Mahler Symphonies: Live in Concert

Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht

Gustav Mahler - Lieder eines fahrenden Gesellen

Klaus Tennstedt, Thomas Hampson

Lieder eines fahrenden Gesellen: Ging heut' morgen ubers Feld

Gustav Mahler - Lieder eines fahrenden Gesellen

Klaus Tennstedt, Thomas Hampson

Lieder eines fahrenden Gesellen: Ich hab'ein gluhend Messer

Gustav Mahler - Lieder eines fahrenden Gesellen

Klaus Tennstedt, Thomas Hampson

Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz

Gustav Mahler - Lieder eines fahrenden Gesellen

Klaus Tennstedt, Thomas Hampson

Symphony No. 1 in D: I. Langsam. Schleppend

Gustav Mahler - Symphony no. 1 in D major “Titan”

Klaus Tennstedt

Symphony No. 1 in D: II. Kraftig bewegt, doch nicht zu schnell

Gustav Mahler - Symphony no. 1 in D major “Titan”

Klaus Tennstedt

Symphony No. 1 in D: III. Feierlich und gemessen

Gustav Mahler - Symphony no. 1 in D major “Titan”

Klaus Tennstedt

Symphony No. 1 in D: IV. Sturmisch bewegt

Gustav Mahler - Symphony no. 1 in D major “Titan”

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato. Sehr gemächlich. Nie eilen

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht". Sehr feierlich, aber schlicht

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt, Jard van Nes

Symphony no. 2 in C minor “Resurrection”: V. Finale. Im Tempo des Scherzo. Wild herausfahrend

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt, London Philharmonic Choir, Jard van Nes

Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt, London Philharmonic Choir, Jard van Nes

Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato. Sehr gemächlich. Nie eilen

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht". Sehr feierlich, aber schlicht

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt, Doris Soffel

Symphony no. 2 in C minor “Resurrection”: V. Finale. Im Tempo des Scherzo. Wild herausfahrend

Gustav Mahler - Symphony no. 2 in C minor

Klaus Tennstedt

Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso

Gustav Mahler - Symphony no. 2 in C minor

John Alldis, Klaus Tennstedt, Malcolm Hicks

Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter

Gustav Mahler - Symphony no. 2 in C minor

John Alldis, Klaus Tennstedt, Malcolm Hicks

Symphony no. 6 in A minor: I. Allegro energico, ma non troppo

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Klaus Tennstedt

Symphony no. 6 in A minor: II. Scherzo

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Klaus Tennstedt

Symphony no. 6 in A minor: III. Andante moderato

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Klaus Tennstedt

Symphony no. 6 in A minor: IV. Finale

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Klaus Tennstedt

Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, Creator Spiritus

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Tempo I: Allegro, etwas hastig

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt

Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, Creator Spiritus

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Gloria Patri Domino

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Poco adagio

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio

Klaus Tennstedt

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Piu mosso: Allegro moderato

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato)

Klaus Tennstedt

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ewiger Wonnebrand

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Klaus Tennstedt, Eike Wilm Schulte

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Wie Felsenabgrund mir zu Füssen

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)

Klaus Tennstedt, Hans Sotin

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Jene Rosen aus den Händen

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ich spür’ soeben – Hier ist die Aussicht frei – Freudig empfangen wir

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor))

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt!

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren – Du schwebst zu Höhen der ewigen Reiche

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))

Klaus Tennstedt, Jane Eaglen

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füssen

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix)

Klaus Tennstedt, Júlia Várady

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana)

Klaus Tennstedt, Trudeliese Schmidt

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca)

Klaus Tennstedt, Jadwiga Rappé, Júlia Várady

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Neige, neige, du Ohnegleiche

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Klaus Tennstedt, Jane Eaglen

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Er überwächst uns schon – Vom edlen Geisterchor umgeben

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Klaus Tennstedt, Jane Eaglen, Susan Bullock

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! – Blicket auf zum Retterblick, alle reuig Zarten

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus

Symphony no. 8: Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Klaus Tennstedt, London Philharmonic Choir, London Symphony Chorus