111 Years of Deutsche Grammophon: The Collectors’ Edition 2

Carmen: Acte II. no. 16 Duo “Je vais danser en votre honneur” (Carmen, Don José)

Georges Bizet - Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José)

Claudio Abbado, Plácido Domingo, London Symphony Orchestra

Carmen: Acte II. Air de la fleur “La fleur que tu m’avais jetée” (Don José)

Georges Bizet - Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José)

Claudio Abbado, Plácido Domingo, London Symphony Orchestra

Carmen: Acte II. “Non! Tu ne m’aimes pas!” (Carmen, Don José)

Georges Bizet - Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José)

Claudio Abbado, Plácido Domingo, London Symphony Orchestra

Carmen: Acte II. no. 17 Finale “Holà! Carmen! holà!” (Zuniga, Don José, Carmen, Dancaïre, Remendado, les Bohémiens)

Georges Bizet - Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens)

Claudio Abbado, John McCarthy, Plácido Domingo

Carmen: Acte II. “Suis‐nous à travers la campagne” (Frasquita, Mercédès, Dancaïre, Remendado, les Bohémiens, les Bohémiennes)

Georges Bizet - Carmen : Acte II

Claudio Abbado, John McCarthy, London Symphony Orchestra

Carmen: Entr’acte

Georges Bizet - Carmen : Acte II. Entr’acte

Claudio Abbado, London Symphony Orchestra

Carmen: Acte III, Tableau I. no. 18 Introduction “Écoute, compagnon, écoute” (les Contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)

Georges Bizet - Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita)

Claudio Abbado, John McCarthy, Plácido Domingo

Carmen: Acte III, Tableau I. “Halte! nous allons nous arrêter ici…” (Dancaïre, Remendado, Don José, Carmen)

Georges Bizet - Carmen : Acte III. Introduction : « Halte ! Nous allons nous arrêter ici ! » (Dancaïre, Remendado, Don José, Carmen)

Claudio Abbado, Plácido Domingo, London Symphony Orchestra

Carmen: Acte III, Tableau I. no. 19 Trio “Mêlons!” / “Mêlons!” / “Coupons!” (Frasquita, Mercédès)

Georges Bizet - Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès)

Claudio Abbado, London Symphony Orchestra

Carmen: Acte III, Tableau I. Air des cartes “Carreau, pique… la mort!” (Carmen)

Georges Bizet - Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès)

Claudio Abbado, London Symphony Orchestra

Carmen: Acte III, Tableau I. “Parlez encore, parlez, mes belles” (Frasquita, Mercédès, Carmen)

Georges Bizet - Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès)

Claudio Abbado, London Symphony Orchestra

Carmen: Acte III, Tableau I. “Eh bien, j’avais raison” (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José)

Georges Bizet - Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès)

Plácido Domingo

Carmen: Acte III, Tableau I. no. 20 Morceau d’Ensemble “Quant au douanier, c’est notre affaire” (Carmen, Mercédès, Frasquita, les Bohémiennes, les Bohémiens, Dancaïre, Remandado)

Georges Bizet - Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde)

Claudio Abbado, John McCarthy, London Symphony Orchestra

Carmen: Acte III, Tableau I. no. 21 Air “Je dis que rien ne m’épouvante” (Micaëla)

Georges Bizet - Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)

Claudio Abbado, London Symphony Orchestra

Carmen: Acte III, Tableau I. “Mais… je ne me trompe pas…” (Micaëla, Escamillo, Don José) – no. 22 Duo “Je suis Escamillo, toréro de Grenade” (Escamillo, Don José)

Georges Bizet - Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla)

Claudio Abbado, Plácido Domingo, London Symphony Orchestra

Carmen: Acte III, Tableau I. no. 23 Finale “Holà, José!” (Carmen, Escamillo, Dancaïre, Don José, les Contrebandiers, les Contrebandières)

Georges Bizet - Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur)

Claudio Abbado, John McCarthy, Plácido Domingo

Carmen: Acte III, Tableau I. “Halte!... Quelqu’un est là qui cherche à se cacher” (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo)

Georges Bizet - Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières)

