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Works with the most recordings by Luba Orgonášová in this catalogue. Open a work to explore its recordings and performers.
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Performers sharing the most recordings in this catalogue.
The recording archive
131 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| Die Schöpfung Hob. XXI:2 / Part 3 - 34. Schlußchor mit Soli: Singt dem Herren alle StimmenJoseph Haydn vocalist | Joseph Haydn | vocalist | — |
| Die Schöpfung Hob. XXI:2 / Part 3 - 31. Rezitativ: Nun ist die erste Pflicht erfüllt |
Labels with the most releases featuring Luba Orgonášová.
Luba Orgonášová is a soloist. 131 classical recordings in this catalogue.
Charles Gounod
Composers represented most often in this discography.
Joseph Haydn35 recordings · Austria
Franz Schubert18 recordings · Austria
Ludwig van Beethoven15 recordings · Germany
Charles Gounod11 recordings · Francevocalist
| Joseph Haydn |
| vocalist |
| — |
| Die Schöpfung Hob. XXI:2 / Part 3 - 32. Duett: Holde Gattin, dir zur Seite - Der tauende MorgenJoseph Haydn vocalist | Joseph Haydn | vocalist | — |
| Die Schöpfung Hob. XXI:2 / Part 3 - 33. Rezitativ: O glücklich PaarJoseph Haydn vocalist | Joseph Haydn | vocalist | — |
| Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assaiLudwig van Beethoven vocalist | Ludwig van Beethoven | vocalist | — |
| Stabat Mater: 10. Finale. “Amen. In sempiterna saecula” (Coro, Soli)Gioachino Rossini vocalist | Gioachino Rossini | vocalist | — |
| Stabat Mater: 1. Introduzione. “Stabat mater dolorosa” (Coro, Soli)Gioachino Rossini vocalist | Gioachino Rossini | vocalist | — |
| Stabat Mater: 8. Aria e Coro. “Inflammatus et accensus” (Soprano I, Coro)Gioachino Rossini vocalist | Gioachino Rossini | vocalist | — |
| Mass No. 2 in G Major, D. 167: KyrieFranz Schubert vocalist | Franz Schubert | vocalist | — |
| Mass No. 2 in G Major, D. 167: GloriaFranz Schubert vocalist | Franz Schubert | vocalist | — |
| Mass No. 2 in G Major, D. 167: CredoFranz Schubert vocalist | Franz Schubert | vocalist | — |
| Mass No. 2 in G Major, D. 167: SanctusFranz Schubert vocalist | Franz Schubert | vocalist | — |
| Mass No. 2 in G Major, D. 167: BenedictusFranz Schubert vocalist | Franz Schubert | vocalist | — |
| Mass No. 2 in G Major, D. 167: Agnus DeiFranz Schubert vocalist | Franz Schubert | vocalist | — |
| Symphony no. 9 in D minor, op. 125: PrestoLudwig van Beethoven vocalist | Ludwig van Beethoven | vocalist | — |
| Stabat Mater: 6. Quartetto. “Sancta mater, istud agas” (Soli)Gioachino Rossini vocalist | Gioachino Rossini | vocalist | — |
| Stabat Mater: 3. Duetto. “Quis est homo” (Soprano I/II)Gioachino Rossini vocalist | Gioachino Rossini | vocalist | — |
| Missa Solemnis - Kyrie (Opening)Ludwig van Beethoven vocalist | Ludwig van Beethoven | vocalist | — |
| War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth (Soprano, Chorus)Benjamin Britten vocalist | Benjamin Britten | vocalist | — |
| War Requiem, op. 66: II. Dies Irae: Lacrimosa dies illa (Soprano, Chorus)Benjamin Britten vocalist | Benjamin Britten | vocalist | — |
| Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze)Wolfgang Amadeus Mozart vocalist | Wolfgang Amadeus Mozart | vocalist | — |
| Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)Wolfgang Amadeus Mozart vocalist | Wolfgang Amadeus Mozart | vocalist | — |
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