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Works with the most recordings by New Japan Philharmonic in this catalogue. Open a work to explore its recordings and performers.
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Performers sharing the most recordings in this catalogue.
The recording archive
147 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| Symphony no. 6 in A major, WAB 106: III. Scherzo. RUhig bewagt (etwas gemessen)Anton Bruckner orchestra | Anton Bruckner | orchestra | 2019 |
| Symphony no. 6 in A major, WAB 106: I. Maestoso |
Labels with the most releases featuring New Japan Philharmonic.
New Japan Philharmonic (1972) is a orchestra from Japan. 147 classical recordings in this catalogue.
Composers represented most often in this discography.
Tomaso Albinoni12 recordings · Italy
Gustav Mahler9 recordings · Czech Republic
Anton Bruckner7 recordings · Austria
Richard Wagner6 recordings · Germanyorchestra
| Anton Bruckner |
| orchestra |
| 2019 |
| Symphony no. 9 in D minor WAB 109:: III. Adagio. Langsam, feierlichAnton Bruckner orchestra | Anton Bruckner | orchestra | 2019 |
| Symphony no. 9 in D minor WAB 109:: II. Scherzo. Bewegt, lebhaftAnton Bruckner orchestra | Anton Bruckner | orchestra | 2019 |
| Symphony no. 9 in D minor WAB 109: I. Feierlich, misteriosoAnton Bruckner orchestra | Anton Bruckner | orchestra | 2019 |
| Symphony no. 6 in A major, WAB 106: IV. Finale. Bewegt. doch nicht zu schnellAnton Bruckner orchestra | Anton Bruckner | orchestra | 2019 |
| Symphony no. 6 in A major, WAB 106: II. Adagio. Sehr feierlichAnton Bruckner orchestra | Anton Bruckner | orchestra | 2019 |
| Act I: Prelude and Act III: Finale from "Parsifal"Richard Wagner orchestra | Richard Wagner | orchestra | 2019 |
| From "Götterdämmerung": Act III: `Siegfried`s Death and Funeral Music`Richard Wagner orchestra | Richard Wagner | orchestra | 2019 |
| From "Götterdämmerung": Act I: `Siegfried`s Rhine Journey`Richard Wagner orchestra | Richard Wagner | orchestra | 2019 |
| From "Tristan und Isolde": Act III: `Liebestod`Richard Wagner orchestra | Richard Wagner | orchestra | 2019 |
| From "Tristan und Isolde": Act I: PreludeRichard Wagner orchestra | Richard Wagner | orchestra | 2019 |
| Overture and Bacchanale from "Tannhäuser" (Paris version)Richard Wagner orchestra | Richard Wagner | orchestra | 2019 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con graziaPyotr Ilyich Tchaikovsky orchestra | Pyotr Ilyich Tchaikovsky | orchestra | 2018 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio – Allegro non troppoPyotr Ilyich Tchaikovsky orchestra | Pyotr Ilyich Tchaikovsky | orchestra | 2018 |
| Overture ''Helios'', op. 17, FS 32Carl Nielsen orchestra | Carl Nielsen | orchestra | 2018 |
| Four Tone Poems after Arnold Bocklin, op. 128: II. Im Spiel der WellenMax Reger orchestra | Max Reger | orchestra | 2018 |
| Four Tone Poems after Arnold Bocklin, op. 128: IV. BacchanalMax Reger orchestra | Max Reger | orchestra | 2018 |
| Four Tone Poems after Arnold Bocklin, op. 128: III. Die ToteninselMax Reger orchestra | Max Reger | orchestra | 2018 |
| The Mermaid: III. Sehr gedehnt, mit schmerzvollem Ausdruck (2013 version)Alexander von Zemlinsky orchestra | Alexander von Zemlinsky | orchestra | 2018 |
| The Mermaid: I. Sehr massig bewegt (2013 version)Alexander von Zemlinsky orchestra | Alexander von Zemlinsky | orchestra | 2018 |
| The Mermaid: II. Sehr bewegt, rauschend (2013 version)Alexander von Zemlinsky orchestra | Alexander von Zemlinsky | orchestra | 2018 |
| Four Tone Poems after Arnold Bocklin, op. 128: I. Der geigende EremitMax Reger orchestra | Max Reger | orchestra | 2018 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentosoPyotr Ilyich Tchaikovsky orchestra | Pyotr Ilyich Tchaikovsky | orchestra | 2018 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivacePyotr Ilyich Tchaikovsky orchestra | Pyotr Ilyich Tchaikovsky | orchestra | 2018 |
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