Claudio Abbado, John McCarthy, Plácido Domingo

Carmen: Entr’acte

Georges Bizet - Carmen : Acte III. Entr’acte

Claudio Abbado, London Symphony Orchestra

Carmen: Acte III, Tableau II. no. 24 Chœur “A deux cuartos” (Marchandes, Marchands, un Soldat, Andrès, un Bohémien)

Georges Bizet - Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès)

Claudio Abbado, John McCarthy, London Symphony Orchestra

Carmen: Acte III, Tableau II. no. 25 Chœur et Scène “Les voici! Voici le quadrille” (chœur)

Georges Bizet - Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)

Claudio Abbado, John McCarthy, London Symphony Orchestra

Carmen: Acte III, Tableau II. “Si tu m’aimes, Carmen” (Escamillo, Carmen, Frasquita, Mercédès)

Georges Bizet - Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur)

Claudio Abbado, John McCarthy, London Symphony Orchestra

Carmen: Acte III, Tableau II. no. 26 Duo final “C’est toi?” / “C’est moi!” (Carmen, Don José, chœur)

Georges Bizet - Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur)

Claudio Abbado, John McCarthy, Plácido Domingo

Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante - Allegro

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic

Concerto for Piano and Orchestra no. 3 in C major, op. 26: II. Thema: Andantino / Var. I: L’istesso tempo / Var. II: Allegro / Var. III: Allegro moderato / Var. IV: Andantino meditativo / Var. V: Allegro giusto / Thema: L’istesso tempo

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic

Concerto for Piano and Orchestra no. 3 in C major, op. 26: III. Allegro ma non troppo

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic

Concerto for Piano and Orchestra in G major: I. Allegramente

Maurice Ravel - Piano Concerto in G major

Claudio Abbado, Berlin Philharmonic

Concerto for Piano and Orchestra in G major: II. Adagio assai

Maurice Ravel - Piano Concerto in G major

Claudio Abbado, Berlin Philharmonic

Concerto for Piano and Orchestra in G major: III. Presto

Maurice Ravel - Piano Concerto in G major

Claudio Abbado, Berlin Philharmonic

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto

Ludwig van Beethoven - Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”

Daniel Barenboim

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto

Ludwig van Beethoven - Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”

Daniel Barenboim

Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato

Ludwig van Beethoven - Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”

Daniel Barenboim

Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio

Ludwig van Beethoven - Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”

Daniel Barenboim

Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile

Ludwig van Beethoven - Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”

Daniel Barenboim

Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro

Ludwig van Beethoven - Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”

Daniel Barenboim

Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai

Ludwig van Beethoven - Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”

Daniel Barenboim

Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto

Ludwig van Beethoven - Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”

Daniel Barenboim

Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo

Ludwig van Beethoven - Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”

Daniel Barenboim

Kantate no. 197 “Gott ist unser Zuversicht”, BWV 197, no. 8: Vergnügen und Lust, Gedeihen und Heil

Johann Sebastian Bach - Kantate, BWV 197 "Gott ist unsre Zuversicht"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 58 “Ach Gott, wie manches Herzeleid”, BWV 58, no. 3: Ich bin vergnügt in meinem Leiden

Johann Sebastian Bach - Kantate, BWV 58 "Ach Gott, wie manches Herzeleid"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 204 “Ich bin in mir vergnügt”, BWV 204, no. 4: Die Schätzbarkeit der weiten Erden

Johann Sebastian Bach - Kantate, BWV 204 "Ich bin in mir vergnügt"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kanatate no. 97 “In allen meinen Taten”, BWV 97, no. 4: Ich traue seiner Gnaden

Johann Sebastian Bach - Kantate, BWV 97 "In allen meinen Taten"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 115 “Mache dich, mein Geist, bereit”, BWV 115, no. 4: Bete aber auch dabei

Johann Sebastian Bach - Kantate, BWV 115 "Mache dich, mein Geist, bereit"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 171 “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171, no. 4: Jesus soll mein erstes Wort

Johann Sebastian Bach - Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Messe h‐moll, BWV 232 no. 23: Benedictus, Qui Venit In Nomine Domini

Johann Sebastian Bach - h-Moll-Messe, BWV 232

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Messe h‐moll, BWV 232, no. 5: Laudamus Te

