Centenary Collection 1978-1987

Violin Concerto no. 5 in A major, K. 219 "Turkish": I. Allegro aperto

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 5 in A major, K. 219 "Turkish": II. Adagio

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato

Max Bruch - Violin Concerto no. 1 in G minor, op. 26

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 1 in G minor, op. 26: II. Adagio

Max Bruch - Violin Concerto no. 1 in G minor, op. 26

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico

Max Bruch - Violin Concerto no. 1 in G minor, op. 26

Herbert von Karajan, Berlin Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: Introduction. Allegro Moderato

Pablo de Sarasate - Carmen Fantasy, op. 25: Introduction. Allegro moderato

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: I. Moderato

Pablo de Sarasate - Carmen Fantasy, op. 25

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: II. Lento assai

Pablo de Sarasate - Carmen Fantasy, op. 25

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: III. Allegro moderato

Pablo de Sarasate - Carmen Fantasy, op. 25

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Carmen Fantasy, op. 25: IV. Moderato

Pablo de Sarasate - Carmen Fantasy, op. 25

James Levine, Vienna Philharmonic, Anne-Sophie Mutter

Violin Concerto in D major, op. 35: I. Allegro moderato

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Gidon Kremer, Lorin Maazel, Berlin Philharmonic

Violin Concerto in D major, op. 35: II. Canzonetta. Andante - attacca

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Gidon Kremer, Lorin Maazel, Berlin Philharmonic

Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Gidon Kremer, Lorin Maazel, Berlin Philharmonic

Sérénade mélancolique in B-flat minor, op. 26

Pyotr Ilyich Tchaikovsky - Sérénade mélancolique in B-flat minor, op. 26

Gidon Kremer, Lorin Maazel, Berlin Philharmonic

Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro

Felix Mendelssohn - Concerto for Violin, Piano and String Orchestra in D minor

Gidon Kremer, Orpheus Chamber Orchestra, Martha Argerich

Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio

Felix Mendelssohn - Concerto for Violin, Piano and String Orchestra in D minor

Gidon Kremer, Orpheus Chamber Orchestra, Martha Argerich

Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto

Felix Mendelssohn - Concerto for Violin, Piano and String Orchestra in D minor

Gidon Kremer, Orpheus Chamber Orchestra, Martha Argerich

Symphonie espagnole, op. 21: I. Allegro non troppo

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphonie espagnole, op. 21: II. Scherzando. Allegro molto

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphonie espagnole, op. 21: IV. Andante

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphonie espagnole, op. 21: V. Rondo. Allegro

Edouard Lalo - Symphonie espagnole in D minor, op. 21

Daniel Barenboim, Itzhak Perlman, Orchestre de Paris

Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": I. Adagio: Allegro moderato: Poco adagio

Camille Saint-Saëns - Symphony no. 3 in C minor “avec orgue”, op. 78

Daniel Barenboim, Chicago Symphony Orchestra, Gaston Litaize

Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato: Presto: Allegro moderato

Camille Saint-Saëns - Symphony no. 3 in C minor “avec orgue”, op. 78

Daniel Barenboim, Chicago Symphony Orchestra, Gaston Litaize

Symphony no. 3 in C minor, op. 78, R. 176 "Organ Symphony": III. Maestoso: Allegro

Camille Saint-Saëns - Symphony no. 3 in C minor “avec orgue”, op. 78

Daniel Barenboim, Chicago Symphony Orchestra, Gaston Litaize

Paraphrase de concert sur Rigoletto, S. 434 (After Verdi)

Franz Liszt - Konzert-Paraphrase über Verdis "Rigoletto", S. 434

Daniel Barenboim

Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": I. Grave - Doppio movimento

Frédéric Chopin - Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”

Ivo Pogorelić

Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": II. Scherzo

Frédéric Chopin - Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”

Ivo Pogorelić

Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": III. Marche funèbre: Lento - attacca

Frédéric Chopin - Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”

Ivo Pogorelić

Piano Sonata no. 2 in B-flat minor, op. 35 "Funeral March": IV. Finale. Presto

Frédéric Chopin - Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”

Ivo Pogorelić

Gaspard de la nuit: I. Ondine: Lent

Maurice Ravel - Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)

Ivo Pogorelić

Gaspard de la nuit: II. Le Gibet: Très lent.

