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Harpsichord · Piano
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Works with the most recordings by Edith Picht-Axenfeld in this catalogue. Open a work to explore its recordings and performers.
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Explore the people connected to Edith Picht-Axenfeld in this catalogue.
Performers sharing the most recordings in this catalogue.
The recording archive
118 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| Songs for an Early Hour, op. 133: V. Im Anfang ruhiges, im Verlauf bewegtes TempoRobert Schumann instrumentalist (Piano) | Robert Schumann | instrumentalist (Piano) | 1990 |
| Songs for an Early Hour, op. 133: IV. Bewegt |
Labels with the most releases featuring Edith Picht-Axenfeld.
Edith Picht-Axenfeld (1914–2001) was a soloist from Germany. 118 classical recordings in this catalogue. Instruments: Harpsichord, Piano.
Composers represented most often in this discography.
Johann Sebastian Bach47 recordings · Germany
George Frideric Handel34 recordings · Germany
Robert Schumann13 recordings · Germany
Carl Philipp Emanuel Bach10 recordings · Germanyinstrumentalist (Piano)
| Robert Schumann |
| instrumentalist (Piano) |
| 1990 |
| Songs for an Early Hour, op. 133: II. Belebt, nicht zu raschRobert Schumann instrumentalist (Piano) | Robert Schumann | instrumentalist (Piano) | 1990 |
| Songs for an Early Hour, op. 133: III. LebhaftRobert Schumann instrumentalist (Piano) | Robert Schumann | instrumentalist (Piano) | 1990 |
| Sonata in F minor for piano “Concerto Without Orchestra”, op. 14: IV. Prestissimo possibileRobert Schumann instrumentalist (Piano) | Robert Schumann | instrumentalist (Piano) | 1990 |
| Songs for an Early Hour, op. 133: I. Im ruhigen TempoRobert Schumann instrumentalist (Piano) | Robert Schumann | instrumentalist (Piano) | 1990 |
| Sonata in F minor for piano “Concerto Without Orchestra”, op. 14: III. Quasi variazioni: andantino de Clara WieckRobert Schumann instrumentalist (Piano) | Robert Schumann | instrumentalist (Piano) | 1990 |
| Sonata in F minor for piano “Concerto Without Orchestra”, op. 14: I. AllegroRobert Schumann instrumentalist (Piano) | Robert Schumann | instrumentalist (Piano) | 1990 |
| Sonata in F minor for piano “Concerto Without Orchestra”, op. 14: II. Scherzo: molto comodoRobert Schumann instrumentalist (Piano) | Robert Schumann | instrumentalist (Piano) | 1990 |
| Brandenburg Concerto no. 5 in D major, BWV 1050: I. AllegroJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1988 |
| Brandenburg Concerto no. 5 in D major, BWV 1050: II. AffettuosoJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1988 |
| Overture (Suite) no. 3 in D major, BWV 1068: V. GigueJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1988 |
| Overture (Suite) no. 3 in D major, BWV 1068: II. AirJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1988 |
| Overture (Suite) no. 3 in D major, BWV 1068: IV. BourreeJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1988 |
| Overture (Suite) no. 3 in D major, BWV 1068: III. Gavotte I/IIJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1988 |
| Brandenburg Concerto no. 5 in D major, BWV 1050: III. AllegroJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1988 |
| Suite no. 3 in D major, BWV 1068: I. OuvertureJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1988 |
| Sonate für Oboe und Continuo c-moll, RV 53: IV. AllegroAntonio Vivaldi instrumentalist (Harpsichord) | Antonio Vivaldi | instrumentalist (Harpsichord) | 1969 |
| Sonate für Oboe und Continuo c-moll, RV 53: II. AllegroAntonio Vivaldi instrumentalist (Harpsichord) | Antonio Vivaldi | instrumentalist (Harpsichord) | 1969 |
| Sonate für Oboe und Continuo c-moll, RV 53: III. AndanteAntonio Vivaldi instrumentalist (Harpsichord) | Antonio Vivaldi | instrumentalist (Harpsichord) | 1969 |
| Sonate für Oboe und Continuo c-moll, RV 53: I. AdagioAntonio Vivaldi instrumentalist (Harpsichord) | Antonio Vivaldi | instrumentalist (Harpsichord) | 1969 |
| Brandenburg Concerto no. 3 in G major, BWV 1048: III. AllegroJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1965 |
| Brandenburg Concerto no. 3 in G major, BWV 1048: II. AdagioJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1965 |
| Brandenburg Concerto no. 3 in G major, BWV 1048: I. AllegroJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1965 |
| Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assaiJohann Sebastian Bach instrumentalist (Harpsichord) | Johann Sebastian Bach | instrumentalist (Harpsichord) | 1965 |
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