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1,612 recordings, newest first
| Work | Composer | Role | Year |
|---|---|---|---|
| Die Entführung aus dem Serail, K. 384, Act III (Live): No. 20, Rezitativ und Duett, "Welch ein Geschick! O Qual der Seele!"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
Labels with the most releases featuring Chamber Orchestra of Europe.
Chamber Orchestra of Europe (1981) is a orchestra. 1,612 classical recordings in this catalogue.
Composers represented most often in this discography.
Wolfgang Amadeus Mozart262 recordings · Austria
Ludwig van Beethoven249 recordings · Germany
Franz Schubert203 recordings · Austria
Johann Sebastian Bach125 recordings · Germanyorchestra
| Wolfgang Amadeus Mozart |
| orchestra |
| — |
| Die Entführung aus dem Serail, K. 384, Act III (Live): No. 21a, Vaudeville, "Nie werd' ich deine Huld verkennen"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act III (Live): No. 21b, Chor der Janitscharen, "Bassa Selim lebe lange"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Symphony no. 9, op. 125: Ode to Joy (excerpt)Ludwig van Beethoven orchestra | Ludwig van Beethoven | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act I (Live): No. 6, Arie, "Ach ich liebte, war so glücklich"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act II (Live): "Traurigkeit ward mir zum Lose"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act II (Live): No. 12, Arie, "Welche Wonne, welche Lust"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act II (Live): No. 11, Arie, "Martern aller Arten"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act II (Live): "Pst, pst, Blondchen!"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act II (Live): "Ha! Geht's hier so lustig zu?"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act II (Live): No. 14, Duett, "Vivat Bacchus! Bacchus lebe!"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act III (Live): "O Konstanze, je näher der Augenblick kommt"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act III (Live): "Alles liegt auf dem Ohr" - No. 18, Romanze, "In Mohrenland gefangen war"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act III (Live): No. 17, Arie, "Ich baue ganz auf deine Stärke"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Die Entführung aus dem Serail, K. 384, Act II (Live): No. 15, Arie, "Wenn der Freude Tränen fließen"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Quartet for Mezzo-Soprano, Tenor, 2 Basses & Orchestra in E-flat major, K. 479: "Dite almeno, in che mancai"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia"Wolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro apertoWolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagioWolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau: AllegroWolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
| Piano Concerto no. 15 in B-flat major, K. 450: I. AllegroWolfgang Amadeus Mozart orchestra | Wolfgang Amadeus Mozart | orchestra | — |
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