Maurice Ravel - Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)

Ivo Pogorelić

Gaspard de la nuit: III. Scarbo: Modéré

Maurice Ravel - Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)

Ivo Pogorelić

Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato

Sergei Prokofiev - Piano Sonata no. 6 in A major, op. 82

Ivo Pogorelić

Piano Sonata no. 6 in A major, op. 82: II. Allegretto

Sergei Prokofiev - Piano Sonata no. 6 in A major, op. 82

Ivo Pogorelić

Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo

Sergei Prokofiev - Piano Sonata no. 6 in A major, op. 82

Ivo Pogorelić

Piano Sonata no. 6 in A major, op. 82: IV. Vivace

Sergei Prokofiev - Piano Sonata no. 6 in A major, op. 82

Ivo Pogorelić

Falstaff: Atto I, scena 1. “Falstaff! Olà!”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola)

Carlo Maria Giulini, Los Angeles Philharmonic, Renato Bruson

Falstaff: Atto I, scena 1. “Sei polli; sei scellini … So che andiam, la notte”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Sei polli: Sei scellini” (Falstaff, Bardolfo)

Carlo Maria Giulini, Los Angeles Philharmonic, Renato Bruson

Falstaff: Atto I, scena 1. “Ma e tempo d'assottigliar l'ingegno … V'è noto un tal qui del paese”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Pistola, Bardolfo)

Carlo Maria Giulini, Los Angeles Philharmonic, Renato Bruson

Falstaff: Atto I, scena 1. “L'Onore! Ladri!”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff)

Carlo Maria Giulini, Los Angeles Philharmonic, Renato Bruson

Falstaff: Atto I, scena 2. “Alice. Meg. Nannetta”

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto I, scena 2. “Fulgida Alice! amor t'offro ... Quell'otre! quel tino!”

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto I, scena 2. “In due parole”

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto I, scena 2. “Pst,pst, Nanetta … Labbra di foco!”

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto I, scena 2. “Undrai quanta egli sfoggia”

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola)

Carlo Maria Giulini, Los Angeles Philharmonic, Leo Nucci

Falstaff: Atto II, scena 1. “Siam pentiti e contriti … Reverenza!”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff)

Carlo Maria Giulini, Los Angeles Philharmonic, Renato Bruson

Falstaff: Atto II, scena 1. “Alice e mia! … Va, vecchio John”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo)

Carlo Maria Giulini, Los Angeles Philharmonic, Renato Bruson

Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)

Carlo Maria Giulini, Los Angeles Philharmonic, Leo Nucci

Falstaff: Atto II, scena 1. “C'è a Windsor una dama”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Ve lo dirò - C'è a Windsor una dama” (Ford, Falstaff)

Carlo Maria Giulini, Los Angeles Philharmonic, Leo Nucci

Falstaff: Atto II, scena 1. “È sogno? o realta?”

Giuseppe Verdi - Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford)

Carlo Maria Giulini, Los Angeles Philharmonic, Leo Nucci

Falstaff: Atto II, scena 2. “Presenteremo un bill … Giunta all' Albergo della Giarrettiera”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Giunta all'Albergo della Giarrettiera” (Quickly, Alice, Meg, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto II, scena 2. “Gaie comari di Windsor”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice)

Carlo Maria Giulini, Los Angeles Philharmonic, Katia Ricciarelli

Falstaff: Atto II, scena 2. “Quand' ero paggio”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola)

Carlo Maria Giulini, Los Angeles Philharmonic, Katia Ricciarelli

Falstaff: Atto II, scena 2. “Mia signora!”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg)

Carlo Maria Giulini, Los Angeles Philharmonic, Katia Ricciarelli

Falstaff: Atto II, scena 2. “Vien qua. Che chiasso!”