Johann Sebastian Bach - h-Moll-Messe, BWV 232

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 202 “Weichet nur, betrübte Schatten”, BWV 202, no. 5: Wenn die Fruhlingslüfte streichen

Johann Sebastian Bach - Kantate, BWV 202 "Weichet nur, betrübte Schatten"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 36 “Schwingt freudig euch empor”, BWV 36, no. 7: Auch mit Gedämpften, schwachen Stimmen

Johann Sebastian Bach - Kantate, BWV 36 "Schwingt freudig euch empor"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 187 “Es wartet alles auf dich, dass du ihnen Speise”, BWV 187, no. 5: Gott versorget alles Leben

Johann Sebastian Bach - Kantate, BWV 187 "Es wartet alles auf dich"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 84 “Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert”, BWV 84, no. 3: Ich esse mit Freuden mein weniges Brot

Johann Sebastian Bach - Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Kantate no. 105 “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105, no. 5: Kann ich nur Jesu mir zum Freunde machen

Johann Sebastian Bach - Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“

Itzhak Perlman, John Nelson, Orchestra of St. Luke's

Symphonie no. 1 D‐dur: I. Langsam. Schleppend. Wie ein Naturlaut - Im anfang sehr gemächlich

Gustav Mahler - Symphony no. 1 in D major “Titan”

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphonie no. 1 D‐dur: II. Kräftig bewegt

Gustav Mahler - Symphony no. 1 in D major “Titan”

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphonie no. 1 D‐dur: III. Feierlich und gemessen, ohne zu schleppen

Gustav Mahler - Symphony no. 1 in D major “Titan”

Leonard Bernstein, Royal Concertgebouw Orchestra

Symphonie no. 1 D‐dur: IV. Stürmisch bewegt

Gustav Mahler - Symphony no. 1 in D major “Titan”

Leonard Bernstein, Royal Concertgebouw Orchestra

Concerto for piano and orchestra no. 1 in E minor, op. 11: I. Allegro maestoso

Frédéric Chopin - Concerto for Piano and Orchestra no. 1 in E minor, op. 11

Jerzy Semkow, Royal Concertgebouw Orchestra

Concerto for piano and orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto

Frédéric Chopin - Concerto for Piano and Orchestra no. 1 in E minor, op. 11

Jerzy Semkow, Royal Concertgebouw Orchestra

Concerto for piano and orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace

Frédéric Chopin - Concerto for Piano and Orchestra no. 1 in E minor, op. 11

Jerzy Semkow, Royal Concertgebouw Orchestra

Concerto for piano and orchestra no. 2 in F minor, op. 21: I. Maestoso

Frédéric Chopin - Concerto for Piano and Orchestra no. 2 in F minor, op. 21

Jerzy Semkow, Royal Concertgebouw Orchestra

Concerto for piano and orchestra no. 2 in F minor, op. 21: II. Larghetto

Frédéric Chopin - Concerto for Piano and Orchestra no. 2 in F minor, op. 21

Jerzy Semkow, Royal Concertgebouw Orchestra

Concerto for piano and orchestra no. 2 in F minor, op. 21: III. Allegro vivace

Frédéric Chopin - Concerto for Piano and Orchestra no. 2 in F minor, op. 21

Jerzy Semkow, Royal Concertgebouw Orchestra

Concerto for Clarinet in A major, K. 622: I. Allegro

Wolfgang Amadeus Mozart - Concerto for Clarinet in A major, K. 622

Karl Böhm, Vienna Philharmonic, Alfred Prinz

Concerto for Clarinet in A major, K. 622: II. Adagio

Wolfgang Amadeus Mozart - Concerto for Clarinet in A major, K. 622

Karl Böhm, Vienna Philharmonic, Alfred Prinz

Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro

Wolfgang Amadeus Mozart - Concerto for Clarinet in A major, K. 622

Karl Böhm, Vienna Philharmonic, Alfred Prinz

Concerto for Flute no. 1 in G major, K. 285c/313: I. Allegro maestoso

Wolfgang Amadeus Mozart - Concerto for Flute and Orchestra in G major, K. 313/285c

