Claudio Abbado & Wiener Philharmoniker: The Complete Deutsche Grammophon Recordings II

Symphony no. 9 in D minor (ed. Leopold Nowak): 1. Feierlich, misterioso

Anton Bruckner - Symphony no. 9 in D-minor, WAB 109

Claudio Abbado, Vienna Philharmonic

Symphony no. 9 in D minor (ed. Leopold Nowak): 2. Scherzo. Bewegt, lebhaft - Trio. Schnell

Anton Bruckner - Symphony no. 9 in D-minor, WAB 109

Claudio Abbado, Vienna Philharmonic

Symphony no. 9 in D minor (ed. Leopold Nowak): 3. Adagio. Langsam, feierlich

Anton Bruckner - Symphony no. 9 in D-minor, WAB 109

Claudio Abbado, Vienna Philharmonic

Symphony no. 1 in C minor (1866 Linz version): 1. Allegro

Anton Bruckner - Symphony no. 1 in C-minor, WAB 101

Claudio Abbado, Vienna Philharmonic

Symphony no. 1 in C minor (1866 Linz version): 2. Adagio

Anton Bruckner - Symphony no. 1 in C-minor, WAB 101

Claudio Abbado, Vienna Philharmonic

Symphony no. 1 in C minor (1866 Linz version): 3. Scherzo. Schnell - Trio. Langsamer

Anton Bruckner - Symphony no. 1 in C minor, WAB 101

Claudio Abbado, Vienna Philharmonic

Symphony no. 1 in C minor (1866 Linz version): 4. Finale. Bewegt, feurig

Anton Bruckner - Symphony no. 1 in C-minor, WAB 101

Claudio Abbado, Vienna Philharmonic

Pelléas et Mélisande: Acte I. « Je ne pourrai plus sortir de cette forêt » (Golaud)

Claude Debussy - Pelléas et Mélisande: Acte I, Scène 1: Une forêt

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte I. « Pourquoi pleures-tu? » (Golaud, Mélisande)

Claude Debussy - Pelléas et Mélisande: Acte I, Scène 1: Une forêt

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte I. « Je suis perdu aussi » (Golaud)

Claude Debussy - Pelléas et Mélisande: Acte I, Scène 1: Une forêt

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte I. « Voici ce qu'il écrit à son frère Pelléas » (Geneviève)

Claude Debussy - Pelléas et Mélisande: Act I, Scene II. "Voici ce qu'il écrit à son frère Pelléas: 'Un soir, je l'ai trouvée'" (Geneviève)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte I. « Qu'en dites-vous? » (Geneviève, Arkel, Pelléas)

Claude Debussy - Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte I. Interlude

Claude Debussy - Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte I. « Il fait sombre dans les jardins » (Mélisande, Geneviève, Pelléas)

Claude Debussy - Pelléas et Mélisande: Act I, Scene III. "Il fait sombre dans les jardins" (Mélisande, Geneviève, Pelléas)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte I. « Hoé! Hisse Hoé! » (marins, Mélisande, Pelléas, Geneviève)

Claude Debussy - Pelléas et Mélisande: Act I, Scene III. "Hoé! Hisse hoé! Hoé! Hoé!" (Chœur, Mélisande, Pelléas, Geneviève)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte II. « Vous ne savez pas où je vous ai menée? » (Pelléas, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act II, Scene I. "Vous ne savez pas où je vous ai menée?" (Pelléas, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte II. « C'est au bord d'une fontaine » (Pelléas, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act II, Scene I. "C'est au bord d'une fontaine aussi qu'il vous a trouvée?" (Pelléas, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte II. Interlude

Claude Debussy - Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte II. « Ah! Ah! Tout va bien » (Golaud, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act II, Scene II. "Ah! Ah! Tout va bien, cela ne sera rien" (Golaud, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte II. « Voyons, donne-moi ta main » (Golaud, Mélisande)

Claude Debussy - Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte II. Interlude

Claude Debussy - Pelléas et Mélisande: Acte II, Scène 3: Devant une grotte

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte II. « Oui, c'est ici, nous y sommes » (Pelléas, Mélisande)

Claude Debussy - Pelléas et Mélisande: Acte II, Scène 3: Devant une grotte

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte III. « Mes longs cheveux descendent jusqu'au seuil de la tour » (Mélisande, Pelléas)

Claude Debussy - Pelléas et Mélisande: Act III, Scene I. "Oh! Oh! Mes cheveux descendent de la tour!" (Mélisande, Pelléas)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte III. « Je les tiens dans les mains » (Pelléas, Mélisande)