Giuseppe Verdi - Falstaff: Atto II, scena 2. "Vien qua" - "Che chiasso!" (Nannetta, Fenton)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto II, scena 2. “C'è. C'è. Se t'agguanto! Se ti piglio!”

Giuseppe Verdi - Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato)

Carlo Maria Giulini, Los Angeles Philharmonic, Los Angeles Master Chorale

Falstaff: Atto III, scena 1. “Ehi! Taverniere! Mondo ladro!”

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff)

Carlo Maria Giulini, Los Angeles Philharmonic, Renato Bruson

Falstaff: Atto III, scena 1. “Reverenza. La bella Alice ... Quandro il rintocco della mezzanotte”

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto III, scena 1. “Brava. Quelle corna saranno la mia gioia!”

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Brava! Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic, Barbara Hendricks

Falstaff: Atto III, scena 2. “Una, due, tre, quattro”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg)

Carlo Maria Giulini, Los Angeles Philharmonic, Katia Ricciarelli

Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! … Sul fin d'un soffio etesio”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate)

Carlo Maria Giulini, Los Angeles Philharmonic, Los Angeles Master Chorale

Falstaff: Atto III, scena 2. “Alto la! … Pizzica, pizzica”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford)

Carlo Maria Giulini, Los Angeles Philharmonic, Los Angeles Master Chorale

Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta)

Carlo Maria Giulini, Los Angeles Philharmonic, Los Angeles Master Chorale

Falstaff: Atto III, scena 2. “Facciamo il parentado ... Tutto nel mondo e burla”

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)

Carlo Maria Giulini, Los Angeles Philharmonic, Los Angeles Master Chorale

Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace

Felix Mendelssohn - Symphony no. 4 in A major, op. 90 “Italian”

Giuseppe Sinopoli, Philharmonia Orchestra

Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto

Felix Mendelssohn - Symphony no. 4 in A major, op. 90 “Italian”

Giuseppe Sinopoli, Philharmonia Orchestra

Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato

Felix Mendelssohn - Symphony no. 4 in A major, op. 90 “Italian”

Giuseppe Sinopoli, Philharmonia Orchestra

Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto

Felix Mendelssohn - Symphony no. 4 in A major, op. 90 “Italian”

Giuseppe Sinopoli, Philharmonia Orchestra

Symphony no. 2 in C, op.61: I. Sostenuto assai: Un poco più vivace: Allegro ma non troppo: Con fuoco

Robert Schumann - Symphony no. 2 in C major, op. 61

Giuseppe Sinopoli, Vienna Philharmonic

Symphony no. 2 in C, op.61: II. Scherzo (Allegro vivace)