Karl Böhm, Vienna Philharmonic

Concerto for Flute no. 1 in G major, K. 285c/313: II. Adagio non troppo

Wolfgang Amadeus Mozart - Concerto for Flute and Orchestra in G major, K. 313/285c

Karl Böhm, Vienna Philharmonic

Concerto for Flute no. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto

Wolfgang Amadeus Mozart - Concerto for Flute and Orchestra in G major, K. 313/285c

Karl Böhm, Vienna Philharmonic

Concerto for Bassoon in B‐flat major, K. 186e/191: I. Allegro

Wolfgang Amadeus Mozart - Concerto for Bassoon in B-flat major, K. 186e/191

Karl Böhm, Vienna Philharmonic

Concerto for Bassoon in B‐flat major, K. 186e/191: II. Andante ma adagio

Wolfgang Amadeus Mozart - Concerto for Bassoon in B-flat major, K. 186e/191

Karl Böhm, Vienna Philharmonic

Concerto for Bassoon in B‐flat major, K. 186e/191: III. Rondeau. Tempo di menuetto

Wolfgang Amadeus Mozart - Concerto for Bassoon in B-flat major, K. 186e/191

Karl Böhm, Vienna Philharmonic

Nocturnes (orchestral version): I. Nuages

Claude Debussy - Nocturnes, L. 91, CD 98

Pierre Boulez, Cleveland Orchestra

Nocturnes (orchestral version): II. Fêtes

Claude Debussy - Nocturnes, L. 91, CD 98

Pierre Boulez, Cleveland Orchestra

Nocturnes (orchestral version): III. Sirènes

Claude Debussy - Nocturnes, L. 91, CD 98

Gareth Morrell, Pierre Boulez, Cleveland Orchestra

Première Rhapsodie: Rêveusement lent

Claude Debussy - Première Rapsodie pour clarinette en si bémol, L. 116, CD 124b

Pierre Boulez, Cleveland Orchestra

Jeux: Poème danse: Très lent - scherzando - (tempo initial)

Claude Debussy - Jeux, L. 126, CD 133

Pierre Boulez, Cleveland Orchestra

La Mer: I. De l’aube à midi sur la mer

Claude Debussy - La Mer, trois esquisses symphoniques pour orchestre, L. 109

Pierre Boulez, Cleveland Orchestra

La Mer: II. Jeux de vagues

Claude Debussy - La Mer, trois esquisses symphoniques pour orchestre, L. 109

Pierre Boulez, Cleveland Orchestra

La Mer: III. Dialogue du vent et de la mer

Claude Debussy - La Mer, trois esquisses symphoniques pour orchestre, L. 109

Pierre Boulez, Cleveland Orchestra

Symphony no. 4 in E minor, op. 98: I. Allegro non troppo

Johannes Brahms - Sinfonie Nr. 4 e-Moll, op. 98

Victor de Sabata, Berlin Philharmonic

Symphony no. 4 in E minor, op. 98: II. Andante moderato

Johannes Brahms - Sinfonie Nr. 4 e-Moll, op. 98

Victor de Sabata, Berlin Philharmonic

Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - poco meno presto - tempo I

Johannes Brahms - Sinfonie Nr. 4 e-Moll, op. 98

Victor de Sabata, Berlin Philharmonic

Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - più allegro

Johannes Brahms - Sinfonie Nr. 4 e-Moll, op. 98

Victor de Sabata, Berlin Philharmonic

Tod und Verklärung, op. 24

Richard Strauss - Tod und Verklärung, op. 24

Victor de Sabata, Berlin Philharmonic

¡Ay, Maricruz!

Manuel Quiroga - ¡Ay, Maricruz!