Claude Debussy - Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte III. « Que faites-vous ici? » (Golaud, Pelléas)

Claude Debussy - Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte III. « Prenez garde; par ici, par ici » (Golaud, Pelléas)

Claude Debussy - Pelléas et Mélisande: Acte III, Scène 2: Les souterrains du château

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte III. Interlude ... « Ah! Je respire enfin! » (Pelléas, Golaud)

Claude Debussy - Pelléas et Mélisande: Act III, Scene III. "Ah! Je respire enfin!" (Pelléas, Golaud)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte III. Interlude

Claude Debussy - Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte III. « Viens, nous allons nous asseoir ici, Yniold » (Golaud, Yniold)

Claude Debussy - Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte III. « Qu'ils s'embrassent, petit père? » (Yniold, Golaud)

Claude Debussy - Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « Où vas-tu? » (Pelléas, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « Maintenant que le père de Pelléas est sauvé » (Arkel, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act IV, Scene II. "Maintenant que le père de Pelléas est sauvé ..." (Arkel, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « Pelléas part ce soir » (Golaud, Arkel, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act IV, Scene II. "Pelléas part ce soir" (Golaud, Arkel, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « Ne mettez pas ainsi voire main à la gorge » (Golaud, Arkel, Mélisande)

Claude Debussy - Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. Interlude

Claude Debussy - Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « Oh! Cette pierre est lourde » (Yniold, un berger)

Claude Debussy - Pelléas et Mélisande: Acte IV, Scène 3: Une fontaine dans le parc

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « C'est le dernier soir » (Pelléas, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act IV, Scene IV. "C'est le dernier soir ..." (Pelléas, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « Nous sommes venus ici il y a bien longtemps » (Mélisande, Pelléas)

Claude Debussy - Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « On dirait que ta voix a passé sur la mer au printemps » (Pelléas, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act IV, Scene IV. "On dirait que ta voix a passé sur la mer au printemps!" (Choeur, Mélisande, Pelléas, Geneviève)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte IV. « Quel est ce bruit? » (Pelléas, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act IV, Scene IV. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte V. « Ce n'est pas de cette petite blessure qu'elle peut mourir » (le médecin, Arkel, Golaud)

Claude Debussy - Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte V. « Attention; je crois qu'elle s'éveille » (le médecin, Mélisande, Arkel, Golaud)

Claude Debussy - Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte V. « Mélisande, as-tu pitié de moi comme j'ai pitié da toi? » (Golaud, Mélisande)

Claude Debussy - Pelléas et Mélisande, L. 88, CD 93: Acte V

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte V. « Non, non, nous n'avons pas été coupables » (Mélisande, Golaud)

Claude Debussy - Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte V. « Qu'avez-vous fait? » (Arkel, Golaud, Mélisande)

Claude Debussy - Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte V. « Qu'y a-t-il » (Golaud, le médecin, Arkel)

Claude Debussy - Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Pelléas et Mélisande: Acte V. « Attention... attention. Il faut parlet à voix basse, maintenant » (Arkel, le médecin, Golaud)

Claude Debussy - Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin)

Claudio Abbado, Helmuth Froschauer, Vienna Philharmonic

Symphony no. 10 (unfinished): Adagio: 1. Andante - Adagio

Gustav Mahler - Symphony no. 10 in F-sharp major

Claudio Abbado, Vienna Philharmonic

Symphony no. 10 (unfinished): Adagio: 2. Andante come prima [bar 40]

Gustav Mahler - Symphony no. 10 in F-sharp major

Claudio Abbado, Vienna Philharmonic

Symphony no. 10 (unfinished): Adagio: 3. [bar 105]

Gustav Mahler - Symphony no. 10 in F-sharp major

Claudio Abbado, Vienna Philharmonic

Symphony no. 10 (unfinished): Adagio: 4. [bar 178]

Gustav Mahler - Symphony no. 10 in F-sharp major

Claudio Abbado, Vienna Philharmonic

Symphony no. 10 (unfinished): Adagio: 5. A tempo [bar 217]

Gustav Mahler - Symphony no. 10 in F-sharp major

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend [fig. 7]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 1. Schnell [fig. 15]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 1. Tempo I [5 bars after fig. 20]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 1. Tempo sostenuto [fig. 24]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 2. Andante moderato. Sehr gemächlich

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 2. Nicht eilen. Sehr gemächlich [1 bar before fig. 3]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 2. In Tempo I zurückkehren [fig. 5]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 2. Energisch bewegt [fig. 6]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 2. Wieder ins Tempo zurückgehen. Tempo I [fig. 12]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 3. Sehr getragen und gesangvoll [fig. 40]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 3. Zum Tempo I zurückkehren [fig. 43]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht. »O Röschen rot!« (contralto solo)

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic, Waltraud Meier

Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzos. Wild herausfahrend

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Langsam [fig. 3]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Im Angang sehr zurückgehalten [fig. 7]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Wieder sehr breit [fig. 10]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Molto ritenuto. Maestoso [3 bars before fig. 14]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend [fig. 21]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt [fig. 29]

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso [fig. 31]. »Aufersteh'n, ja aufersteh'n wirst du« (soprano solo, chorus)

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Erwin Ortner, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Langsam ppp. Nicht schleppen [fig. 35]. »Wieder aufzublühn, wirst du gesät« (soprano solo, chorus)

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Erwin Ortner, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Etwas bewegter [fig. 39]. »O glaube, mein Herz, o glaube« (contralto solo, soprano solo, chorus)

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Erwin Ortner, Vienna Philharmonic

Symphony no. 2 “Resurrection”: 5. Mit Aufschwung, aber nicht eilen [fig. 44]. »O Schmerz! Du Alldurchdringer« (contralto solo, soprano solo, chorus)

Gustav Mahler - Symphony no. 2 in C minor

Claudio Abbado, Erwin Ortner, Vienna Philharmonic

Symphony no. 3: Part I. 1. Kräftig. Entschieden

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part I. 1. Langsam. Schwer [fig. 13]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part I. 1. Tempo I [fig. 18]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part I. 1. A tempo [fig. 29]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part I. 1. Immer dasselbe Tempo (Marsch) [fig. 43]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part I. 1. (Allegro moderato) [3 bars after fig. 54]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part I. 1. Tempo I [fig. 62]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 2. Tempo di menuetto. Sehr mäßig

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 2. A tempo [fig. 6]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di menuetto [fig. 14]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne Hast

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang [fig. 6]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 3. Sehr gemächlich (Posthorn) [fig. 14]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 3. Tempo I [2 bars before fig. 17]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam [fig. 27]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 4. Sehr langsam. Misterioso. Durchaus ppp. »O Mensch! Gib acht!« (contralto solo)

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic, Jessye Norman

Symphony no. 3: Part II. 4. Più mosso subito [6 bars after fig. 6]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic, Jessye Norman

Symphony no. 3: Part II. 5. Lustig im Tempo und keck im Ausdruck. »Bimm bamm / Es sungen drei Engel« (chorus, contralto solo)

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Symphony no. 3: Part II. 6. Langsam. Ruhevoll. Empfunden

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 4]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 6. Tempo I. Ruhevoll [fig. 9]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 6. A tempo (Etwas bewegter) [fig. 14]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 6. Tempo I [fig. 21]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 3: Part II. 6. Langsam. Tempo I [fig. 25]

Gustav Mahler - Symphony no. 3 in D minor

Claudio Abbado, Vienna Philharmonic

Symphony no. 4: 1. Bedächtig. Nicht eilen

Gustav Mahler - Symphony no. 4 in G major

Claudio Abbado, Vienna Philharmonic

Symphony no. 4: 2. In gemächlicher Bewegung. Ohne Hast

Gustav Mahler - Symphony no. 4 in G major

Claudio Abbado, Vienna Philharmonic

Symphony no. 4: 3. Ruhevoll. Poco adagio

Gustav Mahler - Symphony no. 4 in G major

Claudio Abbado, Vienna Philharmonic

Symphony no. 4: 4. Sehr behaglich. »Wir genießen die himmlischen Freuden«

Gustav Mahler - Symphony no. 4 in G major

Claudio Abbado, Vienna Philharmonic, Frederica von Stade

Symphony no. 9: 1. Andante comodo

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 1. Etwas frischer [bar 80]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 1. Tempo I [bar 148]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 1. Mit Wut. Allegro risoluto [bar 174]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 1. Leidenschaftlich [bar 211]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 1. Schattenhaft [bar 254]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 1. Etwas fließender [bar 279]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 1. Wie von Anfang [bar 347]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 1. Schon ganz langsam [bar 406]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 2. Poco più mosso subito (Tempo II) [bar 90]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 2. Tempo III [bar 218]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 2. A tempo II [bar 261]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 2. Tempo I [bar 369]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 2. Tempo II [bar 423]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 2. 8 bars before: Tempo I subito [bar 515]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 3. Rondo Burleske. Allegro assai