Robert Schumann - Symphony no. 2 in C major, op. 61

Giuseppe Sinopoli, Vienna Philharmonic

Symphony no. 2 in C, op.61: III. Adagio espresssivo

Robert Schumann - Symphony no. 2 in C major, op. 61

Giuseppe Sinopoli, Vienna Philharmonic

Symphony no. 2 in C, op.61: IV. Allegro molto vivace

Robert Schumann - Symphony no. 2 in C major, op. 61

Giuseppe Sinopoli, Vienna Philharmonic

Candide, Act I: Overture

Leonard Bernstein - Candide: Overture

Leonard Bernstein, London Symphony Orchestra

Candide, Act I: No. 3, The Best of all Possible Worlds

Leonard Bernstein - Candide: Act I. The Best of All Possible Worlds

Leonard Bernstein, London Symphony Orchestra, Della Jones

Candide, Act I: No. 12, Glitter and Be Gay

Leonard Bernstein - Candide: Act I. Glitter and Be Gay

Leonard Bernstein, London Symphony Orchestra, June Anderson

Candide, Act II: No. 29, Nothing More Than This

Leonard Bernstein - Candide: Act II. Nothing More Than This

Leonard Bernstein, London Symphony Orchestra, Jerry Hadley

West Side Story: I. Prologue

Leonard Bernstein - West Side Story: Prologue

Leonard Bernstein

West Side Story: II. Jet Song

Leonard Bernstein - West Side Story: Jet Song

Leonard Bernstein, Kurt Ollmann

West Side Story: V. Maria

Leonard Bernstein - West Side Story: Maria

Leonard Bernstein, José Carreras

West Side Story: VI. Tonight: Balcony Scene

Leonard Bernstein - West Side Story: Tonight

Leonard Bernstein, Alexander Bernstein, José Carreras

West Side Story: VII. America

Leonard Bernstein - West Side Story: America

Leonard Bernstein, Israel Philharmonic Orchestra, Tatiana Troyanos

West Side Story: XII. I Feel Pretty

Leonard Bernstein - West Side Story: I Feel Pretty

Leonard Bernstein, Kiri Te Kanawa, Stella Zambalis

Viola da gamba Sonata in G major, BWV 1027: I. Adagio

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027

Martha Argerich, Mischa Maisky

Viola da gamba Sonata in G major, BWV 1027: II. Allegro ma non tanto

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027

Martha Argerich, Mischa Maisky

Viola da gamba Sonata in G major, BWV 1027: III. Andante

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027

Martha Argerich, Mischa Maisky

Viola da gamba Sonata in G major, BWV 1027: IV. Allegro moderato

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027

Martha Argerich, Mischa Maisky

Cello Concerto in A minor, RV 418: I. Allegro

Antonio Vivaldi - Concerto for Cello in A minor, RV 418

Orpheus Chamber Orchestra, Mischa Maisky

Cello Concerto in A minor, RV 418: II. (Largo)

