111 Years of Deutsche Grammophon: The Collectors’ Edition
Leonard Bernstein · Claudio Abbado · Andrea Marcon · Karl Böhm · Norbert Balatsch · Carlo Maria Giulini · Plácido Domingo · Daniel Barenboim · Pierre Boulez · Gustávo Dudamel
111 Years of Deutsche Grammophon: The Collectors’ Edition (2009), CD, on Deutsche Grammophon. Music by Frédéric Chopin, Leonard Bernstein, Johann Sebastian Bach, Johannes Brahms, performed by Leonard Bernstein, Claudio Abbado, Andrea Marcon, Karl Böhm; 712 tracks.
Composers
Tracklist
Showing first 200 of 712 tracks.
Disc 1
Hungarian Dance no. 4 in F-sharp minor: Poco sostenuto - Vivace
Johannes Brahms - Hungarian Dances for orchestra, WoO 1, Book 1, no. 4 in F-sharp minor: Poco sostenuto - Vivace
Hungarian Dance no. 11 in D minor: Poco Andante
Johannes Brahms - Hungarian Dances for orchestra, WoO 1, Book 3, no. 11 in D minor: Poco andante
Hungarian Dance no. 14 in D minor: Un poco Andante
Johannes Brahms - Hungarian Dances for orchestra, WoO 1, Book 3, no. 14 in D minor: Un poco andante
Hungarian Dance no. 16 in F major: Con moto
Johannes Brahms - Hungarian Dances for orchestra, WoO 1, Book 3, no. 16 in F minor: Con moto
Hungarian Dance no. 18 in D major: Molto vivace
Johannes Brahms - Hungarian Dances for orchestra, WoO 1, Book 4, no. 18 in D major: Molto vivace
Disc 2
String Quartet in F major, op. 59 no. 1 “Razumovsky”: I. Allegro
Ludwig van Beethoven - String Quartet no. 7 in F major, op. 59 no. 1
String Quartet in F major, op. 59 no. 1 “Razumovsky”: II. Allegretto vivace e sempre scherzando
Ludwig van Beethoven - String Quartet no. 7 in F major, op. 59 no. 1
String Quartet in F major, op. 59 no. 1 “Razumovsky”: III. Adagio molto e mesto
Ludwig van Beethoven - String Quartet no. 7 in F major, op. 59 no. 1
String Quartet in F major, op. 59 no. 1 “Razumovsky”: IV. Thème russe (Allegro)
Ludwig van Beethoven - String Quartet no. 7 in F major, op. 59 no. 1
String Quartet in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo
Ludwig van Beethoven - String Quartet no. 14 in C‐sharp minor, op. 131
String Quartet in C-sharp minor, op. 131: II. Allegro molto vivace
Ludwig van Beethoven - String Quartet no. 14 in C‐sharp minor, op. 131
String Quartet in C-sharp minor, op. 131: III. Allegro moderato
Ludwig van Beethoven - String Quartet no. 14 in C‐sharp minor, op. 131
String Quartet in C-sharp minor, op. 131: V. Presto
Ludwig van Beethoven - String Quartet no. 14 in C‐sharp minor, op. 131
Disc 3
24 Préludes, op. 28 no. 1 in C major, Agitato
24 Préludes, op. 28 no. 2 in A minor, Lento
24 Préludes, op. 28 no. 3 in G major, Vivace
24 Préludes, op. 28 no. 4 in E minor, Largo
24 Préludes, op. 28 no. 5 in D major, Molto allegro
Frédéric Chopin - Prélude no. 5 in D major, op. 28: Molto allegro
24 Préludes, op. 28 no. 6 in B minor, Lento assai
Frédéric Chopin - Prélude no. 6 in B minor, op. 28: Lento assai
24 Préludes, op. 28 no. 8 in F‐sharp minor, Molto agitato
Frédéric Chopin - Prélude no. 8 in F‐sharp minor, op. 28: Molto agitato
24 Préludes, op. 28 no. 9 in E major, Largo
24 Préludes, op. 28 no. 10 in C‐sharp minor, Molto allegro
Frédéric Chopin - Prélude no. 10 in C‐sharp minor, op. 28: Molto allegro
24 Préludes, op. 28 no. 11 in B major, Vivace
24 Préludes, op. 28 no. 12 in G‐sharp minor, Presto
Frédéric Chopin - Prélude no. 12 in G‐sharp minor, op. 28: Presto
24 Préludes, op. 28 no. 13 in F‐sharp major, Lento
Frédéric Chopin - Prélude no. 13 in F‐sharp major, op. 28: Lento
24 Préludes, op. 28 no. 14 in E‐flat minor, Allegro
Frédéric Chopin - Prélude no. 14 in E‐flat minor, op. 28: Allegro
24 Préludes, op. 28 no. 15 in D‐flat major, Sostenuto
Frédéric Chopin - Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
24 Préludes, op. 28 no. 16 in B‐flat minor, Presto con fuoco
Frédéric Chopin - Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco
24 Préludes, op. 28 no. 17 in A‐flat major, Allegretto
Frédéric Chopin - Prélude no. 17 in A‐flat major, op. 28: Allegretto
24 Préludes, op. 28 no. 18 in F minor, Molto allegro
Frédéric Chopin - Prélude no. 18 in F minor, op. 28: Molto allegro
24 Préludes, op. 28 no. 19 in E‐flat major, Vivace
Frédéric Chopin - Prélude no. 19 in E‐flat major, op. 28: Vivace
24 Préludes, op. 28 no. 20 in C minor, Largo
24 Préludes, op. 28 no. 21 in B major, Cantabile
Frédéric Chopin - Prélude no. 21 in B‐flat major, op. 28: Cantabile
24 Préludes, op. 28 no. 22 in G minor, Molto agitato
Frédéric Chopin - Prélude no. 22 in G minor, op. 28: Molto agitato
24 Préludes, op. 28 no. 23 in F major, Moderato
Frédéric Chopin - Prélude no. 23 in F major, op. 28: Moderato
24 Préludes, op. 28 no. 24 in D minor, Allegro appassionato
Prélude no. 25 in C‐sharp minor, op. 45: Sostenuto
Prélude no. 26 in A‐flat major, op. posth: Presto con leggierezza
Frédéric Chopin - Prélude in A‐flat major, op. posth.: Presto con leggierezza
Piano Sonata no. 2 in B‐flat minor, op. 35: I. Grave - Doppio movimento
Frédéric Chopin - Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Piano Sonata no. 2 in B‐flat minor, op. 35: II. Scherzo
Frédéric Chopin - Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Disc 4
Disc 5
Préludes, Book 1: 4. Les sons et les parfums tournent dans l’air du soir
Images, Book 1: 1. Reflets dans l’eau
Claude Debussy - Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau
Images, Book 1: 2. Hommage à Rameau
Claude Debussy - Images, Livre 1, L. 110, CD 105 : No. 2. Hommage à Rameau
Images, Book 2: 1. Cloches à travers les feuilles
Claude Debussy - Images, Livre 2, L. 111, CD 120 : No. 1. Cloches à travers les feuilles
Disc 6
The Dance at the Gym: Meeting Scene
Leonard Bernstein - West Side Story: The Dance at the Gym: Meeting Scene
Leonard Bernstein - West Side Story: America
Leonard Bernstein, Israel Philharmonic Orchestra, Tatiana Troyanos
Ballet Sequence: Transition to Scherzo
Leonard Bernstein - West Side Story: Ballet Sequence: Transition to Scherzo
Ballet Sequence: Procession and Nightmare
Leonard Bernstein - West Side Story: Ballet Sequence: Procession and Nightmare
Disc 7
Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: “Dies irae”
Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: “Tuba mirum”
Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: “Rex tremendae”
Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: “Recordare”
Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: “Confutatis”
Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: “Lacrimosa”
Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: “Domine Jesu”
Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: “Hostias”
Requiem in D minor, K. 626 (Süßmayr completion): V. “Sanctus”
Disc 8
Pétrouchka (1911): First Tableau
Igor Stravinsky - Pétrouchka : Tableau I. Fête populaire de la semaine grasse
Pétrouchka (1911): Fourth Tableau
Igor Stravinsky - Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Disc 9
Concerto for Violin, Strings and Continuo in G minor, RV 331: I. Allegro
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in G minor, RV 331
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in G minor, RV 331: II. Largo
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in G minor, RV 331
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in G minor, RV 331: III. Allegro
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in G minor, RV 331
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in C major, RV 190: I. Allegro
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in C major, RV 190
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in C major, RV 190: II. Largo
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in C major, RV 190