Miguel Roa, Plácido Domingo

Me embrujaste

Manuel Quiroga - Me embrujaste

Miguel Roa, Plácido Domingo

Te lo juro yo

Manuel Quiroga - Te lo juro yo

Miguel Roa, Plácido Domingo, José María Gallardo del Rey

No me quieras tanto

Manuel Quiroga - No me quieras tanto

Miguel Roa, Plácido Domingo

Ojos verdes

Manuel Quiroga - Ojos verdes

Miguel Roa, Plácido Domingo, José María Gallardo del Rey

Suspiros de España

Antonio Álvarez Alonso - Suspiros de España

Miguel Roa, Plácido Domingo

Sensemayá

Silvestre Revueltas - Sensemayá

Gustávo Dudamel, Simón Bolívar Symphony Orchestra

Danzón no. 2

Arturo Márquez - Danzón n.º 2

Gustávo Dudamel, Simón Bolívar Symphony Orchestra

Suite para cuerdas (version for orchestra): Fuga con pajarillo

Aldemaro Romero - Suite para cuerdas no. 1: Fuga con Pajarillo

Gustávo Dudamel, Simón Bolívar Symphony Orchestra

Estancia: Danzas del ballet: I. Los trabajadores agrícolas

Alberto Ginastera - Danzas de “Estancia”, op. 8a

Gustávo Dudamel, Simón Bolívar Symphony Orchestra

Estancia: Danzas del ballet: II. Danza del trigo

Alberto Ginastera - Danzas de “Estancia”, op. 8a

Gustávo Dudamel, Simón Bolívar Symphony Orchestra

Estancia: Danzas del ballet: III. Los peones de hacienda

Alberto Ginastera - Danzas de “Estancia”, op. 8a

Gustávo Dudamel, Simón Bolívar Symphony Orchestra

Estancia: Danzas del ballet: IV. Danza final (malambo)

Alberto Ginastera - Danzas de “Estancia”, op. 8a

Gustávo Dudamel, Simón Bolívar Symphony Orchestra

“West Side Story” Symphonic Dances: IV. Mambo

Leonard Bernstein - Symphonic Dances from West Side Story

Gustávo Dudamel, Simón Bolívar Symphony Orchestra

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: I. Aria: “Ich will den Kreuzstab gerne tragen”

Johann Sebastian Bach - Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"

Karl Ristenpart

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: II. Recitativo: “Mein Wandel auf der Welt”

Johann Sebastian Bach - Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"

Karl Ristenpart

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: III. Aria: “Endlich, endlich wird mein Joch”

Johann Sebastian Bach - Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"

Karl Ristenpart

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: IV. Recitativo: “Ich stehe fertig und bereit”

Johann Sebastian Bach - Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"

Karl Ristenpart

Cantata “Ich will den Kreuzstab gerne tragen”, BWV 56: V. Choral: “Komm, o Tod, du Schlafes Bruder”

Johann Sebastian Bach - Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"

Karl Ristenpart

Cantata “Ich habe genug” BWV 82: I. Aria: Ich habe genug, ich habe den Heiland

Johann Sebastian Bach - Kantate, BWV 82 “Ich habe genung”

Karl Ristenpart

Cantata “Ich habe genug” BWV 82: II. Recitativo: Ich habe genug! Mein Trost ist nur allein

Johann Sebastian Bach - Kantate, BWV 82 “Ich habe genung”

Karl Ristenpart

Cantata “Ich habe genug” BWV 82: III. Aria: Schlummert ein, ihr matten Augen

Johann Sebastian Bach - Kantate, BWV 82 “Ich habe genung”

Karl Ristenpart

Cantata “Ich habe genug” BWV 82: IV. Recitativo: Mein Gott! wann kommt das schöne Nun!

Johann Sebastian Bach - Kantate, BWV 82 “Ich habe genung”

Karl Ristenpart

Cantata “Ich habe genug” BWV 82: V. Aria: Ich freue mich auf meinen Tod

Johann Sebastian Bach - Kantate, BWV 82 “Ich habe genung”

