The Symphonies

Symphony no. 1 "Titan": 1. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich

Gustav Mahler - Symphony no. 1 in D major “Titan”

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 1 "Titan": 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich.

Gustav Mahler - Symphony no. 1 in D major “Titan”

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 1 "Titan": 3. Feierlich und gemessen, ohne zu schleppen

Gustav Mahler - Symphony no. 1 in D major “Titan”

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 1 "Titan": 4. Stürmisch bewegt

Gustav Mahler - Symphony no. 1 in D major “Titan”

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 2 "Resurrection": 1. Totenfeier. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck

Gustav Mahler - Symphony no. 2 in C minor

Leonard Bernstein, New York Philharmonic

Symphony no. 2 "Resurrection": 2. Andante moderato

Gustav Mahler - Symphony no. 2 in C minor

Leonard Bernstein, New York Philharmonic

Symphony no. 2 "Resurrection": 3. [Scherzo.] In ruhig fließender Bewegung

Gustav Mahler - Symphony no. 2 in C minor

Leonard Bernstein, New York Philharmonic

Symphony no. 2 "Resurrection": 4. "Urlicht". Sehr feierlich, aber schlicht "O Röschen rot!" (Contralto solo)

Gustav Mahler - Symphony no. 2 in C minor

Leonard Bernstein, New York Philharmonic, Christa Ludwig

Symphony no. 2 "Resurrection": 5. Im Tempo des Scherzos. Wild herausfahrend "Auferstehn, ja auferstehn wirst du" (Soprano & Contralto solo, Chorus)

Gustav Mahler - Symphony no. 2 in C minor

Leonard Bernstein, New York Philharmonic, Barbara Hendricks

Symphony no. 3, Part I: 1. Kräftig. Entschieden

Gustav Mahler - Symphony no. 3 in D minor

Leonard Bernstein, New York Philharmonic

Symphony no. 3, Part II: 2. Tempo di Menuetto. Sehr mäßig

Gustav Mahler - Symphony no. 3 in D minor

Leonard Bernstein, New York Philharmonic

Symphony no. 3, Part II: 3. Comodo. Scherzando. Ohne Hast

Gustav Mahler - Symphony no. 3 in D minor

Leonard Bernstein, New York Philharmonic

Symphony no. 3, Part II: 4. Sehr langsam. Misterioso. Durchaus ppp "O Mensch! Gib Acht!" (Contralto solo)

Gustav Mahler - Symphony no. 3 in D minor

Leonard Bernstein, New York Philharmonic, Christa Ludwig

Symphony no. 3, Part II: 5. Lustig im Tempo und keck im Ausdruck "Bimm bamm/Es sungen drei Engel" (Chorus, Contralto solo)

Gustav Mahler - Symphony no. 3 in D minor

Joseph Flummerfelt, Leonard Bernstein, New York Philharmonic

Symphony no. 3, Part II: 6. Langsam. Ruhevoll. Empfunden

Gustav Mahler - Symphony no. 3 in D minor

Leonard Bernstein, New York Philharmonic

Symphony no. 6: 1. Allegro energico, ma non troppo. Heftig, aber markig

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Leonard Bernstein, Vienna Philharmonic

Symphony no. 6: 2. Scherzo. Wuchtig

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Leonard Bernstein, Vienna Philharmonic

Symphony no. 6: 3. Andante moderato

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Leonard Bernstein, Vienna Philharmonic

Symphony no. 6: 4. Finale. Allegro moderato - Allegro energico

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Leonard Bernstein, Vienna Philharmonic

Symphony no. 9: 1. Andante comodo

Gustav Mahler - Symphony no. 9 in D major

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 9: 2. Im Tempo eines gemächlichten Ländlers. Etwas täppisch und sehr derb

Gustav Mahler - Symphony no. 9 in D major

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 9: 3. Rondo Burleske. Allegro assai. Sehr trotzig

Gustav Mahler - Symphony no. 9 in D major

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend

Gustav Mahler - Symphony no. 9 in D major

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 5, Part I: 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt.

