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| Work | Composer | Role | Year |
|---|---|---|---|
| Chasing Sheep Is Best Left to Shepherds | Michael Nyman | instrumentalist (Harpsichord) | - |
| The Heart Asks Pleasure First / The Promise (from the film The Piano) | Michael Nyman | instrumentalist (Piano) | - |
| Irma: Introduction | Gavin Bryars | instrumentalist (Piano) |
| - |
| Irma: First Interlude | Gavin Bryars | instrumentalist (Piano) | - |
| Irma: Second Interlude | Gavin Bryars | instrumentalist (Piano) | - |
| Irma: Postlude | Gavin Bryars | instrumentalist (Piano) | - |
| Prospero’s Books: History of Sycorax | Michael Nyman | conductor, instrumentalist (Piano) | - |
| Prospero’s Books: Cornfield | Michael Nyman | conductor, instrumentalist (Piano) | - |
| Prospero’s Books: Reconciliation | Michael Nyman | conductor, instrumentalist (Piano) | - |
| The Making of Faces | Michael Nyman | conductor | - |
| Dreaming of Home | Michael Nyman | conductor | - |
| The Engine Turns | Michael Nyman | conductor | - |
| The Effects of Gas | Michael Nyman | conductor | - |
| Song 1: “Urtod” | Michael Nyman | conductor | - |
| Song 2: “What’s Left of the Soldier‐Man?” | Michael Nyman | conductor | - |
| Song 3: “Kinder vor einem Londoner armenspeise Haus” | Michael Nyman | conductor | - |
| Song 4: “Haidekampf” | Michael Nyman | conductor | - |
| Puppenkorper | Michael Nyman | conductor | - |
| Picabia’s Pigeons | Michael Nyman | conductor | - |
| The Dead Are Sad Enough in Their Eternal Silence | Michael Nyman | conductor | - |
| Playing at Soldiering | Michael Nyman | conductor | - |
| The Mechanical Horse | Michael Nyman | conductor | - |
| A la Pensee des Absents | Michael Nyman | conductor | - |
| Song 5: “L’Adieu du cavalier / The Cavalier’s Farewell” | Michael Nyman | conductor | - |
| Song 6: “For Just One Night” | Michael Nyman | conductor | - |
Soloist · 26 rec