The Complete Deutsche Grammophon Recordings III

Requiem in D minor, K 626: Introitus. “Requiem aeternam”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Kyrie

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Sequentia. “Dies irae”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Sequentia. “Tuba mirum”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Sequentia. “Rex tremendae”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Sequentia. “Recordare”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Sequentia. “Confutatis”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Sequentia. “Lacrimosa”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Offertorium. “Domine Jesu Christe”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Offertorium. “Hostias”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Sanctus

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Benedictus

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Agnus Dei

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Requiem in D minor, K 626: Communio. “Lux aeterna”

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Grabmusic, K 42: “Betracht dies Herz und frage mich”

Wolfgang Amadeus Mozart - Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik"

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

Vesperae solennes de confessore, K 339: “Laudate Dominum”

Wolfgang Amadeus Mozart - Vesperae solennes de confessore, K. 339

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

»Nehmt meinen Dank, ihr holden Gönner«, K 383

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner"

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

Exsultate, Jubilate, K 165

Wolfgang Amadeus Mozart - Exsultate, jubilate, K. 158a/165

Claudio Abbado, Kay Johannsen, Berlin Philharmonic

“Mia speranza adorata!” - “Ah, non sai qual pena sia”, K 416

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

“Ch'io mi scordi di te?” - “Non temer, amato bene”, K 505

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene"

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

Zaide, K 344: »Ruhe sanft, mein holdes Leben«

Wolfgang Amadeus Mozart - Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide)

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

“Vorrei spiegarvi, oh Dio!” - “Ah conte, partite!”, K 418

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in A major, K. 418: “Vorrei spiegarvi, oh Dio”

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

Wigenlied, op. 41 no. 1

Richard Strauss - Wiegenlied, op. 41 no. 1

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

Das Rosenband, op. 36 no. 1

Richard Strauss - Das Rosenband, op. 36 no. 1

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

Liebeshymnus, op. 32 no. 3

Richard Strauss - Liebeshymnus, op. 32 no. 3

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

Das Bächlein, op. AV 118

Richard Strauss - Das Bächlein

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

Morgen!, op. 27 no. 4

Richard Strauss - Morgen!, op. 27 no. 4

Claudio Abbado, Berlin Philharmonic, Christine Schäfer

Night on Bald Mountain

Modest Petrovich Mussorgsky - Une nuit sur le mont chauve: Fantaisie pour l'orchestre

Claudio Abbado, Berlin Philharmonic

The Destruction of Sennacherib

Modest Petrovich Mussorgsky - The Destruction of Sennacherib

Claudio Abbado, Berlin Philharmonic

Salammbô: Chorus of Priestesses

Modest Petrovich Mussorgsky - Salammbô: Chorus of Priestesses

Claudio Abbado, Berlin Philharmonic

Oedipus in Athens: Chorus of People in the Temple

Modest Petrovich Mussorgsky - Oedipus in Athens: Chorus of People in the Temple

Claudio Abbado, Berlin Philharmonic

Joshua (Jesus Navin)

Modest Petrovich Mussorgsky - Joshua

Claudio Abbado, Berlin Philharmonic, Elena Zaremba

Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto

Modest Petrovich Mussorgsky - Tableaux d’une exposition: Promenade

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 1. Gnomus. Vivo

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 2. Il vecchio castello. Andante

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: Promenade. Moderato non tanto, pesante

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 3. Tuileries. Allegretto non troppo, capriccioso

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 4. Bydło. Sempre moderato, pesante

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: Promenade. Tranquillo

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 6. Samuel Goldberg und Schmuÿle. Andante

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 7. Limoges. Le Marché. Allegretto vivo, sempre scherzando

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 8. Catacombae (Sepulchrum romanum). Largo

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: Cum mortuis in lingua mortua. Andante non troppo, con lamento

Modest Petrovich Mussorgsky - Tableaux d’une exposition: Cum Mortuis in lingua mortua

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Pictures at an Exhibition: 10. La Grande Porto de Kiev. Allegro alla breve. Maestoso. Con grandezza

Modest Petrovich Mussorgsky - Tableaux d’une exposition

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64b: The Montagues and the Capulets (op. 64b/1). Andante - Allegro pesante - Moderato tranquillo - Allegro pesante

