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Works with the most recordings by Orchestra of the Royal Opera House in this catalogue. Open a work to explore its recordings and performers.
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Explore the people connected to Orchestra of the Royal Opera House in this catalogue.
Performers sharing the most recordings in this catalogue.
The recording archive
878 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| Cinderella Suite no. 2, op. 108: Fairy Spring and Fairy SummerSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 2, op. 108: Dancing Lesson and Gavotte |
Labels with the most releases featuring Orchestra of the Royal Opera House.
Orchestra of the Royal Opera House (1946) is a orchestra from United Kingdom. 878 classical recordings in this catalogue.
Composers represented most often in this discography.
Richard Wagner155 recordings · Germany
Pyotr Ilyich Tchaikovsky69 recordings · Russia
Benjamin Britten64 recordings · United Kingdom
Gaetano Donizetti58 recordings · Italyorchestra
| Sergei Prokofiev |
| orchestra |
| 1998 |
| Cinderella Suite no. 2, op. 108: GalopSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 2, op. 108: Cinderella at the CastleSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 1, op. 107: IntroductionSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 1, op. 107: Pas de ChatSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 1, op. 107: QuarrelSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 1, op. 107: Fairy Godmother and Fairy WinterSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 1, op. 107: MazurkaSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 1, op. 107: Cinderella Goes to the BallSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| Cinderella Suite no. 1, op. 107: Cinderella's Waltz / MidnightSergei Prokofiev orchestra | Sergei Prokofiev | orchestra | 1998 |
| L’Enfance du Christ: The Shepherd’s FarewellHector Berlioz orchestra | Hector Berlioz | orchestra | 1998 |
| Coppélia: Galop finalLéo Delibes orchestra | Léo Delibes | orchestra | 1998 |
| The Pilgrim’s Progress: EpilogueRalph Vaughan Williams orchestra | Ralph Vaughan Williams | orchestra | 1998 |
| The Pilgrim’s Progress: Prologue. Bunyan in PrisonRalph Vaughan Williams orchestra | Ralph Vaughan Williams | orchestra | 1998 |
| (Ghislanzoni): Gloria all'Egitto (from Aida Act 2)Giuseppe Verdi orchestra | Giuseppe Verdi | orchestra | 1998 |
| La Damnation de Faust, op. 24, H 111. Quatrième partie, scène 15. « D’amour l’ardente flamme » (Marguerite)Hector Berlioz orchestra | Hector Berlioz | orchestra | 1997 |
| Les Nuits d’été, op. 7, H 81. No. 6. L’Île inconnueHector Berlioz orchestra | Hector Berlioz | orchestra | 1997 |
| Les Nuits d’été, op. 7, H 81. No. 5. Au cimetièreHector Berlioz orchestra | Hector Berlioz | orchestra | 1997 |
| Les Nuits d’été, op. 7, H 81. No. 4. AbsenceHector Berlioz orchestra | Hector Berlioz | orchestra | 1997 |
| Les Nuits d’été, op. 7, H 81. No. 2. Le Spectre de la roseHector Berlioz orchestra | Hector Berlioz | orchestra | 1997 |
| Les Nuits d’été, op. 7, H 81. No. 3. Sur les lagunesHector Berlioz orchestra | Hector Berlioz | orchestra | 1997 |
| Benvenuto Cellini, op. 23, H 76. Acte IV, scène 1. « Mais, qu’ai‐je donc ? » (Voice)Hector Berlioz orchestra | Hector Berlioz | orchestra | 1997 |
| Les Nuits d’été, op. 7, H 81. No. 1. VillanelleHector Berlioz orchestra | Hector Berlioz | orchestra | 1997 |
| Norma: PreludioVincenzo Bellini orchestra | Vincenzo Bellini | orchestra | 1997 |
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