KulturSPIEGEL: Die besten guten Klassik-CDs, Vol. 1

Goldberg-Variationen BWV 988, Aria

Johann Sebastian Bach - Goldberg-Variationen, BWV 988

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 1, a 1 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 2, a 1 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 3, a 1 Clav. Canone all Unisono

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 3. Canone all Unisuono. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 4, a 1 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 5, a 1 ovvero 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 5. a 1 ô vero 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 6, a 1 Clav. Canone alla Seconda

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 6. Canone alla Seconda. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 7, a 1 ovvero 2 Clav. Al tempo di Giga

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 8, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 8. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 9, a 1 Clav. Canone alla Terza

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 9. Canone alla Terza. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 10, a 1 Clav. Fughetta

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 10. Fughetta. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 11, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 11. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 12, Canone alla Quarta

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 12. Canone alla Quarta

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 13, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 13. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 14, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 14. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 15, a 1 Clav. Canone alla Quinta. Andante

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 15. Canone alla Quinta. a 1 Clav. andante

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 16, a 1 Clav. Ouverture

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 16. Ouverture. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 17, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 17. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 18, a 1 Clav. Canone alla Sesta

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 18. Canone alla Sexta. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 19, a 1 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 19. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 20, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 20. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 21, Canone alla Settima

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 21. Canone alla Settima

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 22, a 1 Clav. Alla breve

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 22. a 1 Clav. alla breve

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 23, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 23. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 24, a 1 Clav. Canone all'Ottava

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 24. Canone all'Ottava. a 1 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 25, a 2 Clav. Adagio

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 25. a 2 Clav. adagio

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 26, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 26. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 27, a 2 Clav. Canone alla Nona

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 27. Canone alla Nona. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 28, a 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 28. a 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 29, a 1 ovvero 2 Clav.

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 29. a 1 ô vero 2 Clav.

Glenn Gould

Goldberg-Variationen BWV 988, Variatio 30, a 1 Clav. Quodlibet

Johann Sebastian Bach - Goldberg-Variationen, BWV 988: Variatio 30. a 1 Clav. Quodlibet

Glenn Gould

Goldberg-Variationen BWV 988, Aria da Capo

Johann Sebastian Bach - Goldberg-Variationen, BWV 988

Glenn Gould

Das wohltemperierte Clavier II, Fuge Nr. 4 fis-Moll BWV 883

Johann Sebastian Bach - The Well-Tempered Clavier, Book II

Glenn Gould

Das wohltemperierte Clavier II, Fuge Nr. 9 E-Dur BWV 878

Johann Sebastian Bach - The Well-Tempered Clavier, Book II

Glenn Gould

Rokoko-Variationen A-Dur op. 33, Moderato quasi Andante

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Rokoko-Variationen A-Dur op. 33, Thema: Moderato semplice

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33: Tema. Moderato semplice

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Rokoko-Variationen A-Dur op. 33, Variation I: Tempo della Thema

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione I. Tempo del Tema

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Rokoko-Variationen A-Dur op. 33, Variation II: Tempo della Thema

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione II. Tempo del Tema

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Rokoko-Variationen A-Dur op. 33, Variation III: Andante sostenuto

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione III. Andante sostenuto

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Rokoko-Variationen A-Dur op. 33, Variation IV: Andante grazioso

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione IV. Andante grazioso

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Rokoko-Variationen A-Dur op. 33, Variation V: Allegro moderato

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione V. Allegro moderato

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Rokoko-Variationen A-Dur op. 33, Variation VI: Andante

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VI. Andante

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Rokoko-Variationen A-Dur op. 33, Variation VII e Coda: Allegro Vivo

Pyotr Ilyich Tchaikovsky - Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VII. e Coda. Allegro vivo

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Andante cantabile op. posth. (1888)

Pyotr Ilyich Tchaikovsky - Andante cantabile, TH 63, ČW 348

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Pezzo capriccioso op. 62

Pyotr Ilyich Tchaikovsky - Pezzo capriccioso, op. 62

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Nocturne (1888)

Pyotr Ilyich Tchaikovsky - Nocturne in D minor, TH 64, ČW 349

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Allegro non troppo

Camille Saint-Saëns - Cello Concerto no. 1 in A minor, op. 33

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Allegretto con moto

Camille Saint-Saëns - Cello Concerto no. 1 in A minor, op. 33

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Konzert für Violoncello und Orchester Nr. 1 a-Moll op. 33, Tempo primo

Camille Saint-Saëns - Cello Concerto no. 1 in A minor, op. 33

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Pampeana Nr. 2, Rhapsodie für Violoncello (Version für Streichorchester)

Alberto Ginastera - Pampeana nº 2, op. 21

Ari Rasilainen, Munich Radio Orchestra, Sol Gabetta

Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), I. Vivace assai

Joseph Haydn - Symphony no. 82 in C major, Hob. I:82 “L’Ours”

Nikolaus Harnoncourt

Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), II. Allegretto

Joseph Haydn - Symphony no. 82 in C major, Hob. I:82 “L’Ours”

Nikolaus Harnoncourt

Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), III. Menuet/Trio

Joseph Haydn - Symphony no. 82 in C major, Hob. I:82 “L’Ours”

Nikolaus Harnoncourt

Sinfonie Nr. 82 C-Dur Hob. 1:82 "L'Ours" (1786), IV. Finale: Vivace

Joseph Haydn - Symphony no. 82 in C major, Hob. I:82 “L’Ours”

Nikolaus Harnoncourt

Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), I. Allegro spiritoso

Joseph Haydn - Symphony no. 83 in G minor, Hob. I:83 "La Poule"

Nikolaus Harnoncourt

Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), II. Andante

Joseph Haydn - Symphony no. 83 in G minor, Hob. I:83 "La Poule"

Nikolaus Harnoncourt

Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), III. Menuetto: Allegretto/Trio

Joseph Haydn - Symphony no. 83 in G minor, Hob. I:83 "La Poule"

Nikolaus Harnoncourt

Sinfonie Nr. 83 g-Moll Hob 1:83 "La Poule" (1785), IV. Finale: Vivace

Joseph Haydn - Symphony no. 83 in G minor, Hob. I:83 "La Poule"

Nikolaus Harnoncourt

Ariodante: “Qui d'amor“

George Frideric Handel - Ariodante, HWV 33: Atto I, no. 10. “Qui d’amor nel suo linguaggio” (Ariodante)

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Ariodante: “T'amerò dunque” - Arie: “Con l'ali di constanza”

George Frideric Handel - Ariodante: T' amerò dunque - Arie: Con l' ali di costanza

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Ariodante: “Scherza infida”

George Frideric Handel - Ariodante, HWV 33: Atto II, no. 40. "Scherza infida in grembo al drudo" (Ariodante)

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Ariodante: “Dopo notte”

George Frideric Handel - Ariodante, HWV 33: Atto III, no. 82. "Dopo notte, atra e funesta" (Ariodante)

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Giulio Cesare: “Svegliatevi nel core”

George Frideric Handel - Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 5. Aria “Svegliatevi nel core” (Sesto)

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Giulio Cesare: “Cara speme”

George Frideric Handel - Giulio Cesare in Egitto, HWV 17: Atto I, Scena VIII, 12. Aria “Cara speme, questo core tu cominci a lusingar” (Sesto)

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Giulio Cesare: “L'angue offeso”

George Frideric Handel - Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI, 25. Aria “L’angue offeso mai riposa” (Sesto)

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Arianna in Creta: “Sdegnata sei”

George Frideric Handel - Arianna in Creta, HWV 32: Atto I. "Sdegnata sei"

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Arianna in Creta: “Oh patria! - Sol ristoro”

George Frideric Handel - Arianna in Creta, HWV 32: Atto II. "Oh patria! - Sol ristoro"

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Arianna in Creta: “Salda quercia”

George Frideric Handel - Arianna in Creta, HWV 32: Atto II. "Salda quercia"

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Arianna in Creta: “Qual Leonardo Leon”

George Frideric Handel - Arianna in Creta, HWV 32: Atto II. Aria "Qual leon"