Sergei Prokofiev - Romeo and Juliet: Suite no. 2, op. 64ter

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 101: Romeo at the fountain (op. 101/1, fig. 2). Andante assai

Sergei Prokofiev - Romeo and Juliet: Suite no. 3, op. 101

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: The street awakens (op. 64/3). Allegretto

Sergei Prokofiev - Romeo and Juliet, op. 64: Act I, Scene I. No. 3. The street awakens

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 101: Morning Dance (op. 101/2). Allegro

Sergei Prokofiev - Romeo and Juliet: Suite no. 3, op. 101

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: The quarrel (op. 64/5). Allegro brusco

Sergei Prokofiev - Romeo and Juliet, op. 64: Act I, Scene I. No. 5. The Quarrel

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: The fight (op. 64/6). Presto - Poco più sostenuto - Tempo I

Sergei Prokofiev - Romeo and Juliet, op. 64: Act I, Scene I. No. 6. The fight

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: Dance with mandolins (op. 64/25). Vivace

Sergei Prokofiev - Romeo and Juliet, op. 64: Act II, Scene I. No. 25. Dance with the mandolins

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: The Nurse (op. 64/26). Adagio scherzoso

Sergei Prokofiev - Romeo and Juliet, op. 64: Act II, Scene I. No. 26. The nurse

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64b: Juliet the Young Girl (op. 64b/2). Vivace - Andante dolente - Lento

Sergei Prokofiev - Romeo and Juliet, op. 64: Act I, Scene II. No. 10. Juliet as a young girl

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: Dance of the five couples (op. 64/24). Vivo - Meno mosso (Moderato marchiale) - Vivo, come prima

Sergei Prokofiev - Romeo and Juliet, op. 64: Act II, Scene I. No. 24. Dance of the five couples

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: Interlude (op. 64/8). Andante pomposo (L'istesso tempo)

Sergei Prokofiev - Romeo and Juliet, op. 64: Act I, Scene I. No. 8. Interlude

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: Masks (op. 64/12). Moderato marciale - Andante

Sergei Prokofiev - Romeo and Juliet, op. 64: Act I, Scene II. No. 12. Masks

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64a: Romeo and Juliet (op. 64a/6). Larghetto - Andante - Più mosso

Sergei Prokofiev - Romeo and Juliet Suite no. 1, op. 64bis

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64a: Tybalt's death (op. 64a/7). Precipitato - Presto - Adagio drammatico

Sergei Prokofiev - Romeo and Juliet Suite no. 1, op. 64bis

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64b: Romeo and Juliet before parting (op. 64b/5). Lento - Andante - Adagio - Poco più animato - Adagio - Andante

Sergei Prokofiev - Romeo and Juliet: Suite no. 2, op. 64ter

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: Morning Serenade (op. 64/48). Andante giocoso

Sergei Prokofiev - Romeo and Juliet, op. 64: Act III, Scene III. No. 48. Morning serenade

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: Dance of the young girls with the lilies (op. 64/49). Andante con eleganza

Sergei Prokofiev - Romeo and Juliet, op. 64: Act III, Scene III. No. 49. Dance of the girls with the lilies

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: At Juliet's bedside (op. 64/50, Fig. 345). Andante - Adagio

Sergei Prokofiev - Romeo and Juliet, op. 64: Act III, Scene III. No. 50. At Juliet’s bedside

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: Juliet's funeral (op. 64/51). Adagio funebre -

Sergei Prokofiev - Romeo and Juliet, op. 64: Act III. Epilogue. No. 51. Juliet’s funeral

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet, op. 64: Death of Juliet (op. 64/52). Adagio (meno mosso del tempo precedente)

Sergei Prokofiev - Romeo and Juliet, op. 64: Act III. Epilogue. No. 52. Death of Juliet

Claudio Abbado, Berlin Philharmonic

Piano Concerto no. 1 in D-flat major, op. 10: 1. Allegro brioso - Poco più mosso - Tempo I - Meno mosso - Più mosso (Tempo I) - Animato -

Sergei Prokofiev - Piano Concerto no. 1 in D-flat major, op. 10

Claudio Abbado, Berlin Philharmonic, Evgeny Kissin

Piano Concerto no. 1 in D-flat major, op. 10: 2. Andante assai -

Sergei Prokofiev - Piano Concerto no. 1 in D-flat major, op. 10

Claudio Abbado, Berlin Philharmonic, Evgeny Kissin

Piano Concerto no. 1 in D-flat major, op. 10: 3. Allegro scherzando - Poco più sostenuto - Più mosso - Animato

