The Great Conductor
Giuseppe Sinopoli · Philharmonia Orchestra · Sächsische Staatskapelle Dresden · New York Philharmonic · Deutsche Oper Berlin · Philharmonia Chorus · Keith Lewis · Waltraud Meier · Cheryl Studer · Hans Sotin
The Great Conductor, CD, on Deutsche Grammophon. Music by Gustav Mahler, Richard Strauss, Robert Schumann, Edward Elgar, performed by Giuseppe Sinopoli, Philharmonia Orchestra, Sächsische Staatskapelle Dresden, New York Philharmonic; 180 tracks.
Composers
Tracklist
Eine Alpensinfonie op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen
Eine Alpensinfonie op. 64: XVI. Die Sonne verdüstert sich allmählich
Enigma Variations, op. 36: Enigma: Andante
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante)
Enigma Variations, op. 36: I. (C.A.E): L'istesso tempo
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: II. (H.D.S.-P.): Allegro
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: III. (R.B.T.): Allegretto
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: IV. (W.M.T.): Allegro di molto
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: V. (R.P.A.): Moderato
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: VI. (Ysobel): Andantino
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: VII. (Troyte): Presto
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: VIII. (W.N.): Allegretto
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: IX. (Nimrod): Adagio
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: X. Intermezzo (Dorabella): Allegretto
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: XI. (G.R.S.): Allegro di molto
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: XII. (B.G.N.): Andante
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: XIII. Romanza (***): Moderato
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Enigma Variations, op. 36: XIV. Finale(E.D.U.): Allegro
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Also sprach Zarathustra: Einleitung (Introduction / Introduzione)
Also sprach Zarathustra: Der Genesende (The Convalescent / Le convalescent / Il convalescente)
Also sprach Zarathustra: Das Tanzlied (The Dance-Song / Le chant de la danse / La canzone a ballo)
"Pomp And Circumstance," Op.39: March, no.1 In D
Edward Elgar - Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
"Pomp And Circumstance," Op.39: March, no.4 In G
Edward Elgar - Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major
Pictures at an Exhibition: Promenade
Modest Petrovich Mussorgsky - Tableaux d’une exposition: Promenade
Pictures at an Exhibition: Promenade
Modest Petrovich Mussorgsky - Tableaux d’une exposition: Promenade
Pictures at an Exhibition: II. Il vecchio castello
Pictures at an Exhibition: Promenade
Modest Petrovich Mussorgsky - Tableaux d’une exposition: Promenade
Pictures at an Exhibition: Promenade
Modest Petrovich Mussorgsky - Tableaux d’une exposition: Promenade
Pictures at an Exhibition: V. Ballet des poussins dans leurs coques
Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuyle
Pictures at an Exhibition: VII. Limoges - Le Marché
Pictures at an Exhibition: VIII. Catacombae: Sepulchrum Romanum
Pictures at an Exhibition: Cum mortuis in lingua mortua
Modest Petrovich Mussorgsky - Tableaux d’une exposition: Cum Mortuis in lingua mortua
Pictures at an Exhibition: X. La Grande Porte de Kiev
Symphony no. 1 in B‐flat major, op. 38 “Spring”: I. Andante un poco maestoso – Allegro molto vivace
Symphony no. 1 in B‐flat major, op. 38 “Spring”: II. Larghetto – attacca
Symphony no. 1 in B‐flat major, op. 38 “Spring”: III. Scherzo. Molto vivace – Trio I/II
Symphony no. 1 in B‐flat major, op. 38 “Spring”: IV. Allegro animato e grazioso
Symphony no. 2 in C major, op. 61: I. Sostenuto assai – Allegro, ma non troppo
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: I. Lebhaft
Robert Schumann - Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: II. Scherzo. Sehr mäßig
Robert Schumann - Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht schnell
Robert Schumann - Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: IV. Feierlich
Robert Schumann - Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: V. Lebhaft
Robert Schumann - Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam – Lebhaft – attacca
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam – attacca
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft – Trio – attacca
Symphony no. 4 in D minor, op. 120: IV. Langsam – Lebhaft – Schneller – Presto
Overture, Scherzo and Finale in E major, op. 52: I. Overture. Andante con moto – Allegro
Overture, Scherzo and Finale in E major, op. 52: II. Scherzo. Vivo
Overture, Scherzo and Finale in E major, op. 52: III. Finale. Allegro molto vivace
Symphony no. 1: I. Langsam. Schleppend. Wie ein Naturlaut – Im Anfang sehr gemächlich
Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich
Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato
Symphony no. 2 in C minor “Resurrection”: III. [Scherzo.] In ruhig fließender Bewegung
Symphony no. 2 in C minor “Resurrection”: IV. "Urlicht". Sehr feierlich, aber schlicht
Gustav Mahler - Symphony no. 2 in C minor
Giuseppe Sinopoli, Philharmonia Orchestra, Brigitte Fassbaender
Symphony no. 2 in C minor “Resurrection”: Vb. Wieder zurückhaltend – Langsam. Misterioso
Gustav Mahler - Symphony no. 2 in C minor
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Symphony no. 3: Part II: II. Tempo die minuetto. Sehr mäßig
Symphony no. 3: Part II: III. Comodo. Scherzando. Ohne Hast
Symphony no. 3: Part II: IV. Sehr langsam. Misterioso. Durchaus ppp. "O Mensch! Gib acht!"