Karl Ristenpart

Die Fledermaus: Overture

Johann Strauss II - Die Fledermaus: Ouvertüre

Ferenc Fricsay, Deutsches Symphonie-Orchester Berlin

Annen‐Polka, op. 117

Johann Strauss II - Annen‐Polka, op. 117

Ferenc Fricsay, Deutsches Symphonie-Orchester Berlin

Kaiserwalzer, op. 437

Johann Strauss II - Kaiser‐Walzer, op. 437

Ferenc Fricsay, Deutsches Symphonie-Orchester Berlin

Tritsch‐Tratsch‐Polka, op. 214

Johann Strauss II - Tritsch–Tratsch Polka, op. 214

Ferenc Fricsay, Deutsches Symphonie-Orchester Berlin

Radetzky‐Marsch, op. 228

Johann Strauss I - Radetzky‐Marsch, op. 228

Ferenc Fricsay, Deutsches Symphonie-Orchester Berlin

An der schönen blauen Donau, op. 314

Johann Strauss II - An der schönen blauen Donau, op. 314

Ferenc Fricsay, Deutsches Symphonie-Orchester Berlin

Eljen a Magyar, op. 332

Johann Strauss II - Éljen a Magyar, op. 332

Ferenc Fricsay, Deutsches Symphonie-Orchester Berlin

Geschichten aus dem Wienerwald, op. 325

Johann Strauss II - Geschichten aus dem Wienerwald, op. 325

Ferenc Fricsay, Deutsches Symphonie-Orchester Berlin

Rosamunde, D. 797 (Incidental music to play by Helmina von Chézy): Overture (Die Zauberharfe, D. 644)

Franz Schubert - Rosamunde, D. 797 / Die Zauberharfe, D. 644: Ouvertüre

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 9 in C major, D. 944 “The Great”: I. Andante - allegro ma non troppo

Franz Schubert - Symphony no. 9 in C major, D. 944 “The Great”

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto

Franz Schubert - Symphony no. 9 in C major, D. 944 “The Great”

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace

Franz Schubert - Symphony no. 9 in C major, D. 944 “The Great”

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 9 in C major, D. 944 “The Great”: IV. Allegro vivace

Franz Schubert - Symphony no. 9 in C major, D. 944 “The Great”

Wilhelm Furtwängler, Berlin Philharmonic

Las Hijas del Zebedeo: Carceleras

Ruperto Chapí - Las hijas del Zebedeo: Carceleras "Al pensar en el dueño de mis amores"

Fabio Luisi, Sächsische Staatskapelle Dresden

Werther: Act III: “Werther! Werther…qui m’aurait dit la place”

Jules Massenet - Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte)

Fabio Luisi, Sächsische Staatskapelle Dresden

Les Contes d’Hoffmann (edition: Michael Kaye and Jean‐Christophe Keck): Act III: Romance “C’est l’amour vainqueur”

Jacques Offenbach - Les Contes d’Hoffmann: Acte III, Nº 13. Récit et Romance “Enfin je vais avoir” ... “C'est l'amour vainqueur”

Fabio Luisi, Sächsische Staatskapelle Dresden

La Cenerentola: Act II: Nacqui all’affanno

Gioachino Rossini - La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)

Fabio Luisi, Sächsische Staatskapelle Dresden

Bachianas brasileiras no. 5 for Soprano and Cellos: Aria. Cantilena

Heitor Villa-Lobos - Bachianas Brasileiras nº 5, W389

Fabio Luisi, Sächsische Staatskapelle Dresden

La Grande‐Duchesse de Gérolstein (edition by Jean‐Christophe Keck): Act I: Rondeau. “Ah, que j’aime les militaires”

Jacques Offenbach - La Grande‐Duchesse de Gérolstein : Acte I. N° 3C: Rondeau « Ah! que j'aime les militaires » (Duchesse, Fritz, Puck, Boum, chœur)

Fabio Luisi, Sächsische Staatskapelle Dresden

L’italiana in Algeri: Act II: Cavatina: Concedi, amor pietoso

Gioachino Rossini - L'italiana in Algeri: Act II: Cavatina: Concedi, amor pietoso (Lindoro)

Fabio Luisi, Sächsische Staatskapelle Dresden

Madrigal on a catalan popular theme

Xavier Montsalvatge - Madrigal sobre un tema popular "El cant dels ocells"

Fabio Luisi, Sächsische Staatskapelle Dresden

Der Rosenkavalier, op. 59: Act III: “Marie Theres’!” - “Hab mir’s gelobt, Ihn lieb zu haben”

Richard Strauss - Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal)

Fabio Luisi, Sächsische Staatskapelle Dresden

Der Rosenkavalier, op. 59: Act III: “Ist ein Traum, kann nicht wirklich sein”

Richard Strauss - Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian)

