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Works with the most recordings by Martin Ostertag in this catalogue. Open a work to explore its recordings and performers.
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Performers sharing the most recordings in this catalogue.
The recording archive
122 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| Klaviertrio H-Dur, op. 8: IV. AllegroJohannes Brahms instrumentalist | Johannes Brahms | instrumentalist | 1999 |
| Klaviertrio H-Dur, op. 8: III. Adagio |
Labels with the most releases featuring Martin Ostertag.
Martin Ostertag is a soloist. 122 classical recordings in this catalogue.
Composers represented most often in this discography.
Wolfgang Amadeus Mozart37 recordings · Austria
Ludwig van Beethoven25 recordings · Germany
Paul Hindemith19 recordings · Germany
Joachim Raff8 recordings · Switzerlandinstrumentalist
| Johannes Brahms |
| instrumentalist |
| 1999 |
| Klaviertrio H-Dur, op. 8: I. Allegro con brioJohannes Brahms instrumentalist | Johannes Brahms | instrumentalist | 1999 |
| Klaviertrio H-Dur, op. 8: II. Scherzo: Allegro molto. Trio: Meno AllegroJohannes Brahms instrumentalist | Johannes Brahms | instrumentalist | 1999 |
| „Verklärte Nacht“ für KlaviertrioArnold Schoenberg instrumentalist | Arnold Schoenberg | instrumentalist | 1999 |
| Sonata for Violoncello and Piano op. 11 No. 3 (ohne Tonart): II. Langsam / Sehr lebhaftPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| Sonata for Violoncello and Piano op. 11 No. 3 (ohne Tonart): I. Mäßig schnelle Viertel. Mit KraftPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| A Frog he went a-courting (1941): Variations on an Old-English Nursery Song for Violoncello and PianoPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| Small Sonata for Violoncello and Piano (1942): III. LangsamPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| Small Sonata for Violoncello and Piano (1942): I. BreitPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| Small Sonata for Violoncello and Piano (1942): II. LebhaftPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| Sonata for Violoncello and Piano (1948): II. Moderately fastPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| Sonata for Violoncello and Piano (1948): III. PasacagliaPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| Sonata for Violoncello and Piano (1948): I. PastoralePaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1997 |
| Adagio after Celtic Op. 56Max Bruch instrumentalist | Max Bruch | instrumentalist | 1997 |
| Canzone for Cello & Orchestra Op. 55Max Bruch instrumentalist | Max Bruch | instrumentalist | 1997 |
| Ave Maria Op. 61Max Bruch instrumentalist | Max Bruch | instrumentalist | 1997 |
| Kol Nidrei Op. 47: Adagio after Hebrew melodiesMax Bruch instrumentalist | Max Bruch | instrumentalist | 1997 |
| Quintett für Klarinette und Streichquartett, op. 30: V. Sehr lebhaftPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1993 |
| Quintett für Klarinette und Streichquartett, op. 30: III. Deutsche TänzePaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1993 |
| Quintett für Klarinette und Streichquartett, op. 30: IV. AriosoPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1993 |
| Quintett für Klarinette und Streichquartett, op. 30: II. Sehr langsame AchtelPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1993 |
| Oktett: III. LangsamPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1993 |
| Oktett: II. Varianten. Mäßig bewegtPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1993 |
| Oktett: I. Breit-Mäßig schnellPaul Hindemith instrumentalist | Paul Hindemith | instrumentalist | 1993 |
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