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

Arianna in Creta: “Ove son” - Arie: “Qui ti sfido”

George Frideric Handel - Arianna in Creta, HWV 32: Atto III. "Ove son" / Arie "Qui ti sfido"

Laurence Cummings, Basel Chamber Orchestra, Angelika Kirchschlager

12 Etüden op. 10, Etüde Nr. 1 C-Dur

Frédéric Chopin - Étude in C major, op. 10 no. 1: Allegro

Murray Perahia

12 Etüden op. 10, Etüde Nr. 2 a-Moll

Frédéric Chopin - Étude in A minor, op. 10 no. 2: Allegro

Murray Perahia

12 Etüden op. 10, Etüde Nr. 3 E-Dur

Frédéric Chopin - Étude in E major, op. 10 no. 3: Lento ma non troppo

Murray Perahia

12 Etüden op. 10, Etüde Nr. 4 cis-Moll

Frédéric Chopin - Étude in C‐sharp minor, op. 10 no. 4: Presto

Murray Perahia

12 Etüden op. 10, Etüde Nr. 5 Ges-Dur "Scharze Tasten Etüde"

Frédéric Chopin - Étude in G‐flat major, op. 10 no. 5 “Black Keys”: Vivace

Murray Perahia

12 Etüden op. 10, Etüde Nr. 6 es-Moll

Frédéric Chopin - Étude in E‐flat minor, op. 10 no. 6: Andante, con molto espressione

Murray Perahia

12 Etüden op. 10, Etüde Nr. 7 C-Dur

Frédéric Chopin - Étude in C major, op. 10 no. 7: Vivace

Murray Perahia

12 Etüden op. 10, Etüde Nr. 8 F-Dur

Frédéric Chopin - Étude in F major, op. 10 no. 8: Allegro

Murray Perahia

12 Etüden op. 10, Etüde Nr. 9 f-Moll

Frédéric Chopin - Étude in F minor, op. 10 no. 9: Allegro molto agitato

Murray Perahia

12 Etüden op. 10, Etüde Nr. 10 As-Dur

Frédéric Chopin - Étude in A‐flat major, op. 10 no. 10: Vivace assai

Murray Perahia

12 Etüden op. 10, Etüde Nr. 11 Es-Dur

Frédéric Chopin - Étude in E‐flat major, op. 10 no. 11: Allegretto

Murray Perahia

12 Etüden op. 10, Etüde Nr. 12 c-Moll "Revolutionsetüde"

Frédéric Chopin - Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco

Murray Perahia

12 Etüden op. 25, Etüde Nr. 1 As-Dur

Frédéric Chopin - Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto

Murray Perahia

12 Etüden op. 25, Etüde Nr. 2 f-Moll

Frédéric Chopin - Étude in F minor, op. 25 no. 2: Presto

Murray Perahia

12 Etüden op. 25, Etüde Nr. 3 F-Dur

Frédéric Chopin - Étude in F major, op. 25 no. 3: Allegro

Murray Perahia

12 Etüden op. 25, Etüde Nr. 4 a-Moll

Frédéric Chopin - Étude in A minor, op. 25 no. 4: Agitato

Murray Perahia

12 Etüden op. 25, Etüde Nr. 5 e-Moll

Frédéric Chopin - Étude in E minor, op. 25 no. 5: Vivace

Murray Perahia

12 Etüden op. 25, Etüde Nr. 6 gis-Moll "Terzenetüde"

Frédéric Chopin - Étude in G‐sharp minor, op. 25 no. 6 “Thirds”: Allegro

Murray Perahia

12 Etüden op. 25, Etüde Nr. 7 cis-Moll

Frédéric Chopin - Étude in C‐sharp minor, op. 25 no. 7

Murray Perahia

12 Etüden op. 25, Etüde Nr. 8 Des-Dur "Sextenetüde"

Frédéric Chopin - Étude in D‐flat major, op. 25 no. 8 “Sixths”: Vivace

Murray Perahia

12 Etüden op. 25, Etüde Nr. 9 Ges-Dur

Frédéric Chopin - Étude in G‐flat major, op. 25 no. 9 “Butterfly”: Allegro assai

Murray Perahia

12 Etüden op. 25, Etüde Nr. 10 h-Moll "Oktavenetüde"

Frédéric Chopin - Étude in B minor, op. 25 no. 10 “Octaves”: Allegro con fuoco

Murray Perahia

12 Etüden op. 25, Etüde Nr. 11 a-Moll

Frédéric Chopin - Étude in A minor, op. 25 no. 11 “Winter Wind”: Lento

Murray Perahia

12 Etüden op. 25, Etüde Nr. 12 c-Moll

Frédéric Chopin - Étude in C minor, op. 25 no. 12 “Ocean”: Allegro molto con fuoco

Murray Perahia

L'Olimpiade, "Tu me da me dividi"

Giovanni Battista Pergolesi - L'Olimpiade, P. 145: Atto II

Simone Kermes

Lucio Papirio, "Morte amara"

Nicola Porpora - Lucio Papirio: Atto II

Simone Kermes

Flavio Anicio Olibrio, "Se non dovesse il piè"

Nicola Porpora - Flavio Anicio Olibrio

Simone Kermes

Artaserse, "Fra cento affanni e cento"

Leonardo Vinci - Artaserse: Atto I

Simone Kermes

Il Demetrio, "Manca sollecita"

Leonardo Leo - Il Demetrio: Atto III

Simone Kermes

Viriate, "Cone nave in mezzo all'onde"

Johann Adolph Hasse - Viriate: Atto II

Simone Kermes

Adriano in Siria, "Lieto così talvolta"

Giovanni Battista Pergolesi - Adriano in Siria: Atto primo: Scena XVI: N.11 Aria: Lieto così talvolta

Simone Kermes

Antigono, "Perché, se tanti siete"

Johann Adolph Hasse - Antigono: Atto III

Simone Kermes

Artaserse, "No che non ha la sorte" "Vo solcando un mar crudele"

Leonardo Vinci - Artaserse: Atto I

Simone Kermes

Lucio Papirio, "Tocco il porto"

Nicola Porpora - Lucio Papirio: Atto III

Simone Kermes

Didone abbandonata, "Tu dici ch'io non speri" "L'augelletto in lacci stretto"

Johann Adolph Hasse - Didone abbandonata: Atto II

Simone Kermes

L'Olimpiade, "Mentre dormi amor fomenti"

Giovanni Battista Pergolesi - L'Olimpiade, P. 145: Atto I

Simone Kermes

Concerto g-Moll für Blockflöte, Streicher und B.C., I. Allegro

Georg Philipp Telemann - Recorder Concerto in G minor "Harrach-Konzert"

Dorothee Oberlinger, Reinhard Goebel

Concerto g-Moll für Blockflöte, Streicher und B.C., II. Adagio

Georg Philipp Telemann - Recorder Concerto in G minor "Harrach-Konzert"

Dorothee Oberlinger, Reinhard Goebel

Concerto g-Moll für Blockflöte, Streicher und B.C., III. Allegro

Georg Philipp Telemann - Recorder Concerto in G minor "Harrach-Konzert"

Dorothee Oberlinger, Reinhard Goebel

Concerto C-Dur für Blockflöte, Streicher und B.C., I. Allegretto

Georg Philipp Telemann - Recorder Concerto in C major, TWV 51:C1

Dorothee Oberlinger, Reinhard Goebel

Concerto C-Dur für Blockflöte, Streicher und B.C., II. Allegro

Georg Philipp Telemann - Recorder Concerto in C major, TWV 51:C1

Dorothee Oberlinger, Reinhard Goebel

Concerto C-Dur für Blockflöte, Streicher und B.C., III. Andante

Georg Philipp Telemann - Recorder Concerto in C major, TWV 51:C1

Dorothee Oberlinger, Reinhard Goebel

Concerto C-Dur für Blockflöte, Streicher und B.C., IV. Tempo di menuet

Georg Philipp Telemann - Recorder Concerto in C major, TWV 51:C1

Dorothee Oberlinger, Reinhard Goebel

Suite F-Dur für Blockflöte, Streicher und B.C., I. Ouverture

Christoph Graupner - Ouverture in F major, GWV 447

Dorothee Oberlinger, Reinhard Goebel

Suite F-Dur für Blockflöte, Streicher und B.C., II. La speranza (tempo giusto)