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in C major, RV 190: III. Allegro
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in C major, RV 190
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in G minor, RV 325: I. Allegro molto
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in G minor, RV 325
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in G minor, RV 325
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in G minor, RV 325: III. Presto
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in G minor, RV 325
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in D major, RV 217: I. Allegro
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in D major, RV 217
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in D major, RV 217: II. Largo
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in D major, RV 217
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in D major, RV 217: III. Allegro
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in D major, RV 217
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Concerto for Violin, Strings and Continuo in G major, RV 303: I. Allegro molto
Antonio Vivaldi - Concerto for Violin, Strings and Continuo in G major, RV 303
Andrea Marcon, Venice Baroque Orchestra, Giuliano Carmignola
Disc 10
L’elisir d’amore: “Una furtiva lagrima”
Gaetano Donizetti - L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Carlo Maria Giulini, Plácido Domingo, Los Angeles Philharmonic
Lucia di Lammermoor: “Tombe degl’avi miei - Fra poco a me ricovero”
Gaetano Donizetti - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo)
Carlo Maria Giulini, Plácido Domingo, Los Angeles Philharmonic
Ermani: “Mercè, diletti, amici Come rugiada al cespite O tu che l’alma adora”
Giuseppe Verdi - Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
Carlo Maria Giulini, Plácido Domingo, Los Angeles Philharmonic
Il Trovatore: “Ah si, ben mio Di quella pira”
Giuseppe Verdi - Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
Carlo Maria Giulini, Plácido Domingo, Los Angeles Philharmonic
Aida: “Se quel guerrier io fossi! Celeste Aida”
Giuseppe Verdi - Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Carlo Maria Giulini, Plácido Domingo, Los Angeles Philharmonic
La Juive: “Rachel, quand du Seigneur”
Fromental Halévy - La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar)
Carlo Maria Giulini, Plácido Domingo, Los Angeles Philharmonic
L’Africaine: “Pays merveilleux Ô paradis”
Giacomo Meyerbeer - L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Carlo Maria Giulini, Plácido Domingo, Los Angeles Philharmonic
Disc 11
Disc 12
The Art of Fugue, BWV 1080: Contrapunctus VI, a 4, in Stylo Francese
The Art of Fugue, BWV 1080: Contrapunctus VII, a 4, per Augmentationem et Diminutionem
The Art of Fugue, BWV 1080: Contrapunctus VIII, a 3
The Art of Fugue, BWV 1080: Contrapunctus IX, a 4, alla Duodecima
The Art of Fugue, BWV 1080: Contrapunctus X, a 4, alla Decima
The Art of Fugue, BWV 1080: Contrapunctus XI, a 4
The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu
The Art of Fugue, BWV 1080: Contrapunctus XII, a 4: Rectus
Johann Sebastian Bach - Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta)
The Art of Fugue, BWV 1080: Contrapunctus XII, a 4: Inversus
Johann Sebastian Bach - Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa)
The Art of Fugue, BWV 1080: Canon alla Decima in Contrapuncto alla Terza
The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapuncto alla Quinta
The Art of Fugue, BWV 1080: Contrapunctus XIII, a 3: Rectus
Johann Sebastian Bach - Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
The Art of Fugue, BWV 1080: Contrapunctus XIII, a 3: Inversus
Johann Sebastian Bach - Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu