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Canadian-born composer, conductor, musical arranger and trumpet player
July 24, 1917
Toronto
April 23, 2005
| Title | Catalog | Form | Key | Year | Recordings |
|---|---|---|---|---|---|
| Cue 1-2: Arrival: Theme One (Timp and Piano Strings) | — | - | - | - | 1 |
| Cue 1-3: Arrival: Big Brother (Singing Timpani) | — | - | - | - | 1 |
| Cue 1-4: Arrival: Jaws Singing Harp (Jaws Harp - Normal Speed) | — | - | - | - |
| Cue 1-5: Arrival: Screams (Siren Whistle) | — | - | - | - | 1 |
| Cue 1-6: Arrival: Frantic Jaws Harp (Jaws Harp - Half Speed) | — | - | - | - | 1 |
| Cue 1-7: Arrival: "Pop Goes the Weasel" ("Pop-Weasel" - Piano) | — | - | - | - | 1 |
| Cue 1-8: Arrival: "Pop" Two ("Pop-Weasel" - Piano, Block, Etc) | — | - | - | - | 1 |
| Cue 1-9: Arrival: "Pop" Three ("Pop-Weasel" - Piano, Cymbal Etc) | — | - | - | - | 1 |
| Cue A1M1A-3: Arrival: Second Title Section (Boss's Office to Gas) | — | - | - | - | 1 |
| Cue A1M1A-4: Arrival: First Titles Section - Over Westminster Bridge to Boss's Office | — | - | - | - | 1 |
| Cue A1M1B-9: Arrival: Third Titles Section - P. Wakes to Extended Village | — | - | - | - | 1 |
| Cue A1M1C-3: Arrival: Commercial Break in and Out | — | - | - | - | 1 |
| Cue A2M2-2: Arrival: Sup/Imp Section | — | - | - | - | 1 |
| Cue A2M4-3: Arrival: Helicopter Descends After No.2 Tour With P. | — | - | - | - | 1 |
| Cue A3M2-2: Arrival: Birth of Rover | — | - | - | - | 1 |
| Cue A4M2-1: Arrival: All Drums at End | — | - | - | - | 1 |
| Cue A4M2-3: Arrival: P. Out of House Etc | — | - | - | - | 1 |
| Cue A4M3-2: Arrival: Beach Fight - Rover Overcomes P. | — | - | - | - | 1 |
| Cue A4M4-3: Arrival: "Boys and Girls Come Out to Play" | — | - | - | - | 1 |
| Cue A4M4-8: Arrival: "Boys and Girls Come Out to Play" | — | - | - | - | 1 |