Gustav Mahler - Symphony no. 5

Leonard Bernstein, Vienna Philharmonic

Symphony no. 5, Part I: 2. Stürmisch bewegt. Mit größter Vehemenz

Gustav Mahler - Symphony no. 5

Leonard Bernstein, Vienna Philharmonic

Symphony no. 5, Part II: 3. Scherzo. Kräftig, nicht zu schnell

Gustav Mahler - Symphony no. 5

Leonard Bernstein, Vienna Philharmonic

Symphony no. 5, Part III: 4. Adagietto. Sehr langsam

Gustav Mahler - Symphony no. 5

Leonard Bernstein, Vienna Philharmonic

Symphony no. 5, Part III: 5. Rondo-Finale. Allegro - Allegro giocoso. Frisch

Gustav Mahler - Symphony no. 5

Leonard Bernstein, Vienna Philharmonic

Symphony no. 7: 1. Langsam (Adagio) - Allegro risoluto, ma non troppo

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Leonard Bernstein, New York Philharmonic

Symphony no. 7: 2. Nachtmusik I. Allegro moderato

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Leonard Bernstein, New York Philharmonic

Symphony no. 7: 3. Scherzo. Schattenhaft

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Leonard Bernstein, New York Philharmonic

Symphony no. 7: 4. Nachtmusik II. Andante amoroso

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Leonard Bernstein, New York Philharmonic

Symphony no. 7: 5. Rondo-Finale. Tempo I (Allegro ordinario)

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Leonard Bernstein, New York Philharmonic

Symphony no. 4: 1. Bedächtnig. Nicht eilen

Gustav Mahler - Symphony no. 4 in G major

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 4: 2. In gemächlicher Bewegung. Ohne Hast

Gustav Mahler - Symphony no. 4 in G major

Jaap van Zweden, Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 4: 3. Ruhevoll

Gustav Mahler - Symphony no. 4 in G major

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 4: 4. Sehr behaglich. "Wir genießen die himmlischen Freuden"

Gustav Mahler - Symphony no. 4 in G major

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphony no. 10: Adagio

Gustav Mahler - Symphony no. 10 in F-sharp major

Leonard Bernstein, Vienna Philharmonic

Symphony no. 8 "Symphony of a Thousand", Part I: Hymnus "Veni, creator spiritus". "Veni, creator spiritus"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Helmuth Froschauer, Leonard Bernstein, Walter Hagen-Groll

Symphony no. 8 "Symphony of a Thousand", Part I: "Imple superna gratia"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Helmuth Froschauer, Leonard Bernstein, Walter Hagen-Groll

Symphony no. 8 "Symphony of a Thousand", Part I: "Infirma nostri corporis"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Leonard Bernstein, Walter Hagen-Groll, Vienna Philharmonic

Symphony no. 8 "Symphony of a Thousand", Part I: Tempo I. (Allegro, etwas hastig)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Leonard Bernstein, Vienna Philharmonic, Rudolf Scholz

Symphony no. 8 "Symphony of a Thousand", Part I: "Infirma nostri corporis"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Leonard Bernstein, Vienna Philharmonic, Agnes Baltsa

Symphony no. 8 "Symphony of a Thousand", Part I: "Accende lumen sensibus"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Helmuth Froschauer, Leonard Bernstein, Uwe Theimer

Symphony no. 8 "Symphony of a Thousand", Part I: "Veni, creator spiritus"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Helmuth Froschauer, Leonard Bernstein, Uwe Theimer

Symphony no. 8 "Symphony of a Thousand", Part I: "Gloria sit Patri Domino"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Helmuth Froschauer, Leonard Bernstein, Uwe Theimer

Symphony no. 8 "Symphony of a Thousand", Part II: Final Scene from Goethe's Faust, Poco adagio

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio

Leonard Bernstein, Vienna Philharmonic, Rudolf Scholz

Symphony no. 8 "Symphony of a Thousand", Part II: Più mosso. (Allegro moderato)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato)

Leonard Bernstein, Vienna Philharmonic, Rudolf Scholz

Symphony no. 8 "Symphony of a Thousand", Part II: Chor and Echo: "Waldung, sie schwankt heran" (Chorus I/II)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Helmuth Froschauer, Leonard Bernstein, Walter Hagen-Groll