Sergei Prokofiev - Piano Concerto no. 1 in D-flat major, op. 10

Claudio Abbado, Berlin Philharmonic, Evgeny Kissin

Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic, Evgeny Kissin

Piano Concerto no. 3 in C major, op. 26: 2. Tema. Andantino - Variation I. L'istesso tempo - Var. II. Allegro - Var. III. Allegro moderato - Var. IV. Andantino meditativo - Var. V. Allegro giusto - Tema. L'istesso tempo

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic, Evgeny Kissin

Piano Concerto no. 3 in C major, op. 26: 3. Allegro ma non troppo

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic, Evgeny Kissin

Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic, Martha Argerich

Piano Concerto no. 3 in C major, op. 26: 2. Tema. Andantino - Variation I. L'istesso tempo - Var. II. Allegro - Var. III. Allegro moderato - Var. IV. Andantino meditativo - Var. V. Allegro giusto - Tema. L'istesso tempo

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic, Martha Argerich

Piano Concerto no. 3 in C major, op. 26: 3. Allegro ma non troppo

Sergei Prokofiev - Piano Concerto no. 3 in C major, op. 26

Claudio Abbado, Berlin Philharmonic, Martha Argerich

Piano Concerto in G major, M. 83: 1. Allegramente

Maurice Ravel - Piano Concerto in G major

Claudio Abbado, Berlin Philharmonic, Martha Argerich

Piano Concerto in G major, M. 83: 2. Adagio assai

Maurice Ravel - Piano Concerto in G major

Claudio Abbado, Berlin Philharmonic, Martha Argerich

Piano Concerto in G major, M. 83: 3. Presto

Maurice Ravel - Piano Concerto in G major

Claudio Abbado, Berlin Philharmonic, Martha Argerich

Piano Concerto no. 2 in C minor, op. 18: 1. Moderato

Sergei Rachmaninoff - Piano Concerto no. 2 in C minor, op. 18

Claudio Abbado, Berlin Philharmonic, Lilya Zilberstein

Piano Concerto no. 2 in C minor, op. 18: 2. Adagio sostenuto

Sergei Rachmaninoff - Piano Concerto no. 2 in C minor, op. 18

Claudio Abbado, Berlin Philharmonic, Lilya Zilberstein

Piano Concerto no. 2 in C minor, op. 18: 3. Allegro scherzando

Sergei Rachmaninoff - Piano Concerto no. 2 in C minor, op. 18

Claudio Abbado, Berlin Philharmonic, Lilya Zilberstein

Piano Concerto no. 3 in D minor, op. 30: 1. Allegro ma non troppo

Sergei Rachmaninoff - Piano Concerto no. 3 in D minor, op. 30

Claudio Abbado, Berlin Philharmonic, Lilya Zilberstein

Piano Concerto no. 3 in D minor, op. 30: 2. Intermezzo. Adagio

Sergei Rachmaninoff - Piano Concerto no. 3 in D minor, op. 30

Claudio Abbado, Berlin Philharmonic, Lilya Zilberstein

Piano Concerto no. 3 in D minor, op. 30: 3. Finale. Alla breve

Sergei Rachmaninoff - Piano Concerto no. 3 in D minor, op. 30

Claudio Abbado, Berlin Philharmonic, Lilya Zilberstein

Piano Concerto in A minor, op. 54: I. Allegro affettuoso

Robert Schumann - Concerto for Piano and Orchestra in A minor, op. 54

Claudio Abbado, Berlin Philharmonic, Maurizio Pollini

Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso)