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 3. L'istesso tempo [bar 109]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 3. Sempre l'istesso tempo [bar 180]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 3. Sempre l'istesso tempo [bar 311]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 3. (clarinets/Klarinetten/clarinetti) [bar 444]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 3. Tempo I. subito [bar 522]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 3. Più stretto [bar 617]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 4. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 4. Molto adagio subito [bar 49]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 4. A tempo (Molto adagio) [bar 64]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 4. Stets sehr gehalten [bar 88]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 4. Fließender, doch durchaus nicht eilend [bar 107]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 4. Tempo I. Molto adagio [bar 126]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Symphony no. 9: 4. Adagissimo [bar 159]

Gustav Mahler - Symphony no. 9 in D major

Claudio Abbado, Vienna Philharmonic

Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 1. Allegro vivace (Cadenza W.A. Mozart)

Wolfgang Amadeus Mozart - Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”

Claudio Abbado, Vienna Philharmonic, Maria João Pires

Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 2. Andantino

Wolfgang Amadeus Mozart - Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”

Claudio Abbado, Vienna Philharmonic, Maria João Pires

Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 3. Allegro ma non troppo

Wolfgang Amadeus Mozart - Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”

Claudio Abbado, Vienna Philharmonic, Maria João Pires

Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 1. Allegro (Cadenza: Paul Badura-Skoda)

Wolfgang Amadeus Mozart - Concerto for Piano no. 26 in D major, K. 537 “Coronation”

Claudio Abbado, Vienna Philharmonic, Maria João Pires

Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 2. (Larghetto)

Wolfgang Amadeus Mozart - Concerto for Piano no. 26 in D major, K. 537 “Coronation”

Claudio Abbado, Vienna Philharmonic, Maria João Pires

Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 3. (Allegretto)

Wolfgang Amadeus Mozart - Concerto for Piano no. 26 in D major, K. 537 “Coronation”

Claudio Abbado, Vienna Philharmonic, Maria João Pires

Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": Ia. "Kyrie eleison"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": Ia. "Kyrie eleison"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Christe eleison”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": Ib. "Christe eleison"

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Gloria in excelsis Deo”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIa. "Gloria in excelsis Deo"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Laudamus te”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIb. "Laudamus te"

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Gratias agimus”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Domnie deus”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Qui tollis peccata mundi”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIe. "Qui tollis"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Quoniam tu solus Sanctus”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIf. "Quoniam tu solus sanctus"

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Cum Sancto spiritu”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIg. "Cum Sancto Spiritu"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Credo in unum Deum”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIa. "Credo in unum Deum"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et incarnatus est”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIb. "Et incarnatus est"

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Crucifixus etiam pro nobis”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et resurrexit”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et in spiritum sanctum”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIe. "Et in Spiritum Sanctum"

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et in unam sanctam”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIf. "Et unam Sanctam Catholicam"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Sanctus, Sanctus, Sanctus Dominus”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Pleni sunt coeli” / “Osanna in excelsis”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Benedictus”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Osanna in excelsis”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIa. "Agnus Dei"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Missa solemnis in C minor “Waisenhaus”, K 139: Agnus Dei. “Dona nobis pacem”

Wolfgang Amadeus Mozart - Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"

Claudio Abbado, Norbert Balatsch, Vienna Philharmonic

Concerto for Piano and Orchestra no. 25 in C major, K 503: 1. Allegro maestoso (Cadenza: Friedrich Gulda)

Wolfgang Amadeus Mozart - Concerto for Piano and Orchestra no. 25 in C major, K. 503

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 25 in C major, K 503: 2. Andante

Wolfgang Amadeus Mozart - Concerto for Piano and Orchestra no. 25 in C major, K. 503

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 25 in C major, K 503: 3. (Allegretto)

Wolfgang Amadeus Mozart - Concerto for Piano and Orchestra no. 25 in C major, K. 503

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 1. Allegro (Cadenza: Wolfgang Amadeus Mozart)

Wolfgang Amadeus Mozart - Concerto for Piano no. 27 in B-flat major, K. 595

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 2. Larghetto

Wolfgang Amadeus Mozart - Concerto for Piano no. 27 in B-flat major, K. 595

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 3. Allegro (Cadenzas I & II: Wolfgang Amadeus Mozart; Cadenza III: Friedrich Gulda)

Wolfgang Amadeus Mozart - Concerto for Piano no. 27 in B-flat major, K. 595

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 20 in D minor, K 466: 1. Allegro (Cadenza: Ludwig van Beethoven)

Wolfgang Amadeus Mozart - Concerto for Piano no. 20 in D minor, K. 466

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 20 in D minor, K 466: 2. Romance

