès | conductor | — |
| Finale uit Pianokwintet in A D667 'Forellenkwintet'Franz Schubert instrumentalist (Piano) | Franz Schubert | instrumentalist (Piano) | — |
| Under Hamelin Hill, op. 6: II. Fuga a tre voci con alcune licenzeThomas Adès instrumentalist | Thomas Adès | instrumentalist | — |
| Traced Overhead, op. 15: I. SursumThomas Adès instrumentalist (Piano) | Thomas Adès | instrumentalist (Piano) | — |
| Traced Overhead, op. 15: II. AetheriaThomas Adès instrumentalist (Piano) | Thomas Adès | instrumentalist (Piano) | — |
| Five Eliot Landscapes, op. 1: I. New HampshireThomas Adès instrumentalist (Piano) | Thomas Adès | instrumentalist (Piano) | — |
| Five Eliot Landscapes, op. 1: IV. Rannoch, by GlencoeThomas Adès instrumentalist (Piano) | Thomas Adès | instrumentalist (Piano) | — |
| Five Eliot Landscapes, op. 1: V. Cape AnnThomas Adès instrumentalist (Piano) | Thomas Adès | instrumentalist (Piano) | — |
| Life Story, op. 8bThomas Adès instrumentalist (Piano) | Thomas Adès | instrumentalist (Piano) | — |
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