Centenary Collection 1978-1987

Violin Concerto no. 5 in A major, K. 219 "Turkish": I. Allegro aperto

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 5 in A major, K. 219 "Turkish": II. Adagio

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato

Max Bruch - Violin Concerto no. 1 in G minor, op. 26

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 1 in G minor, op. 26: II. Adagio

Max Bruch - Violin Concerto no. 1 in G minor, op. 26

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico

Max Bruch - Violin Concerto no. 1 in G minor, op. 26

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: Introduction. Allegro Moderato

Pablo de Sarasate - Carmen Fantasy, op. 25: Introduction. Allegro moderato

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: I. Moderato

Pablo de Sarasate - Carmen Fantasy, op. 25

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: II. Lento assai

Pablo de Sarasate - Carmen Fantasy, op. 25

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: III. Allegro moderato

Pablo de Sarasate - Carmen Fantasy, op. 25

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: IV. Moderato

Pablo de Sarasate - Carmen Fantasy, op. 25

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Violin Concerto in D major, op. 35: I. Allegro moderato

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Gidon Kremer, Lorin Maazel, Berlin Philharmonic

Violin Concerto in D major, op. 35: II. Canzonetta. Andante - attacca

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Gidon Kremer, Lorin Maazel, Berlin Philharmonic

Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Gidon Kremer, Lorin Maazel, Berlin Philharmonic

Sérénade mélancolique in B-flat minor, op. 26

Pyotr Ilyich Tchaikovsky - Sérénade mélancolique in B-flat minor, op. 26

Gidon Kremer, Lorin Maazel, Berlin Philharmonic

Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro

Felix Mendelssohn - Concerto for Violin, Piano and String Orchestra in D minor

Gidon Kremer, Orpheus Chamber Orchestra

Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio

Felix Mendelssohn - Concerto for Violin, Piano and String Orchestra in D minor

Gidon Kremer, Orpheus Chamber Orchestra

Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto

Felix Mendelssohn - Concerto for Violin, Piano and String Orchestra in D minor

Gidon Kremer, Orpheus Chamber Orchestra

Symphonie espagnole, op. 21: I. Allegro non troppo

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphonie espagnole, op. 21: II. Scherzando. Allegro molto

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphonie espagnole, op. 21: IV. Andante

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphonie espagnole, op. 21: V. Rondo. Allegro

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": I. Adagio: Allegro moderato: Poco adagio

Camille Saint-Saëns - Symphony no. 3 in C minor “avec orgue”, op. 78

Daniel Barenboim, Chicago Symphony Orchestra, Gaston Litaize

Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato: Presto: Allegro moderato

Camille Saint-Saëns - Symphony no. 3 in C minor “avec orgue”, op. 78

Daniel Barenboim, Chicago Symphony Orchestra, Gaston Litaize

Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": III. Maestoso: Allegro

Camille Saint-Saëns - Symphony no. 3 in C minor “avec orgue”, op. 78

Daniel Barenboim, Chicago Symphony Orchestra, Gaston Litaize

Paraphrase de concert sur Rigoletto, S. 434 (After Verdi)

Franz Liszt - Konzert-Paraphrase über Verdis "Rigoletto", S. 434

Daniel Barenboim

Falstaff: Atto I, scena 1. “Falstaff! Olà!”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto I, scena 1. “Sei polli; sei scellini … So che andiam, la notte”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Sei polli: Sei scellini” (Falstaff, Bardolfo)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto I, scena 1. “Ma e tempo d'assottigliar l'ingegno … V'è noto un tal qui del paese”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Pistola, Bardolfo)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto I, scena 1. “L'Onore! Ladri!”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto I, scena 2. “Alice. Meg. Nannetta”

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto I, scena 2. “Fulgida Alice! amor t'offro ... Quell'otre! quel tino!”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto I, scena 2. “In due parole”

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto I, scena 2. “Pst,pst, Nanetta … Labbra di foco!”

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto I, scena 2. “Undrai quanta egli sfoggia”

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 1. “Siam pentiti e contriti … Reverenza!”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 1. “Alice e mia! … Va, vecchio John”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 1. “C'è a Windsor una dama”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Ve lo dirò - C'è a Windsor una dama” (Ford, Falstaff)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 1. “È sogno? o realta?”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 2. “Presenteremo un bill … Giunta all' Albergo della Giarrettiera”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Giunta all'Albergo della Giarrettiera” (Quickly, Alice, Meg, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 2. “Gaie comari di Windsor”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 2. “Quand' ero paggio”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 2. “Mia signora!”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 2. “Vien qua. Che chiasso!”

