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Italian composer, pianist and conductor (1971–2020)
| Work | Composer | Role | Year |
|---|---|---|---|
| Wenn wir in höchsten Nöten sein, BWV 641 | Johann Sebastian Bach | instrumentalist (Piano) | 2018 |
| Sonata for Cello and Piano, BWV 1027: Andante | Johann Sebastian Bach | instrumentalist (Piano) | 2018 |
| Ich ruf' zu dir, Herr Jesu Christ, BWV 639 | Johann Sebastian Bach | instrumentalist (Piano) |
| 2018 |
| Suite: Bach was in Another Room (2-7): Prelude op. 28 no. 20 (The Darkest Room) | Frédéric Chopin | instrumentalist (Piano) | 2017 |
| Suite: Bach was in Another Room (2-7): Prelude op. 28 no. 4 (The Pain room) | Frédéric Chopin | instrumentalist (Piano) | 2017 |
| Suite: Bach was in Another Room (2-7): Prelude BWV 855a (The Children's Room) | Johann Sebastian Bach | instrumentalist (Piano) | 2017 |
| Suite: Bach was in Another Room (2-7): Prelude op. 28 no. 6 (The Burned Room) | Frédéric Chopin | instrumentalist (Piano) | 2017 |
| Suite: Bach was in Another Room (2-7): Invention no. 2 BWV 773 (The Breakfast Room) | Johann Sebastian Bach | instrumentalist (Piano) | 2017 |
| Suite: Bach was in Another Room (2-7): The Well-Tempered Clavier BWV 846, Prelude no. 1 (The Building Room) | Johann Sebastian Bach | instrumentalist (Piano) | 2017 |
| La fille aux cheveux de lin | Claude Debussy | instrumentalist (Piano) | 2016 |
| Preludio no. 1 BWV466 dal Clavicembalo Ben Temperato (The Building Room) | Johann Sebastian Bach | instrumentalist (Piano) | 2015 |
| Preludio op. 28 no. 8 (The Dark Room) | Frédéric Chopin | instrumentalist (Piano) | 2015 |
| Preludio op. 28 no. 6 (The Painroom) | Frédéric Chopin | instrumentalist (Piano) | 2015 |
| Stanza BBWV885a dalla cantata in Si minore (The God's Room) | Johann Sebastian Bach | instrumentalist (Piano) | 2015 |
| Preludio op. 28 no. 20 (The Burned Room) | Frédéric Chopin | instrumentalist (Piano) | 2015 |
| Bagatelle no. 3 “Dreaming Tears in a Crystal Cage” | Ezio Bosso | instrumentalist (Piano) | - |
| Quatuor pour la fin du temps: Louange à l'éternité de Jésus | Olivier Messiaen | instrumentalist (Piano) | - |
| Piano Sonata no. 14 in C-sharp minor “Moonlight”: Adagio sostenuto | Ludwig van Beethoven | instrumentalist (Piano) | - |
| Sonata no. 1 for Cello and Piano "The Roots (A Tale Sonata)": Adagio molto (Like a funeral march) | Ezio Bosso | instrumentalist (Piano) | - |
| Sonata no. 1 for Cello and Piano "The Roots (A Tale Sonata)": Trio, dolcemente (Remembrances, a mourning song) | Ezio Bosso | instrumentalist (Piano) | - |
| Sonata no. 1 for Cello and Piano "The Roots (A Tale Sonata)": Scherzo, presto (A radication will) | Ezio Bosso | instrumentalist (Piano) | - |
| Sonata no. 1 for Cello and Piano "The Roots (A Tale Sonata)": Finale, allegro molto ma giusto, presto con fuoco | Ezio Bosso | instrumentalist (Piano) | - |
| Una melodia ispirata a Gluck (The Therapy Room) | Ezio Bosso | instrumentalist (Piano) | - |
| Split, Postcards from Far Away (solo piano version) | Ezio Bosso | instrumentalist (Piano) | - |
| Split, Postcards from Far Away (The Tea Room) | Ezio Bosso | instrumentalist (Piano) | - |