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
Gustav Mahler - Lieder eines fahrenden Gesellen
Giuseppe Sinopoli, Philharmonia Orchestra, Brigitte Fassbaender
Lieder eines fahrenden Gesellen: II. "Ging heut' morgen übers Feld"
Gustav Mahler - Lieder eines fahrenden Gesellen
Giuseppe Sinopoli, Philharmonia Orchestra, Brigitte Fassbaender
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer"
Gustav Mahler - Lieder eines fahrenden Gesellen
Giuseppe Sinopoli, Philharmonia Orchestra, Brigitte Fassbaender
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen"
Gustav Mahler - Lieder eines fahrenden Gesellen
Giuseppe Sinopoli, Philharmonia Orchestra, Brigitte Fassbaender
Sechs frühe Lieder: III. "Nicht wiedersehen"
Sechs frühe Lieder: IV. "Zu Straßburg auf der Schanz"
Gustav Mahler - Des Knaben Wunderhorn: Zu Straßburg auf der Schanz
Sechs frühe Lieder: V. "Ablösung im Sommer"
Sechs frühe Lieder: VI. "Um schlimme Kinder artig zu machen"
Gustav Mahler - Des Knaben Wunderhorn: Um schlimme Kinder artig zu machen
Symphony no. 4: IV. Sehr behaglich. "Wir genießen die himmlischen Freuden"
Symphony no. 5: Part III. V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
Symphony no. 6: I. Allegro energico, man non troppo. Heftig, aber markig
Kindertotenlieder: II. "Nun seh' ich wohl, warum so dunkle Flammen"
Symphony no. 7: I. Langsam. Allegro risoluto
Symphony no. 7: II. Nachtmusik. Allegro moderato
Symphony no. 7: III. Scherzo. Schattenhaft
Symphony no. 7: IV. Nachtmusik. Andante amoroso
Symphony no. 7: V. Rondo. Finale. Allegro ordinario - Allegro moderato ma energico
Symphony no. 8: Part I. Allegro impetuoso “Veni creator spiritus”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Symphony no. 8: Part I. Tempo I. (Allegro impetuoso) “Infirma nostri corporis”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Symphony no. 8: Part I. Tempo I. (Allegro, etwas hastig)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Symphony no. 8: Part I. “Veni creator spiritus”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Symphony no. 8: Part I. A tempo. “Gloria sit Patri Domino”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Symphony no. 8: Part II. Poco adagio
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio
Symphony no. 8: Part II. Più mosso. (Allegro moderato)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato)
Symphony no. 8: Part II. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Symphony no. 8: Part II. Moderato. Pater ecstaticus: "Ewiger Wonnebrand"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Symphony no. 8: Part II. Molto leggiero. Chor der jüngeren Engel: "Jene Rosen, aus den Händen"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor))
Symphony no. 8: Part II. Sempre l'istesso tempo. Doctor Marianus: "Höchste Herrscherin der Welt"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Symphony no. 8: Part II. Una poenitentium: "Neige, neige du Ohnegleiche"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II. Unmerklich frischer. Selige Knaben: "Er überwächst uns schon"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Giuseppe Sinopoli, Philharmonia Orchestra, Philharmonia Chorus
Das Lied von der Erde: I. "Das Trinklied vom Jammer der Erde"
Gustav Mahler - Das Lied von der Erde
Giuseppe Sinopoli, Sächsische Staatskapelle Dresden, Keith Lewis
Das Lied von der Erde: II. "Der Einsame im Herbst"
Gustav Mahler - Das Lied von der Erde
Giuseppe Sinopoli, Sächsische Staatskapelle Dresden, Iris Vermillion
Das Lied von der Erde: III. "Von der Jugend"
Gustav Mahler - Das Lied von der Erde
Giuseppe Sinopoli, Sächsische Staatskapelle Dresden, Keith Lewis
Das Lied von der Erde: IV. "Von der Schönheit"
Gustav Mahler - Das Lied von der Erde
Giuseppe Sinopoli, Sächsische Staatskapelle Dresden, Iris Vermillion
Das Lied von der Erde: V. "Der Trunkene im Frühling"
Gustav Mahler - Das Lied von der Erde
Giuseppe Sinopoli, Sächsische Staatskapelle Dresden, Keith Lewis
Das Lied von der Erde: VI. "Der Abschied"
Gustav Mahler - Das Lied von der Erde
Giuseppe Sinopoli, Sächsische Staatskapelle Dresden, Iris Vermillion