Giuseppe Verdi - Falstaff: Atto II, scena 2. "Vien qua" - "Che chiasso!" (Nannetta, Fenton)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto II, scena 2. “C'è. C'è. Se t'agguanto! Se ti piglio!”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 1. “Ehi! Taverniere! Mondo ladro!”

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 1. “Reverenza. La bella Alice ... Quandro il rintocco della mezzanotte”

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 1. “Brava. Quelle corna saranno la mia gioia!”

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Brava! Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 2. “Una, due, tre, quattro”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! … Sul fin d'un soffio etesio”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 2. “Alto la! … Pizzica, pizzica”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic

Falstaff: Atto III, scena 2. “Facciamo il parentado ... Tutto nel mondo e burla”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)

Carlo Maria Giulini, Los Angeles Philharmonic

Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace

Felix Mendelssohn - Symphony no. 4 in A major, op. 90 “Italian”

Giuseppe Sinopoli, Philharmonia Orchestra

Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto

Felix Mendelssohn - Symphony no. 4 in A major, op. 90 “Italian”

Giuseppe Sinopoli, Philharmonia Orchestra

Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato

Felix Mendelssohn - Symphony no. 4 in A major, op. 90 “Italian”

Giuseppe Sinopoli, Philharmonia Orchestra

Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto

Felix Mendelssohn - Symphony no. 4 in A major, op. 90 “Italian”

Giuseppe Sinopoli, Philharmonia Orchestra

Symphony no. 2 in C, op.61: I. Sostenuto assai: Un poco più vivace: Allegro ma non troppo: Con fuoco

Robert Schumann - Symphony no. 2 in C major, op. 61

Giuseppe Sinopoli, Vienna Philharmonic

Symphony no. 2 in C, op.61: II. Scherzo (Allegro vivace)

Robert Schumann - Symphony no. 2 in C major, op. 61

Giuseppe Sinopoli, Vienna Philharmonic

Symphony no. 2 in C, op.61: III. Adagio espresssivo

Robert Schumann - Symphony no. 2 in C major, op. 61

Giuseppe Sinopoli, Vienna Philharmonic

Symphony no. 2 in C, op.61: IV. Allegro molto vivace

Robert Schumann - Symphony no. 2 in C major, op. 61

Giuseppe Sinopoli, Vienna Philharmonic

Candide, Act I: Overture

Leonard Bernstein - Candide: Overture

Leonard Bernstein, London Symphony Orchestra

Candide, Act I: No. 3, The Best of all Possible Worlds

Leonard Bernstein - Candide: Act I. The Best of All Possible Worlds

Leonard Bernstein, London Symphony Orchestra

Candide, Act I: No. 12, Glitter and Be Gay

Leonard Bernstein - Candide: Act I. Glitter and Be Gay

Leonard Bernstein, London Symphony Orchestra

Candide, Act II: No. 29, Nothing More Than This

Leonard Bernstein - Candide: Act II. Nothing More Than This

Leonard Bernstein, London Symphony Orchestra

West Side Story: I. Prologue

Leonard Bernstein - West Side Story: Prologue

Leonard Bernstein

West Side Story: II. Jet Song

Leonard Bernstein - West Side Story: Jet Song

Leonard Bernstein

West Side Story: V. Maria

Leonard Bernstein - West Side Story: Maria

Leonard Bernstein

West Side Story: VI. Tonight: Balcony Scene

Leonard Bernstein - West Side Story: Tonight

Leonard Bernstein

West Side Story: VII. America

Leonard Bernstein - West Side Story: America

Leonard Bernstein

West Side Story: XII. I Feel Pretty

Leonard Bernstein - West Side Story: I Feel Pretty

Leonard Bernstein

Cello Concerto in A minor, RV 418: I. Allegro

Antonio Vivaldi - Concerto for Cello in A minor, RV 418

Orpheus Chamber Orchestra

Cello Concerto in A minor, RV 418: II. (Largo)