Wolfgang Amadeus Mozart - Concerto for Piano no. 20 in D minor, K. 466

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 20 in D minor, K 466: 3. Rondo. (Allegro assai) (Cadenza I: Johann Nepomuk Hummel/Friedrich Gulda; Cadenza II: Ludwigh van Beethoven)

Wolfgang Amadeus Mozart - Concerto for Piano no. 20 in D minor, K. 466

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 21 in C major, K 467: 1. Allegro (Candenza: Friedrich Gulda)

Wolfgang Amadeus Mozart - Concerto for Piano no. 21 in C major, K. 467

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 21 in C major, K 467: 2. Andante

Wolfgang Amadeus Mozart - Concerto for Piano no. 21 in C major, K. 467

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Concerto for Piano and Orchestra no. 21 in C major, K 467: 3. Allegro vivace assai (Cadenza: Friedrich Gulda)

Wolfgang Amadeus Mozart - Concerto for Piano no. 21 in C major, K. 467

Claudio Abbado, Vienna Philharmonic, Friedrich Gulda

Le nozze di Figaro, K 492: Sinfonia

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Sinfonia

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto I. N. 1 Duettino: “Cinque... dieci... venti... trenta” (Figaro, Susanna)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna)

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena I. Recitativo “Cosa stai misurando” (Susanna, Figaro)

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto I. N. 2 Duettino: “Se a caso madama la notte ti chiama” (Figaro, Susanna)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna)

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto I. Recitativo: “Or bene, ascolta e taci” (Susanna, Figaro)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena II. Recitativo “Or bene, ascolta e taci!” (Figaro, Susanna)

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto I. “Bravo, signor padrone!” (Figaro)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena II. “Bravo, signor padrone” (Figaro)

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto I. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro)

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina)

Claudio Abbado, Vienna Philharmonic, Anna Caterina Antonacci

Le nozze di Figaro, K 492: Atto I. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo)

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto I. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna)

Claudio Abbado, Vienna Philharmonic, Anna Caterina Antonacci

Le nozze di Figaro, K 492: Atto I. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna)

Claudio Abbado, Vienna Philharmonic, Anna Caterina Antonacci

Le nozze di Figaro, K 492: Atto I. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Cherubino, Susanna)

Claudio Abbado, Vienna Philharmonic, Cecilia Bartoli

Le nozze di Figaro, K 492: Atto I. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino)

Claudio Abbado, Vienna Philharmonic, Cecilia Bartoli

Le nozze di Figaro, K 492: Atto I. Recitativo: “Ah, son perduto!” ... “Susanna, il ciel vi salvi!” (Cherubino, Susanna, conte, Basilio)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VI. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio)

Claudio Abbado, Vienna Philharmonic, Bo Skovhus

Le nozze di Figaro, K 492: Atto I. N. 7 Terzetto: “Cosa sento! Tosto andate” (conte, Basilio, Susanna)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna)

Claudio Abbado, Vienna Philharmonic, Bo Skovhus

Le nozze di Figaro, K 492: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (conte, Susanna, Cherubino, Basilio)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto di Figaro volate” (Il Conte, Susanna, Cherubino, Basilio)

Claudio Abbado, Vienna Philharmonic, Bo Skovhus

Le nozze di Figaro, K 492: Atto I. N. 8 Coro: “Giovani liete, fiori spargete” (contadini, contadine)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro)

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Le nozze di Figaro, K 492: Atto I. Recitativo: “Cos'è questa commedia?” (conte, Figaro, Susanna)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos’è questa commedia?” (Il Conte, Figaro, Susanna)

Claudio Abbado, Vienna Philharmonic, Bo Skovhus

Le nozze di Figaro, K 492: Atto I. N. 9 Coro: “Giovani liete, fiori spargete” (contadini, contadine)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro)

Claudio Abbado, Vienna Philharmonic, Konzertvereinigung Wiener Staatsopernchor

Le nozze di Figaro, K 492: Atto I. Recitativo: “Evviva!” ... “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, conte) 10.3

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Il Conte)

Claudio Abbado, Vienna Philharmonic, Bo Skovhus

Le nozze di Figaro, K 492: Atto I. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)

Claudio Abbado, Vienna Philharmonic, Franz Bartolomey

Le nozze di Figaro, K 492: Atto II. N. 11 Cavatina: “Porgi, amor, qualche, ristoro” (contessa)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)

Claudio Abbado, Vienna Philharmonic, Cheryl Studer

Le nozze di Figaro, K 492: Atto II. Recitativo: “Vieni, cara Susanna” (contessa, Susanna, Figaro)

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro)

Claudio Abbado, Vienna Philharmonic, Cheryl Studer