Robert Schumann - Concerto for Piano and Orchestra in A minor, op. 54

Claudio Abbado, Berlin Philharmonic, Maurizio Pollini

Piano Concerto in A minor, op. 54: III. Allegro vivace

Robert Schumann - Concerto for Piano and Orchestra in A minor, op. 54

Claudio Abbado, Berlin Philharmonic, Maurizio Pollini

Concerto for Piano and Orchestra, op. 42: I. Andante

Arnold Schoenberg - Concerto for Piano and Orchestra, op. 42

Claudio Abbado, Berlin Philharmonic, Maurizio Pollini

Concerto for Piano and Orchestra, op. 42: II. Molto allegro

Arnold Schoenberg - Concerto for Piano and Orchestra, op. 42: Molto allegro

Claudio Abbado, Berlin Philharmonic, Maurizio Pollini

Concerto for Piano and Orchestra, op. 42: III. Adagio

Arnold Schoenberg - Concerto for Piano and Orchestra, op. 42

Claudio Abbado, Berlin Philharmonic, Maurizio Pollini

Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato)

Arnold Schoenberg - Concerto for Piano and Orchestra, op. 42: Giocoso (Moderato)

Claudio Abbado, Berlin Philharmonic, Maurizio Pollini

Gesang der Apollopriesterin, op. 33 no. 2

Richard Strauss - Gesang der Apollopriesterin, op. 33 no. 2

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Freundliche Vision, op. 48 no. 1

Richard Strauss - Freundliche Vision, op. 48 no. 1

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Cäcilie, op. 27 no. 2

Richard Strauss - Cäcilie, op. 27 no. 2

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Verführung, op. 33 no. 1

Richard Strauss - Verführung, op. 33 no. 1

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Frühlingsfeier, op. 56 no. 5

Richard Strauss - Frühlingsfeier, op. 56 no. 5

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Waldseligkeit, op. 49 no. 1

Richard Strauss - Waldseligkeit, op. 49 no. 1

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Vier letzte Lieder: Frühling

Richard Strauss - Vier letzte Lieder, AV 150

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Vier letzte Lieder: September

Richard Strauss - Vier letzte Lieder, AV 150

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Vier letzte Lieder: Beim Schlafengehen

Richard Strauss - Vier letzte Lieder, AV 150

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Vier letzte Lieder: Im Abendrot

Richard Strauss - Vier letzte Lieder, AV 150

Claudio Abbado, Berlin Philharmonic, Karita Mattila

Piano Concerto no. 1 in B-flat major, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito

Pyotr Ilyich Tchaikovsky - Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23

Claudio Abbado, Berlin Philharmonic, Martha Argerich

Piano Concerto no. 1 in B-flat major, op. 23: 2. Andantino semplice - Prestissimo - Tempo I

Pyotr Ilyich Tchaikovsky - Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23

Claudio Abbado, Berlin Philharmonic, Martha Argerich

Piano Concerto no. 1 in B-flat major, op. 23: 3. Allegro con fuoco

Pyotr Ilyich Tchaikovsky - Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23

Claudio Abbado, Berlin Philharmonic, Martha Argerich

The Tempest, op. 18

Pyotr Ilyich Tchaikovsky - The Tempest, op. 18

Claudio Abbado, Berlin Philharmonic

Slavonic March, op. 31

Pyotr Ilyich Tchaikovsky - Marche slave in B-flat minor, op. 31

Claudio Abbado, Berlin Philharmonic

Romeo and Juliet

Pyotr Ilyich Tchaikovsky - Romeo and Juliet, Fantasy Overture, TH 42, ČW 39

Claudio Abbado, Berlin Philharmonic

Ouverture solennelle “1812”, op. 49

Pyotr Ilyich Tchaikovsky - The Year 1812, Festival Overture in E-flat major, op. 49

Claudio Abbado, Berlin Philharmonic

La forza del destino: Sinfonia

Giuseppe Verdi - La forza del destino: Sinfonia

Claudio Abbado, Berlin Philharmonic

Luisa Miller: Sinfonia

Giuseppe Verdi - Luisa Miller: Sinfonia

Claudio Abbado, Berlin Philharmonic

Nabucco: Sinfonia

Giuseppe Verdi - Nabucco: Sinfonia

Claudio Abbado, Berlin Philharmonic

Aida: Preludio

Giuseppe Verdi - Aida: Preludio

Claudio Abbado, Berlin Philharmonic

La traviata: Act I. Preludio

Giuseppe Verdi - La traviata: Preludio

Claudio Abbado, Berlin Philharmonic

Macbeth: Ballabile

Giuseppe Verdi - Macbeth: Atto III. N°11c Coro e Ballabile “Ondine e Silfidi” (Streghe)

