Mahler: Symphony no. 8 In E‐flat Major / Fauré: Requiem

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Poco adagio

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Più mosso (Allegro moderato)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Waldung, sie schwankt heran” (Heilige Anachorenten)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Ewiger Wonnebrand” (Pater ecstaticus)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Wie Felsenabgrund mir zu Füßen” (Pater profundus)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Gerettet Gerettet ist das edle Glied (Chor der Engel) / "Hände verschlinget euch” (Chor seliger Knaben)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Jene Rosen, aus den Händen” (Chor der jüngeren Engel)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Uns bleibt ein Erdenrest” (Die vollendeteren Engel)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Ich spür' soeben” (Die jüngeren Engel)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor))

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Hier ist die Aussicht frei” (Doctor Marianus) / "Freudig empfangen wir” (Chor seliger Knaben)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Höchste Herrscherin der Welt” (Doctor Marianus)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Jungfrau, rein im schönsten Sinne” (Doctor Marianus, Chor)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Äusserst langsam. Adagissimo

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Dir, der Unberührbaren” (Chor) / “Du schwebst zu Höhen” (Chor der Büßerinnen)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei der Liebe, die den Füßen” (Magna Peccatrix)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei dem Bronn, zu dem schon Weiland” (Mulier Samaritana)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei dem hochgeweihten Orte” (Maria Aegyptiaca)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Die du großen Sünderinnen” (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k4. Die du großen Sünderinnen

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Neige, neige, du Ohnegleiche” (Una poenitentium)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Er überwächst uns schon” (Selige Knaben)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Vom edlen Geisterchor umgeben” (Una poenitentium)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Komm! Komm! Hebe dich zu höhern Sphären!” (Mater gloriosa, Chor)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Blicket auf zum Retterblick” (Doctor Marianus, Chor)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra

Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Alles Vergängliche” (Chorus mysticus)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Kazuo Yamada, Tokyo Metropolitan Symphony Orchestra