Christoph Graupner - Ouverture in F major, GWV 447

Dorothee Oberlinger, Reinhard Goebel

Suite F-Dur für Blockflöte, Streicher und B.C., III. Air en gavotte

Christoph Graupner - Ouverture in F major, GWV 447

Dorothee Oberlinger, Reinhard Goebel

Suite F-Dur für Blockflöte, Streicher und B.C., IV. Menuet

Christoph Graupner - Ouverture in F major, GWV 447

Dorothee Oberlinger, Reinhard Goebel

Suite F-Dur für Blockflöte, Streicher und B.C., V. Air

Christoph Graupner - Ouverture in F major, GWV 447

Dorothee Oberlinger, Reinhard Goebel

Suite F-Dur für Blockflöte, Streicher und B.C., VI. Plaisantrie

Christoph Graupner - Ouverture in F major, GWV 447

Dorothee Oberlinger, Reinhard Goebel

Concerto G-Dur für Blockflöte, Streicher und B.C., I. Allegro

Johann Christoph Schultze - Recorder Concerto in G major

Dorothee Oberlinger, Reinhard Goebel

Concerto G-Dur für Blockflöte, Streicher und B.C., II. Adagio

Johann Christoph Schultze - Recorder Concerto in G major

Dorothee Oberlinger, Reinhard Goebel

Concerto G-Dur für Blockflöte, Streicher und B.C., III. Vivace

Johann Christoph Schultze - Recorder Concerto in G major

Dorothee Oberlinger, Reinhard Goebel

Serenade D-Dur KV 320 "Posthorn-Serenade", I. Adagio maestoso - Allegro con spirito

Wolfgang Amadeus Mozart - Serenade no. 9 in D major, K. 320 "Posthorn"

Claudio Abbado, Berlin Philharmonic

Serenade D-Dur KV 320 "Posthorn-Serenade", II. Menuetto: Allegretto - Trio

Wolfgang Amadeus Mozart - Serenade no. 9 in D major, K. 320 "Posthorn"

Claudio Abbado, Berlin Philharmonic

Serenade D-Dur KV 320 "Posthorn-Serenade", III. Concertante: Andante grazioso

Wolfgang Amadeus Mozart - Serenade no. 9 in D major, K. 320 "Posthorn"

Claudio Abbado, Berlin Philharmonic, Glenn Gould

Serenade D-Dur KV 320 "Posthorn-Serenade", IV. Rondeau: Allegro ma non troppo

Wolfgang Amadeus Mozart - Serenade no. 9 in D major, K. 320 "Posthorn"

Claudio Abbado, Berlin Philharmonic

Serenade D-Dur KV 320 "Posthorn-Serenade", V. Andantino

Wolfgang Amadeus Mozart - Serenade no. 9 in D major, K. 320 "Posthorn"

Claudio Abbado, Berlin Philharmonic

Serenade D-Dur KV 320 "Posthorn-Serenade", VI. Menuetto - Trio I - Trio II

Wolfgang Amadeus Mozart - Serenade no. 9 in D major, K. 320 "Posthorn"

Claudio Abbado, Berlin Philharmonic

Serenade D-Dur KV 320 "Posthorn-Serenade", VII. Finale: Presto

Wolfgang Amadeus Mozart - Serenade no. 9 in D major, K. 320 "Posthorn"

Claudio Abbado, Berlin Philharmonic

Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", I. Adagio - Allegro spiritoso

Wolfgang Amadeus Mozart - Symphony no. 36 for Orchestra in C major, K. 425 “Linz”

Claudio Abbado, Berlin Philharmonic

Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", II. Andante

Wolfgang Amadeus Mozart - Symphony no. 36 for Orchestra in C major, K. 425 “Linz”

Claudio Abbado, Berlin Philharmonic

Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", III. Menuetto - Trio

Wolfgang Amadeus Mozart - Symphony no. 36 for Orchestra in C major, K. 425 “Linz”

Claudio Abbado, Berlin Philharmonic

Sinfonie Nr. 36 C-Dur KV 425 "Linzer Sinfonie", IV. Presto

Wolfgang Amadeus Mozart - Symphony no. 36 for Orchestra in C major, K. 425 “Linz”

Claudio Abbado, Berlin Philharmonic

The Fairy Queen, Prelude in g. Hornpipe in g

Henry Purcell - The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe

Thomas Hengelbrock, Freiburger Barockorchester

The Fairy Queen, Air in B. Rondeau in B

Henry Purcell - The Fairy Queen, Z. 629: Second Musick, no. 3. Air

Thomas Hengelbrock, Freiburger Barockorchester

The Fairy Queen, Overture in D

Henry Purcell - The Fairy Queen, Z. 629: Act I, no. 5. Overture

Thomas Hengelbrock, Freiburger Barockorchester

The Fairy Queen, Prelude in C. Entry Dance in C. Dance for the Fairies in G

Henry Purcell - The Fairy Queen, Z. 629

Thomas Hengelbrock, Freiburger Barockorchester

The Fairy Queen, Overture in g (Symphony while the swans come forward). Air in G (Song: If love's a sweet passion). Prelude in g

Henry Purcell - The Fairy Queen, Z. 629

Thomas Hengelbrock, Freiburger Barockorchester

The Fairy Queen, Hornpipe in g

Henry Purcell - The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe

Thomas Hengelbrock, Freiburger Barockorchester

The Fairy Queen, Symphony. Canzona - Largo - Allegro - Adagio - Allegro

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 30. Symphony

Thomas Hengelbrock, Freiburger Barockorchester

Dido and Aeneas, Overture in c. Air in c (Song: Peace and I are strangers grown). The Triumphing Dance in C

Henry Purcell - Dido and Aeneas, Z. 626: Overture

Thomas Hengelbrock, Freiburger Barockorchester

Dido and Aeneas, Ritornelle in d. Air (Chorus: Thanks to these lonesime vales). Dance in d (A Dance to entertain Aeneas by Dido's women)

Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)

Thomas Hengelbrock, Freiburger Barockorchester

Dido and Aeneas, Echo Dance of Furies in F

Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies

Thomas Hengelbrock, Freiburger Barockorchester

Dido and Aeneas, The Sailors' Dance in B

Henry Purcell - Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance

Thomas Hengelbrock, Freiburger Barockorchester

Dido and Aeneas, The Witches' Dance in B

Henry Purcell - Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance

Thomas Hengelbrock, Freiburger Barockorchester

Dido and Aeneas, Chacony

Henry Purcell - Dido and Aeneas, Z. 626: Act I. Guitar Dance

Thomas Hengelbrock, Freiburger Barockorchester

King Arthur, Overture in d. Air in d. Overture in D

Henry Purcell - King Arthur, Z. 628: Act I, Scene I, 2. Air

Thomas Hengelbrock, Freiburger Barockorchester

King Arthur, Symphony in g. Air in G. Hornpipe in g

Henry Purcell - King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus)

Thomas Hengelbrock, Freiburger Barockorchester

King Arthur, Air in d. Air in a. Song Tune in a

Henry Purcell - King Arthur, Z. 628: Act II, 17. Second Act Tune: Air

Thomas Hengelbrock, Freiburger Barockorchester

King Arthur, Symphony in C. Trumpet Tune in C

Henry Purcell - King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune

Thomas Hengelbrock, Freiburger Barockorchester

King Arthur, Frost Dance in c. Hornpipe in G

Henry Purcell - King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants)

Thomas Hengelbrock, Freiburger Barockorchester

King Arthur, Passacaglia in g

Henry Purcell - King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans)

Thomas Hengelbrock, Freiburger Barockorchester

Abdelazer, Overture in d

Henry Purcell - Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570

Thomas Hengelbrock, Freiburger Barockorchester

Abdelazer, Rondeau in d

Henry Purcell - Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570

Thomas Hengelbrock, Freiburger Barockorchester

Abdelazer, Aire in D. Aire in G

Henry Purcell - Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570

Thomas Hengelbrock, Freiburger Barockorchester

Abdelazer, Minuette in G. Aire in g

Henry Purcell - Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570

Thomas Hengelbrock, Freiburger Barockorchester

Abdelazer, Jigg in g

Henry Purcell - Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570

Thomas Hengelbrock, Freiburger Barockorchester

Abdelazer, Hornpipe in B. Aire in g

Henry Purcell - Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570

Thomas Hengelbrock, Freiburger Barockorchester

Konzert Nr. 3 d-Moll für Klavier und Orchester op. 30, I. Allegro ma non tanto

Sergei Rachmaninoff - Piano Concerto no. 3 in D minor, op. 30

James Levine, Berlin Philharmonic, Arcadi Volodos

Konzert Nr. 3 d-Moll für Klavier und Orchester op. 30, II. Intermezzo: Adagio

Sergei Rachmaninoff - Piano Concerto no. 3 in D minor, op. 30

James Levine, Berlin Philharmonic, Arcadi Volodos

Konzert Nr. 3 d-Moll für Klavier und Orchester op. 30, III. Finale: Alla breve

Sergei Rachmaninoff - Piano Concerto no. 3 in D minor, op. 30

James Levine, Berlin Philharmonic, Arcadi Volodos

Werke für Piano Solo, Andante aus Sonate für Cello und Klavier op. 19

Sergei Rachmaninoff - Sonata for Cello and Piano in G minor, op. 19

Arcadi Volodos

Werke für Piano Solo, Sérénade b-Moll aus Morceaux de fantaisie op. 3 Nr. 5

Sergei Rachmaninoff - Morceaux de fantaisie, op. 3: No. 5. Sérénade in B-flat minor

Arcadi Volodos

Werke für Piano Solo, Romance f-Moll aus Morceaus de salon op. 10 Nr. 6

Sergei Rachmaninoff - Morceaux de salon, op. 10: no. 6 Romance in F minor

Arcadi Volodos

Werke für Piano Solo, Prélude b-Moll aus 12 Préludes op. 32 Nr. 6

Sergei Rachmaninoff - 13 Preludes, op. 32

Arcadi Volodos

Werke für Piano Solo, Prélude d-Moll op. Post.

Sergei Rachmaninoff - Prelude in D minor, TN ii/19/1: Andante ma non troppo

Arcadi Volodos

Werke für Piano Solo, Étude-tableaux cis-Moll op. 33 Nr. 6 (9)

Sergei Rachmaninoff - Études-tableaux, op. 33: No. 8 in C-sharp minor: Grave

Arcadi Volodos

Violinkonzert op. 35 D-Dur, I. Allegro molto

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Andris Nelsons, City of Birmingham Symphony Orchestra, Baiba Skride

Violinkonzert op. 35 D-Dur, II. Conzonetta: Andante

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Andris Nelsons, City of Birmingham Symphony Orchestra, Baiba Skride

Violinkonzert op. 35 D-Dur, III. Finale: Allegro vivacissimo

Pyotr Ilyich Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35

Andris Nelsons, City of Birmingham Symphony Orchestra, Baiba Skride

Souvenir d'un Lieu Cher op. 42, I. Méditation

Pyotr Ilyich Tchaikovsky - Souvenir d’un lieu cher, op. 42

Andris Nelsons, City of Birmingham Symphony Orchestra, Baiba Skride

Souvenir d'un Lieu Cher op. 42, II. Scherzo

Pyotr Ilyich Tchaikovsky - Souvenir d’un lieu cher, op. 42

Andris Nelsons, City of Birmingham Symphony Orchestra, Baiba Skride

Souvenir d'un Lieu Cher op. 42, Mélodie

Pyotr Ilyich Tchaikovsky - Souvenir d’un lieu cher, op. 42

Andris Nelsons, City of Birmingham Symphony Orchestra, Baiba Skride

Schwanensee op. 20, Pas d'action aus dem 2. Akt

Pyotr Ilyich Tchaikovsky - Swan Lake, op. 20: Act II, no. 13: Danses des cygnes

Andris Nelsons, City of Birmingham Symphony Orchestra, Baiba Skride

Schwanensee op. 20, Danse Russe aus 3. Akt

Pyotr Ilyich Tchaikovsky - Swan Lake, op. 20

Andris Nelsons, City of Birmingham Symphony Orchestra, Baiba Skride

Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: I. Allegro

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”

Leonidas Kavakos, Camerata Salzburg

Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: II. Adagio

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”

Leonidas Kavakos, Camerata Salzburg

Konzert für Violine und Orchester Nr. 3 G-Dur, KV 216: III. Rondeau. Allegro

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”

Leonidas Kavakos, Camerata Salzburg

Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: I. Allegro

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 4 in D major, K. 218

Leonidas Kavakos, Camerata Salzburg

Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: II. Andante cantabile

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 4 in D major, K. 218

Leonidas Kavakos, Camerata Salzburg

Konzert für Violine und Orchester Nr. 4 D-Dur, KV 218: III. Rondeau. Andante grazioso - Allegro ma non troppo

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 4 in D major, K. 218

Leonidas Kavakos, Camerata Salzburg

Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto - Adagio - Allegro aperto

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Leonidas Kavakos, Camerata Salzburg

Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: II. Adagio

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Leonidas Kavakos, Camerata Salzburg

Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: III. Rondeau. Tempo di Menuetto - Allegro - Tempo di Menuetto

Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”

Leonidas Kavakos, Camerata Salzburg

Tannhäuser, Ouvertüre

Richard Wagner - Tannhäuser: Ouvertüre

Mariss Jansons, Bavarian Radio Symphony Orchestra

Tannhäuser, Bacchanal

Richard Wagner - Excerpt from: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug I, Scene I. Bacchanale

Mariss Jansons, Bavarian Radio Symphony Orchestra

Lohengrin, Vorspiel 1. Akt

Richard Wagner - Lohengrin, WWV 75: Vorspiel

Mariss Jansons, Bavarian Radio Symphony Orchestra

Lohengrin, Vorspiel 3. Akt

Richard Wagner - Lohengrin, WWV 75: Akt III. Vorspiel

Mariss Jansons, Bavarian Radio Symphony Orchestra

Die Walküre, Der Walkürenritt

Richard Wagner - Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt

Mariss Jansons, Bavarian Radio Symphony Orchestra

Götterdämmerung, Siegfrieds Rheinfahrt

Richard Wagner - Excerpt from Götterdämmerung, WWV 86D: Vorspiel: Siegfrieds Rheinfahrt

Mariss Jansons, Bavarian Radio Symphony Orchestra

Götterdämmerung, Trauermarsch

Richard Wagner - Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds

Mariss Jansons, Bavarian Radio Symphony Orchestra

La Traviata: Vorspiel

Giuseppe Verdi - La traviata: Preludio

Georges Prêtre, RCA Italiana Orchestra

L'elisir d'amore: "Una furtiva lagrima"

Gaetano Donizetti - L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)

Nello Santi, Plácido Domingo, London Symphony Orchestra

Rigoletto: "Questa o quella"

Giuseppe Verdi - Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)

Georg Solti, RCA Italiana Orchestra, Alfredo Kraus

Madama Butterfly: "Un bel di vedremo"

Giacomo Puccini - Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)

Edward Downes, Philharmonia Orchestra, Leontyne Price

Rigoletto: "La donna è mobile"

Giuseppe Verdi - Rigoletto: Atto III. “La donna è mobile” (Duca)

Nello Santi, Plácido Domingo, London Symphony Orchestra

La Rondine: "Chi il bel sogno di Doretta"

Giacomo Puccini - La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)

Francesco Molinari-Pradelli, RCA Italiana Orchestra, Anna Moffo

Andrea Chenier: "Come un bel dì du maggio"

Umberto Giordano - Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)

James Levine, Plácido Domingo, National Philharmonic Orchestra

La Bohème: "Mi chiamano Mimi"

Giacomo Puccini - La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)

Georg Solti, Montserrat Caballé

Tosca: "Recondita armonia"

Giacomo Puccini - Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano)

Erich Leinsdorf, Jussi Björling