Claudio Abbado, Berlin Philharmonic

La traviata: Act III. Preludio

Giuseppe Verdi - La traviata: Atto III. Preludio

Claudio Abbado, Berlin Philharmonic

Don Carlos: Act II. Preludio

Giuseppe Verdi - Don Carlo: Atto III. Preludio

Claudio Abbado, Berlin Philharmonic

Les Vêpres siciliennes: Ouverture

Giuseppe Verdi - I vespri siciliani: Sinfonia

Claudio Abbado, Berlin Philharmonic

Falstaff: Atto I, parte 1. “Falstaff!” / “Olà!” / “Sir John Falstaff!” (Dr. Cajus, Falstaff, Bardolfo, Pistola)

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto I, parte 1. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola)

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Sei polli: Sei scellini” (Falstaff, Bardolfo)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto I, parte 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Bardolfo, Pistola)

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Pistola, Bardolfo)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto I, parte 1. “L'onore! Ladri!” (Falstaff)

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto I, parte 2. “Alice” / “Meg” / “Nannetta” (Meg, Alice, Quickly, Nannetta)

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto I, parte 2. “Fulgida Alice! amor t'offro” ... “Quell'otre! quel tino!” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Fenton, Pistola, Ford)

Giuseppe Verdi - Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto I, parte 2. “In due parole” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly)

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto I, parte 2. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly)

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto I, parte 2. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Nannetta, Meg, Quickly, Fenton)

Giuseppe Verdi - Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 1. “Siam pentiti e contriti” / “Reverenza!” (Bardolfo, Pistola, Falstaff, Quickly)

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 1. “Alice è mia! Va', vecchio John” (Falstaff, Bardolfo)

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 1. “C'è a Windsor una dama” (Ford, Falstaff)

Giuseppe Verdi - Falstaff: Atto II, scena 1. “Ve lo dirò - C'è a Windsor una dama” (Ford, Falstaff)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 1. “È sogno? o realtà?” (Ford, Falstaff)

Giuseppe Verdi - Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 2. “Presenteremo un bill” ... “Giunta all'albergo della Giarrettiera” (Alice, Quickly, Meg, Nannetta)

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Presenteremo un “bill” per una tassa al parlamento” (Alice, Quickly, Meg)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta)

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice)

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 2. “Quand'ero paggio” (Falstaff, Alice, Quickly)

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola)

Giuseppe Verdi - Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 2. “Vien qua” / “Che chiasso!” (Nannetta, Fenton, Dr. Cajus, Ford, Pistola, Bardolfo)

Giuseppe Verdi - Falstaff: Atto II, scena 2. "Vien qua" - "Che chiasso!" (Nannetta, Fenton)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto II, parte 2. “C'è” / “C'è” / “Se t'agguanto!” ... “Se ti piglio!” (Ford, Dr. Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, chorus, Alice)

Giuseppe Verdi - Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 1. “Ehi! Taverniere! Mondo ladro” (Falstaff)

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 1. “Reverenza. La bella Alice” ... “Quando il rintocco della mezzanotte” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Dr. Cajus)

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 1. “Brava. Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta, Dr. Cajus, Quickly)

Giuseppe Verdi - Falstaff: Atto III, scena 1. “Brava! Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg)

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg)

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 2. “Ninfe! Elfi! Silfi!” ... “Sul fil d'un soffio etesio” (Nannetta, chorus, Falstaff, Alice)

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta, Fate, Falstaff, Alice)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 2. “Alto là” / “Chi va là” ... “Pizzica, pizzica” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, chorus, Ford, Dr. Cajus)

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 2. “Ogni sorta di gente dozzinale” (Falstaff, Alice, Meg, Quickly, chorus, Ford, Bardolfo, Pistola, Nannetta, Fenton, Dr. Cajus)

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Falstaff: Atto III, parte 2. “Facciamo il parentado” ... “Tutto nel mondo è burla” (Ford, Bardolfo, Pistola, Alice, Nannetta, Fenton, Quickly, Meg, Falstaff, Dr. Cajus, chorus)

Giuseppe Verdi - Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Luisa Miller: Atto II. “Oh! Fede negar potessi” (Rodolfo)

Giuseppe Verdi - Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Luisa Miller: Atto II. “Quando le sere al placido” (Rodolfo)