Antonio Vivaldi - Concerto for Cello in A minor, RV 418

Orpheus Chamber Orchestra, Mischa Maisky

Cello Concerto in A minor, RV 418: III. Allegro

Antonio Vivaldi - Concerto for Cello in A minor, RV 418

Orpheus Chamber Orchestra, Mischa Maisky

Viola da gamba Sonata in D major, BWV 1028: I. Adagio

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028

Martha Argerich, Mischa Maisky

Viola da gamba Sonata in D major, BWV 1028: II. Allegro

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028

Martha Argerich, Mischa Maisky

Viola da gamba Sonata in D major, BWV 1028: III. Andante

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028

Martha Argerich, Mischa Maisky

Viola da gamba Sonata in D major, BWV 1028: IV. Allegro

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028

Martha Argerich, Mischa Maisky

Cello Concerto in B minor, RV 424: I. Allegro non molto

Antonio Vivaldi - Concerto for Cello in B minor, RV 424

Orpheus Chamber Orchestra, Mischa Maisky

Cello Concerto in B minor, RV 424: II. Largo

Antonio Vivaldi - Concerto for Cello in B minor, RV 424

Orpheus Chamber Orchestra, Mischa Maisky

Cello Concerto in B minor, RV 424: III. Allegro

Antonio Vivaldi - Concerto for Cello in B minor, RV 424

Orpheus Chamber Orchestra, Mischa Maisky

Viola da gamba Sonata in G minor, BWV 1029: I. Vivace

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029

Martha Argerich, Mischa Maisky

Viola da gamba Sonata in G minor, BWV 1029: II. Adagio

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029

Martha Argerich, Mischa Maisky

Viola da gamba Sonata in G minor, BWV 1029: III. Allegro

Johann Sebastian Bach - Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029

Martha Argerich, Mischa Maisky

Sonata in E major, K. 380 (L. 23): Andante comodo

Domenico Scarlatti - Sonata in E major, K. 380, L. 23

Vladimir Horowitz

Piano Sonata in C major, K. 330 (300 h): I. Allegro moderato

Wolfgang Amadeus Mozart - Sonata for Piano no. 10 in C major, K. 300h/330

Vladimir Horowitz

Piano Sonata in C major, K. 330 (300 h): II. Andante cantabile

Wolfgang Amadeus Mozart - Sonata for Piano no. 10 in C major, K. 300h/330

Vladimir Horowitz

Piano Sonata in C major, K. 330 (300 h): III. Allegretto

Wolfgang Amadeus Mozart - Sonata for Piano no. 10 in C major, K. 300h/330

Vladimir Horowitz

Prelude in G major, op. 32 no. 5: Moderato

Sergei Rachmaninoff - 13 Preludes, op. 32

Vladimir Horowitz

Prelude in G‐sharp minor, op. 32 no. 12: Allegro

Sergei Rachmaninoff - 13 Preludes, op. 32: No. 12 in G-sharp minor. Allegro

Vladimir Horowitz

Etude in C‐sharp minor, op. 2 no. 1: Andante

Alexander Scriabin - 3 Pieces, op. 2: No. 1. Étude in C‐sharp minor

Vladimir Horowitz

Etude in D‐sharp minor, op. 8 no. 12: Patetico

Alexander Scriabin - 12 études, op. 8: No. 12 in D-sharp minor

Vladimir Horowitz

Soirées de Vienne: Valse‐Caprice no. 6: Allegro con spirito

Franz Liszt - Soirées de Vienne, S. 427: No. 6 in A minor. Allegro con strepito

Vladimir Horowitz

Années de pèlerinage: Deuxième année: Italie, S.161: 5. Sonetto 104 del Petrarca: Agitato assai - Adagio

Franz Liszt - Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 104 del Petrarca, S. 161 no. 5

Vladimir Horowitz

Mazurka in C‐sharp minor, op. 30 no. 4: Allegretto

Frédéric Chopin - Mazurka no. 21 in C‐sharp minor, op. 30 no. 4

Vladimir Horowitz

Mazurka in F minor, op. 7 no. 3

Frédéric Chopin - Mazurka no. 7 in F minor, op. 7 no. 3

Vladimir Horowitz

Träumerei

Robert Schumann - Kinderszenen, op. 15: No. 7. Träumerei

Vladimir Horowitz

Étincelles, Morceau caractéristique, op. 36 no. 6: Allegro scherzando

Moritz Moszkowski - Étincelles, op. 36 no. 6

Vladimir Horowitz

Polka de W.R.: Allegretto

Franz Behr - Polka de W.R., TN ii/18

Vladimir Horowitz

Ballade no. 1 in G minor, op. 23

Frédéric Chopin - Ballade no. 1 in G minor, op. 23

Krystian Zimerman

Ballade no. 2 in F major, op. 38

Frédéric Chopin - Ballade no. 2 in F major, op. 38

Krystian Zimerman

Ballade no. 3 In A-flat major, op. 47

Frédéric Chopin - Ballade no. 3 in A‐flat major, op. 47

Krystian Zimerman

Ballade no. 4 in F minor, op. 52

Frédéric Chopin - Ballade no. 4 in F minor, op. 52

Krystian Zimerman

Piano Concerto no. 1 in E flat major, S. 124: I. Allegro maestoso

Franz Liszt - Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124

Seiji Ozawa, Boston Symphony Orchestra, Krystian Zimerman

Piano Concerto no. 1 in E flat major, S. 124: II. Quasi adagio: Allegretto vivace: Allegro animato

Franz Liszt - Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124

Seiji Ozawa, Boston Symphony Orchestra, Krystian Zimerman

Piano Concerto no. 1 in E flat major, S. 124: III. Allegro marziale animato

Franz Liszt - Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124

Seiji Ozawa, Boston Symphony Orchestra, Krystian Zimerman

Totentanz, S. 525

Franz Liszt - Totentanz, S. 126/2

Seiji Ozawa, Boston Symphony Orchestra, Krystian Zimerman