The Symphonies

Symphony no. 1 in D major: I. Langsam, schleppend · Im Anfang sehr gemächlich

Gustav Mahler - Symphony no. 1 in D major “Titan”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell

Gustav Mahler - Symphony no. 1 in D major “Titan”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen

Gustav Mahler - Symphony no. 1 in D major “Titan”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 1 in D major: IV. Stürmisch bewegt

Gustav Mahler - Symphony no. 1 in D major “Titan”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso: Mit durchaus ernstem und feierlichem Ausdruck

Gustav Mahler - Symphony no. 2 in C minor

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor “Resurrection”: II. Andante moderato: Sehr gemächlich

Gustav Mahler - Symphony no. 2 in C minor

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor “Resurrection”: III. In ruhig fliessender Bewegung

Gustav Mahler - Symphony no. 2 in C minor

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”: Sehr feierlich aber schlicht

Gustav Mahler - Symphony no. 2 in C minor

Riccardo Chailly, Royal Concertgebouw Orchestra, Petra Lang

Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzos: Wild herausfahrend – Maestoso. Sehr zurückhaltend – Sehr langsam und gedehnt

Gustav Mahler - Symphony no. 2 in C minor

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor “Resurrection”: V. “Aufersteh’n, ja aufersteh’n wirst du”: Langsam, misterioso – “O glaube, mein Herz, o glaube”: Etwas bewegter

Gustav Mahler - Symphony no. 2 in C minor

Jaroslav Brych, Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 3 in D minor: I. Kräftig – Entschieden

Gustav Mahler - Symphony no. 3 in D minor

Ivan Meylemans, Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mässig

Gustav Mahler - Symphony no. 3 in D minor

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast

Gustav Mahler - Symphony no. 3 in D minor

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: “O Mensch! Gib Acht”

Gustav Mahler - Symphony no. 3 in D minor

Riccardo Chailly, Royal Concertgebouw Orchestra, Petra Lang

Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: “Bimm bamm … Es sungen drei Engel”

Gustav Mahler - Symphony no. 3 in D minor

Riccardo Chailly, Royal Concertgebouw Orchestra, Petra Lang

Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden

Gustav Mahler - Symphony no. 3 in D minor

Riccardo Chailly, Royal Concertgebouw Orchestra, Petra Lang

Symphony no. 4 in G major: I. Bedächtig. Nicht eilen

Gustav Mahler - Symphony no. 4 in G major

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast

Gustav Mahler - Symphony no. 4 in G major

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 4 in G major: III. Ruhevoll

Gustav Mahler - Symphony no. 4 in G major

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 4 in G major: IV. Sehr behaglich “Das himmlische Leben”

Gustav Mahler - Symphony no. 4 in G major

Riccardo Chailly, Royal Concertgebouw Orchestra, Alexander Kerr

Symphony no. 5 in C‐sharp minor: Part I: I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt

Gustav Mahler - Symphony no. 5

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 5 in C‐sharp minor: Part I: II. Stürmisch bewegt: Mit größter Vehemenz

Gustav Mahler - Symphony no. 5

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 5 in C‐sharp minor: Part II: III. Scherzo: Kräftig, nicht zu schnell

Gustav Mahler - Symphony no. 5

Jacob Slagter, Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 5 in C‐sharp minor: Part III: IV. Adagietto: Sehr langsam

Gustav Mahler - Symphony no. 5

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 5 in C‐sharp minor: Part III: V. Rondo‐Finale: Allegro

Gustav Mahler - Symphony no. 5

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 6 in A minor: I. Allegro energico, ma non troppo.

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 6 in A minor: II. Scherzo: Wuchtig

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 6 in A minor: III. Andante moderato

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 6 in A minor: IV. Finale: Allegro moderato

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: I. Langsam – Allegro

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: II. Nachtmusik I: Allegro moderato

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: III. Scherzo: Schattenhaft

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: IV. Nachtmusik II: Andante amoroso

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: V. Rondo‐Finale: Allegro ordinario · Allegro moderato ma energico

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Veni, creator spiritus

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Imple superna gratia

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Infirma nostri corporis

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Accende lumen sensibus

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Veni, creator spiritis

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part One: Veni, creator spiritus: Gloria sit Patri Domino

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Poco adagio – Waldung, sie schwant heran (Chor Und Echo)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Ewiner Wonnebrand (Pater Ecstaticus)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Riccardo Chailly, Royal Concertgebouw Orchestra, Peter Mattei

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Wie Felsenabgrund mir zu Füßen (Pater Profundus)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)

Riccardo Chailly, Royal Concertgebouw Orchestra, Jan-Hendrik Rootering

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Gerettet ist das edle Glied (Engel)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Uns bleibt ein Erdenrest – Hier ist die Aussicht frei (Die Vollendeteren Engel — Doctor Marianus, Die Jüngeren Engel)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Höchste Herrscherin der Welt (Doctor Marianus)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Dir, der Unberührbaren (Chor)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Bei der Liebe, die den Fußen (Magna Peccatrix)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)

Riccardo Chailly, Royal Concertgebouw Orchestra, Anna Larsson

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Neige, neige, du Ohnegleiche (Una Poenitentium (Gretchen))

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Martin Wright, Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Komm! Hebe dich (Mater Gloriosa)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)

Martin Wright, Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Blicket auf zum Retterblick (Doctor Marianus, Chor)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Part Two: Schlussszene Aus “Faust”: Alles Vergängliche (Chorus Mysticus)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Jaroslav Brych, Martin Wright, Riccardo Chailly

Symphony no. 9 in D major: I. Andante comodo

Gustav Mahler - Symphony no. 9 in D major

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

Gustav Mahler - Symphony no. 9 in D major

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 9 in D major: III. Rondo‐Burleske. Allegro assai. Sehr trotzig

Gustav Mahler - Symphony no. 9 in D major

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend

Gustav Mahler - Symphony no. 9 in D major

Riccardo Chailly, Royal Concertgebouw Orchestra

Symphony no. 10 in F‐sharp major: I. Adagio

Gustav Mahler - Symphony no. 10 in F-sharp major

Riccardo Chailly, Deutsches Symphonie-Orchester Berlin

Symphony no. 10 in F‐sharp major: II. Scherzo I

Gustav Mahler - Symphony no. 10 in F-sharp major

Riccardo Chailly, Deutsches Symphonie-Orchester Berlin

Symphony no. 10 in F‐sharp major: III. Purgatorio

Gustav Mahler - Symphony no. 10 in F-sharp major

Riccardo Chailly, Deutsches Symphonie-Orchester Berlin

Symphony no. 10 in F‐sharp major: IV. Scherzo II

Gustav Mahler - Symphony no. 10 in F-sharp major

Riccardo Chailly, Deutsches Symphonie-Orchester Berlin

Symphony no. 10 in F‐sharp major: V. Finale

Gustav Mahler - Symphony no. 10 in F-sharp major

Riccardo Chailly, Deutsches Symphonie-Orchester Berlin