Antonio Vivaldi - Concerto for Cello in A minor, RV 418

Orpheus Chamber Orchestra

Cello Concerto in A minor, RV 418: III. Allegro

Antonio Vivaldi - Concerto for Cello in A minor, RV 418

Orpheus Chamber Orchestra

Cello Concerto in B minor, RV 424: I. Allegro non molto

Antonio Vivaldi - Concerto for Cello in B minor, RV 424

Orpheus Chamber Orchestra

Cello Concerto in B minor, RV 424: II. Largo

Antonio Vivaldi - Concerto for Cello in B minor, RV 424

Orpheus Chamber Orchestra

Cello Concerto in B minor, RV 424: III. Allegro

Antonio Vivaldi - Concerto for Cello in B minor, RV 424

Orpheus Chamber Orchestra

Sonata in E major, K. 380 (L. 23): Andante comodo

Domenico Scarlatti - Sonata in E major, K. 380, L. 23

Vladimir Horowitz

Piano Sonata in C major, K. 330 (300 h): I. Allegro moderato

Wolfgang Amadeus Mozart - Sonata for Piano no. 10 in C major, K. 300h/330

Vladimir Horowitz

Piano Sonata in C major, K. 330 (300 h): II. Andante cantabile

Wolfgang Amadeus Mozart - Sonata for Piano no. 10 in C major, K. 300h/330

Vladimir Horowitz

Piano Sonata in C major, K. 330 (300 h): III. Allegretto

Wolfgang Amadeus Mozart - Sonata for Piano no. 10 in C major, K. 300h/330

Vladimir Horowitz

Prelude in G major, op. 32 no. 5: Moderato

Sergei Rachmaninoff - 13 Preludes, op. 32

Vladimir Horowitz

Prelude in G‐sharp minor, op. 32 no. 12: Allegro

Sergei Rachmaninoff - 13 Preludes, op. 32: No. 12 in G-sharp minor. Allegro

Vladimir Horowitz

Etude in C‐sharp minor, op. 2 no. 1: Andante

Alexander Scriabin - 3 Pieces, op. 2: No. 1. Étude in C‐sharp minor

Vladimir Horowitz

Etude in D‐sharp minor, op. 8 no. 12: Patetico

Alexander Scriabin - 12 études, op. 8: No. 12 in D-sharp minor

Vladimir Horowitz

Soirées de Vienne: Valse‐Caprice no. 6: Allegro con spirito

Franz Liszt - Soirées de Vienne, S. 427: No. 6 in A minor. Allegro con strepito

Vladimir Horowitz

Années de pèlerinage: Deuxième année: Italie, S.161: 5. Sonetto 104 del Petrarca: Agitato assai - Adagio

Franz Liszt - Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 104 del Petrarca, S. 161 no. 5

Vladimir Horowitz

Mazurka in C‐sharp minor, op. 30 no. 4: Allegretto

Frédéric Chopin - Mazurka no. 21 in C‐sharp minor, op. 30 no. 4

Vladimir Horowitz

Mazurka in F minor, op. 7 no. 3

Frédéric Chopin - Mazurka no. 7 in F minor, op. 7 no. 3

Vladimir Horowitz

Träumerei

Robert Schumann - Kinderszenen, op. 15: No. 7. Träumerei

Vladimir Horowitz

Étincelles, Morceau caractéristique, op. 36 no. 6: Allegro scherzando

Moritz Moszkowski - Étincelles, op. 36 no. 6

Vladimir Horowitz

Polka de W.R.: Allegretto

Franz Behr - Polka de W.R., TN ii/18

Vladimir Horowitz

Ballade no. 1 in G minor, op. 23

Frédéric Chopin - Ballade no. 1 in G minor, op. 23

Krystian Zimerman

Ballade no. 2 in F major, op. 38

Frédéric Chopin - Ballade no. 2 in F major, op. 38

Krystian Zimerman

Ballade no. 3 In A-flat major, op. 47

Frédéric Chopin - Ballade no. 3 in A‐flat major, op. 47

Krystian Zimerman

Ballade no. 4 in F minor, op. 52

Frédéric Chopin - Ballade no. 4 in F minor, op. 52

Krystian Zimerman

Piano Concerto no. 1 in E flat major, S. 124: I. Allegro maestoso

Franz Liszt - Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124

Seiji Ozawa, Boston Symphony Orchestra, Krystian Zimerman

Piano Concerto no. 1 in E flat major, S. 124: II. Quasi adagio: Allegretto vivace: Allegro animato

Franz Liszt - Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124

Seiji Ozawa, Boston Symphony Orchestra, Krystian Zimerman

Piano Concerto no. 1 in E flat major, S. 124: III. Allegro marziale animato

Franz Liszt - Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124

Seiji Ozawa, Boston Symphony Orchestra, Krystian Zimerman

Totentanz, S. 525

Franz Liszt - Totentanz, S. 126/2

Seiji Ozawa, Boston Symphony Orchestra, Krystian Zimerman