Fabio Luisi, Sächsische Staatskapelle Dresden

Konzert für Klavier und Orchester nr. 1 D‐moll, op. 15: I. Maestoso

Johannes Brahms - Concerto for Piano and Orchestra no. 1 in D minor, op. 15

Eugen Jochum, Berlin Philharmonic

Konzert für Klavier und Orchester nr. 1 D‐moll, op. 15: II. Adagio

Johannes Brahms - Concerto for Piano and Orchestra no. 1 in D minor, op. 15

Eugen Jochum, Berlin Philharmonic

Konzert für Klavier und Orchester nr. 1 D‐moll, op. 15: III. Allegro non troppo

Johannes Brahms - Concerto for Piano and Orchestra no. 1 in D minor, op. 15

Eugen Jochum, Berlin Philharmonic

Requiem, op. 48: I. Introït Et Kyrie

Gabriel Fauré - Requiem, op. 48

Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra

Requiem, op. 48: II. Offertoire

Gabriel Fauré - Requiem, op. 48

Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra

Requiem, op. 48: III. Sanctus

Gabriel Fauré - Requiem, op. 48

Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra

Requiem, op. 48: IV. Pie Jesu

Gabriel Fauré - Requiem, op. 48

Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra

Requiem, op. 48: V. Agnus Dei

Gabriel Fauré - Requiem, op. 48

Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra

Requiem, op. 48: VI. Libera Me

Gabriel Fauré - Requiem, op. 48

Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra

Requiem, op. 48: VII. In Paradisum

Gabriel Fauré - Requiem, op. 48

Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra

Pavane pour une infante défunte

Maurice Ravel - Pavane pour une infante défunte

Carlo Maria Giulini, Philharmonia Orchestra

Piano Concerto in A minor, op. 54: I. Allegro affettuoso

Robert Schumann - Concerto for Piano and Orchestra in A minor, op. 54

Esa-Pekka Salonen, Sächsische Staatskapelle Dresden

Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso

Robert Schumann - Concerto for Piano and Orchestra in A minor, op. 54

Esa-Pekka Salonen, Sächsische Staatskapelle Dresden

Piano Concerto in A minor, op. 54: III. Allegro vivace

Robert Schumann - Concerto for Piano and Orchestra in A minor, op. 54

Esa-Pekka Salonen, Sächsische Staatskapelle Dresden

String Quartet in F major, op. 135: I. Allegretto

Ludwig van Beethoven - String Quartet no. 16 in F major, op. 135

Rainer Schmidt

String Quartet in F major, op. 135: II. Vivace

Ludwig van Beethoven - String Quartet no. 16 in F major, op. 135

Rainer Schmidt

String Quartet in F major, op. 135: III. Lento assai, cantante e tranquillo

Ludwig van Beethoven - String Quartet no. 16 in F major, op. 135

Rainer Schmidt

String Quartet in F major, op. 135: IV. “Der schwer gefaßte Entschluß.” Grave, ma non troppo tratto (Muss es sein?) — Allegro (Es muss sein!) — Grave, ma non troppo tratto — Allegro