Giuseppe Verdi - Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

I Lombardi alla prima crociata: Atto II. “La mia letizia infondere” (Oronte)

Giuseppe Verdi - I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Aida: Atto I. “Se quel guerrier io fossi” (Radamès)

Giuseppe Verdi - Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Aida: Atto I. “Celeste Aida” (Radamès)

Giuseppe Verdi - Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Ernani: Atto I. “Mercé, diletti amici” (Ernani)

Giuseppe Verdi - Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Ernani: Atto I. “Come rugiada al cespite” (Ernani)

Giuseppe Verdi - Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Ernani: Atto I. “Dell'esilio nel dolore ... O tu che l'alma adora” (Ernani, chorus)

Giuseppe Verdi - Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro)

Claudio Abbado, Terry Edwards, Berlin Philharmonic

Un ballo in maschera: Atto III. “Forse la soglia attinse” (Riccardo)

Giuseppe Verdi - Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Un ballo in maschera: Atto III. “Ma se m'è forza perderti” (Riccardo)

Giuseppe Verdi - Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Otello: Atto III. “Dio, mi potevi scagliar” (Otello)

Giuseppe Verdi - Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Otello: Atto IV. “Ma, o pianto, o duol!” (Otello)

Giuseppe Verdi - Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Otello: Atto IV. “Niun mi tema” (Otello, Cassio, Lodovico, Montano)

Giuseppe Verdi - Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

La forza deel destino: Atto III. Introduzione

Giuseppe Verdi - La forza del destino: Sinfonia

Claudio Abbado, Berlin Philharmonic

La forza deel destino: Atto III. “La vita è inferno” (Alvaro)

Giuseppe Verdi - La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

La forza deel destino: Atto III. “O tu che in seno agli angeli” (Alvaro)

Giuseppe Verdi - La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Macbeth: Atto IV. “O figli” (Macduff)

Giuseppe Verdi - Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Macbeth: Atto IV. “Ah, la paterna mano” (Macduff)

Giuseppe Verdi - Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Jérusalem: Acte II. « L'Émir auprès de lui m'appelle » (Gaston)

Giuseppe Verdi - Jérusalem : Acte II, scène 2. « L'émir auprès de lui m'appelle » (Gaston)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Jérusalem: Acte II. « Je veux encore entendre ta voix » (Gaston)

Giuseppe Verdi - Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Il trovatore: Atto III. “Ah sì, ben mio” (Manrico)

Giuseppe Verdi - Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Il trovatore: Atto III. “Di quella pira” (Manrico, Leonora, chorus)

Giuseppe Verdi - Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)

Claudio Abbado, Terry Edwards, Berlin Philharmonic

Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre

Richard Wagner - Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre

Claudio Abbado, Berlin Philharmonic

Parsifal: Vorspiel zum Ersten Aufzug

Richard Wagner - Parsifal, WWV 111

Claudio Abbado, Berlin Philharmonic

Parsifal: Suite aus dem Dritten Aufzug. Feierlich bewegt

Richard Wagner - Parsifal, WWV 111

Claudio Abbado, Berlin Philharmonic

Parsifal: Suite aus dem Dritten Aufzug. Karfreitagszauber. Sehr ruhig, ohne Dehnung

Richard Wagner - Parsifal, an Orchestral Quest

Claudio Abbado, Berlin Philharmonic

Parsifal: Suite aus dem Dritten Aufzug. Verwandlungsmusik und Ritterzug / Langsam - »Geleiten wir im bergenden Schrein den Gral zum heiligen Amte« (Ritter)

Richard Wagner - Parsifal, WWV 111

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Parsifal: Suite aus dem Dritten Aufzug. Breit - »Höchsten Heiles Wunder! Erlösung dem Erlöser!« (Knaben, Jünglinge, Ritter)

Richard Wagner - Parsifal, WWV 111

Claudio Abbado, Simon Halsey, Berlin Philharmonic

Tristan und Isolde: Vorspiel zum Ersten Aufzug

Richard Wagner - Tristan und Isolde, WWV 90: Akt I, Vorspiel

Claudio Abbado, Berlin Philharmonic

Tristan und Isolde: Isoldes Liebestod

Richard Wagner - Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!"