Symphony no. 8 "Symphony of a Thousand", Part II: Pater ecstaticus: "Ewiger Wonnebrand" (Baritone)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Leonard Bernstein, Vienna Philharmonic, Hermann Prey

Symphony no. 8 "Symphony of a Thousand", Part II: Pater profundus: "Wie Felsenabgrund mir zu Füßen" (Bass)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)

Leonard Bernstein, Vienna Philharmonic, José van Dam

Symphony no. 8 "Symphony of a Thousand", Part II: Chor der Engel: "Gerettet ist das edle Glied" Chor seliger Knaben: "Hände verschlinget euch" (Chorus I/II)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))

Helmuth Froschauer, Leonard Bernstein, Uwe Theimer

Symphony no. 8 "Symphony of a Thousand", Part II: Chor der jüngeren Engel: "Jene Rosen aus den Händen"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor)

Leonard Bernstein, Walter Hagen-Groll, Vienna Philharmonic

Symphony no. 8 "Symphony of a Thousand", Part II: Die vollendeteren Engel: "Uns bleibt ein Erdenrest" (Chorus II)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))

Helmuth Froschauer, Leonard Bernstein, Vienna Philharmonic

Symphony no. 8 "Symphony of a Thousand", Part II: Die jüngeren Engel: "Ich spür' soeben, nebelnd um Felsenhöh'" Chor seliger Knaben: "Freudig empfangen wir" Doctor Marianus: "Hier ist die Aussicht frei" (Chorus I)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor))

Leonard Bernstein, Uwe Theimer, Walter Hagen-Groll

Symphony no. 8 "Symphony of a Thousand", Part II: Doctor Marianus: "Höchste Herrscherin der Welt" (Tenor, Chorus I/II)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Helmuth Froschauer, Leonard Bernstein, Walter Hagen-Groll

Symphony no. 8 "Symphony of a Thousand", Part II: Chor I/II: "Dir, der Unberührbaren" Chor der Büßerinnen und Una poenitentium: "Du schwebst zu Höhen der ewigen Reiche" (Chorus II/I, Soprano II)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))

Helmuth Froschauer, Leonard Bernstein, Walter Hagen-Groll

Symphony no. 8 "Symphony of a Thousand", Part II: Fließend Magna Peccatrix: "Bei der LIebe, die den Füßen" Mulier Samaritana: "Bei dem Bronn, zu dem schon weiland" "Maria Aegyptiaca: "Bei dem hochgeweihten Orte" (Soprano I, Contralto I, Contralto II)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)

Leonard Bernstein, Vienna Philharmonic, Agnes Baltsa

Symphony no. 8 "Symphony of a Thousand", Part II: Une poenitentium: "Neige, du Ohnegleiche" (Soprane II)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Leonard Bernstein, Vienna Philharmonic, Judith Blegen

Symphony no. 8 "Symphony of a Thousand", Part II: Selige Knaben: "Er überwächst uns schon" Una poenitentium: "Vom edlen Geisterchor umgeben"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Helmuth Froschauer, Leonard Bernstein, Uwe Theimer

Symphony no. 8 "Symphony of a Thousand", Part II: Mater gloriosa: "Komm! hebe dich zu höhern Sphären" (Boys' choir, Chorus II)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)

Leonard Bernstein, Vienna Philharmonic, Rudolf Scholz

Symphony no. 8 "Symphony of a Thousand", Part II: Doctor Marianus: "Blicket auf zum Retterblick" (Tenor; Chorus II/I, Boys' Choir)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)

Helmuth Froschauer, Leonard Bernstein, Uwe Theimer

Symphony no. 8 "Symphony of a Thousand", Part II: Chorus mysticus: "Alles Vergängliche ist nur ein Gleichnis" (Chorus I/II, Soprano I/II, Contralto I/II, Tenor, Baritone, Bass, Boys' Choir)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Helmuth Froschauer, Leonard Bernstein, Uwe Theimer