Ludwig van Beethoven - String Quartet no. 16 in F major, op. 135

Rainer Schmidt

Concerto for violin and orchestra, op. 36: I. Poco allegro

Arnold Schoenberg - Violin Concerto, op. 36

Esa-Pekka Salonen, Swedish Radio Symphony Orchestra, Hilary Hahn

Concerto for violin and orchestra, op. 36: II. Andante grazioso

Arnold Schoenberg - Violin Concerto, op. 36

Esa-Pekka Salonen, Swedish Radio Symphony Orchestra, Hilary Hahn

Concerto for violin and orchestra, op. 36: III. Finale. Allegro

Arnold Schoenberg - Violin Concerto, op. 36

Esa-Pekka Salonen, Swedish Radio Symphony Orchestra, Hilary Hahn

Concerto for violin and orchestra in D minor, op. 47: I. Allegro moderato

Jean Sibelius - Violin Concerto in D minor, op. 47

Esa-Pekka Salonen, Swedish Radio Symphony Orchestra, Hilary Hahn

Concerto for violin and orchestra in D minor, op. 47: II. Adagio di molto

Jean Sibelius - Violin Concerto in D minor, op. 47

Esa-Pekka Salonen, Swedish Radio Symphony Orchestra, Hilary Hahn

Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto

Jean Sibelius - Violin Concerto in D minor, op. 47

Esa-Pekka Salonen, Swedish Radio Symphony Orchestra, Hilary Hahn

Chaconne in G major

Andrea Falconieri - Chaconne in G major

Daniel Hope, Jonathan Cohen

Keyboard Suite in D minor, HWV 437: IV. Sarabande

George Frideric Handel - Suite de pièce in D minor, Vol. 2 no. 4, HWV 437

Daniel Hope, Jonathan Cohen

Ricercata segunda

Diego Ortiz - Recercada segunda

Daniel Hope, Jonathan Cohen

La suave melodia

Andrea Falconieri - La suave melodia

Daniel Hope, Jonathan Cohen

Passacalio in G minor

Biagio Marini - Passacalio a 3. & a 4., op. 22 no. 25

Daniel Hope, Jonathan Cohen

Diverse bizzarrie sopra la Vecchia Sarabanda o pur Ciacconna

Nicola Matteis - Diverse bizzarie sopra la vecchia sarabanda o pur ciaccona

Daniel Hope, Jonathan Cohen

Canon and Gigue in D major: I. Canon

Johann Pachelbel - Canon and Gigue in D major, P. 37, T. 337

Daniel Hope, Jonathan Cohen

Canon and Gigue in D major: II. Gigue

Johann Pachelbel - Canon and Gigue in D major, P. 37, T. 337

Daniel Hope, Jonathan Cohen

Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: I. Adagio

Georg Philipp Telemann - Violin Concerto in A minor, TWV 51:a1

Daniel Hope, Jonathan Cohen

Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: II. Allegro

Georg Philipp Telemann - Violin Concerto in A minor, TWV 51:a1

Daniel Hope, Jonathan Cohen

Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: III. Presto

Georg Philipp Telemann - Violin Concerto in A minor, TWV 51:a1

Daniel Hope, Jonathan Cohen

Sonata for Violin and Continuo III: Imitazione della campane

Johann Paul von Westhoff - Violin Sonata no. 3 in D minor

Daniel Hope, Jonathan Cohen

Ayrs for the Violin, Book 4, Suite in F major: Ground after the Scotch Humour

Nicola Matteis - Suite in F major: Bizzarie all'imor Scozzeze (Ground after the Scotch Humour)

Daniel Hope, Jonathan Cohen

Concerto grosso no. 5 in G minor from Corelli: Sonata op. 5 no. 5: I. Adagio

Arcangelo Corelli - 12 Concerti grossi after Corelli's Sonatas for Violin & Continuo, op. 5: Concerto no. 5 in G minor, H. 136

Daniel Hope, Jonathan Cohen

Concerto grosso no. 5 in G minor from Corelli: Sonata op. 5 no. 5: II. Vivace

Arcangelo Corelli - 12 Concerti grossi after Corelli's Sonatas for Violin & Continuo, op. 5: Concerto no. 5 in G minor, H. 136

Daniel Hope, Jonathan Cohen

Concerto grosso no. 5 in G minor from Corelli: Sonata op. 5 no. 5: III. Adagio

Arcangelo Corelli - 12 Concerti grossi after Corelli's Sonatas for Violin & Continuo, op. 5: Concerto no. 5 in G minor, H. 136

Daniel Hope, Jonathan Cohen

Concerto grosso no. 5 in G minor from Corelli: Sonata op. 5 no. 5: IV. Allegro

Arcangelo Corelli - 12 Concerti grossi after Corelli's Sonatas for Violin & Continuo, op. 5: Concerto no. 5 in G minor, H. 136

Daniel Hope, Jonathan Cohen

Gagliarde napolitane

Antonio Valente - Gallarda Napolitana

Daniel Hope, Jonathan Cohen

Passacaglia in G minor

Andrea Falconieri - Passacaglia in G minor

Daniel Hope, Jonathan Cohen

Tambourin

Jean-Marie Leclair - Tambourin

Daniel Hope, Jonathan Cohen

Sonata in A major, “La guerra”: La guerra cosí nominata di sua maestà

Johann Paul von Westhoff - Sonata in A major “La Guerra”: La guerra nominate di sua maestà

Daniel Hope, Jonathan Cohen