Claudio Abbado, Berlin Philharmonic

Der fliegende Holländer: Ouvertüre

Richard Wagner - Der fliegende Holländer, WWV 63: Ouvertüre

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Der fliegende Holländer: »Die Frist ist um« (Holländer)

Richard Wagner - Der fliegende Holländer, WWV 63: Akt I, Nr. 2. Arie "Die Frist ist um"

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Die Meistersinger von Nürnberg: »Wahn! Wahn! Überall Wahn!« (Sachs)

Richard Wagner - Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene I. "Gleich, Meister! Hier!"

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Die Meistersinger von Nürnberg: »Was duftet doch der Flieder« (Sachs)

Richard Wagner - Die Meistersinger von Nürnberg, WWV 96: Akt II, Scene III. "Zeig her! 's ist gut"

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Tannhäuser und der Sängerkrieg auf Wartburg: »Wie Todesahnung Dämmrung deckt die Lande ... O du mein holder Abendstern« (Wolfram)

Richard Wagner - Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern”

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Parsifal: »Nein! Lasst ihn unenthüllt!« (Amfortas)

Richard Wagner - Parsifal, WWV 111

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Parsifal: »Ja, Wehe! Wehe! Weh' über mich!« (Amfortas)

Richard Wagner - Parsifal, WWV 111

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Die Walküre: »Leb wohl, du kühnes, herrliches Kind!« (Wotan)

Richard Wagner - Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre

Richard Wagner - Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre

Claudio Abbado, Berlin Philharmonic

Tannhäuser und der Sängerkrieg auf Wartburg: »Dich, teure Halle, grüß ich wieder« (Elisabeth)

Richard Wagner - Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder" (Elisabeth)

Claudio Abbado, Berlin Philharmonic, Cheryl Studer

Tannhäuser und der Sängerkrieg auf Wartburg: »Wie Todesahnung Dämmrung deckt die Lande ... O du mein holder Abendstern« (Wolfram)

Richard Wagner - Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern”

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Lohengrin: »In ferner Einsamkeit des Waldes« ... »Um Gott, was klagest du mich an?« (Ortrud, Elsa)

Richard Wagner - Lohengrin: »In ferner Einsamkeit des Waldes« … »Um Gott, was klagest du mich an?« (Ortrud, Elsa)

Claudio Abbado, Berlin Philharmonic, Cheryl Studer

Die Meistersinger von Nürnberg: Vorspiel zum Ersten Aufzug

Richard Wagner - Die Meistersinger von Nürnberg, WWV 96: Vorspiel

Claudio Abbado, Berlin Philharmonic

Die Meistersinger von Nürnberg: »Was duftet doch der Flieder« (Sachs)

Richard Wagner - Die Meistersinger von Nürnberg: »Was duftet doch der Flieder« (Sachs)

Claudio Abbado, Berlin Philharmonic, Bryn Terfel

Die Walküre: »Dich selige Frau« ... »Winterstürme wichen dem Wonnemonde« ... »Du bist der Lenz, nach dem ich verlangte« (Siegmund, Sieglinde)

Richard Wagner - Die Walküre: Akt I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde)

Claudio Abbado, Berlin Philharmonic, Siegfried Jerusalem

Die Walküre: Walkürenritt

Richard Wagner - Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt

Claudio Abbado, Berlin Philharmonic

Carmen: Prélude

Georges Bizet - Carmen : Prélude

Claudio Abbado, Berlin Philharmonic

Carmen: Havanaise (Habanera): « L'amour est un oiseau rebelle » (Carmen, chorus)

Georges Bizet - Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)

Claudio Abbado, Berlin Philharmonic, Anne Sofie von Otter

Carmen: Couplet (Air du Toréador): « Votre toast... je peux vous le rendre » (Escamillo, chorus, Frasquita, Mercédès, Carmen)

Georges Bizet - Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes)

Claudio Abbado, Berlin Philharmonic, Anne Sofie von Otter

Carmen: Chanson (Gypsy Song): « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita)

Georges Bizet - Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)

Claudio Abbado, Berlin Philharmonic, Anne Sofie von Otter

Carmen: Air de la Fleur (Flower Song): « La fleur que tu m'avais jetée » (Don José)

Georges Bizet - Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José)

Claudio Abbado, Berlin Philharmonic, Roberto Alagna

Carmen: Chœur: « Les voici ! Voici la quadrille » (chorus)

Georges Bizet - Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)

Claudio Abbado, Berlin Philharmonic