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The Great EMI Recordings
John Barbirolli · Philharmonia Orchestra · The Hallé · London Symphony Orchestra · Vienna Philharmonic · Sinfonia of London · Janet Baker
John Barbirolli · Philharmonia Orchestra · The Hallé · London Symphony Orchestra · Vienna Philharmonic · Sinfonia of London · Janet Baker
The Walk to the Paradise Garden (A Village Romeo and Juliet)
Symphony no. 5 in D: I. Preludio: Moderato – Allegro – Tempo I
Symphony no. 5 in D: II. Scherzo: Presto misterioso
The Swan of Tuonela (Lemminkäinen Suite op. 22)
Cello Concerto in E minor op. 85: I. Adagio – Moderato
Cello Concerto in E minor op. 85: II. Lento – Allegro molto
Symphony no. 5 in C‐sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)
Symphony no. 5 in C‐sharp minor: II. Stürmisch Bewegt (Mit größter Vehemenz)
Symphony no. 5 in C‐sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
La Mer: I. De l’aube à midi sur la mer
Claude Debussy - La Mer, trois esquisses symphoniques pour orchestre, L. 109
La Mer: III. Dialogue du vent et de la mer
Claude Debussy - La Mer, trois esquisses symphoniques pour orchestre, L. 109
Ma mère l’oye Suite: I. Pavane de la belle au bois dormant
Maurice Ravel - Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant
Serenade in C for Strings op. 48: I. Pezzo in forma di sonatina
Pyotr Ilyich Tchaikovsky - Serenade for Strings in C major, op. 48
Serenade in C for Strings op. 48: II. Valse: Moderato
Pyotr Ilyich Tchaikovsky - Serenade for Strings in C major, op. 48
Serenade in C for Strings op. 48: III. Élégie: Larghetto elegiaco
Pyotr Ilyich Tchaikovsky - Serenade for Strings in C major, op. 48
Serenade in C for Strings op. 48: IV. Finale: Tema russo
Pyotr Ilyich Tchaikovsky - Serenade for Strings in C major, op. 48
Symphony no. 4 in F minor op. 36: I. Andante sostenuto – Moderato con anima
Pyotr Ilyich Tchaikovsky - Symphony no. 4 in F minor, op. 36
Symphony no. 4 in F minor op. 36: II. Andantino in modo di canzona
Pyotr Ilyich Tchaikovsky - Symphony no. 4 in F minor, op. 36
Serenade in E minor op. 20: I. Allegro piacevole
Serenade in E minor op. 20: III. Allegretto – Come prima
Symphony no. 1 in A‐flat op. 55: I. Andante: Nobilimente e semplice – Allegro
Symphony no. 1 in A‐flat op. 55: II. Allegro molto
Symphony no. 3 in F op. 90: I. Allegro con brio – Un poco sostenuto – Tempo I
Symphony no. 3 in F op. 90: IV. Allegro – Un poco sostenuto
Variations on an Original Theme op. 36 “Enigma”: Introduction
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation I: (C.A.E.) / Variation II: (H.D.S‐P.)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation II: (H.D.S‐P.)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation III: (R.B.T.)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation IV. (M.W.B.)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation V: (R.P.A.)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation VI: (Ysobel)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation VII: (Troyte)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation VIII: (W.N.)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation IX: (Nimrod)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation X: (Dorabella) – Intermezzo
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation XI: (G.R.S.)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Variations on an Original Theme op. 36 “Enigma”: Variation XII: (B.G.N.)
Edward Elgar - Variations on an Original Theme (‘Enigma’), op. 36
Madama Butterfly: Atto II. “È Izaghi ed Izanami” (Suzuki/Butterfly)
Giacomo Puccini - Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly)
Madama Butterfly: Atto II. “Suzuki… È lungi la misera ?” (Butterfly/Suzuki)
Giacomo Puccini - Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly)
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Giacomo Puccini - Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Madama Butterfly: Atto II. “C’è. Entrate” (Goro/Sharpless/Butterfly)
Giacomo Puccini - Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori)
Giacomo Puccini - Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori)
Madama Butterfly: Atto II. “Si sa che aprir la porta” (Butterfly/Sharpless/Yamadori/Goro)
Giacomo Puccini - Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro)
Madama Butterfly: Atto II. “Ora a noi” (Sharpless/Butterfly)
Giacomo Puccini - Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly)
Les Nuits d’été op. 7 : I. Villanelle
Hector Berlioz - Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle
Les Nuits d’été op. 7 : II. Le Spectre de la rose
Hector Berlioz - Les Nuits d’été, H. 81, op. 7: Nº 2. Le Spectre de la rose
Les Nuits d’été op. 7 : III. Sur les laguens
Hector Berlioz - Les Nuits d’été, H. 81, op. 7: Nº 3. Sur les lagunes
Les Nuits d’été op. 7 : V. Au cimetière
Hector Berlioz - Les Nuits d’été, H. 81, op. 7: Nº 5. Au cimetière
Les Nuits d’été op. 7 : VI. L’Île inconnue
Hector Berlioz - Les Nuits d’été, H. 81, op. 7: Nº 6. L’Île inconnue