BTHVN 2020: The New Complete Edition (rarities, classic performances, period instrument performances)

Andante in C, WoO 211 [Biamonti 52] (c. 1790-92)

Ludwig van Beethoven - Andante for Piano in C major, Biamonti 52

Ronald Brautigam

Anglaise in D, WoO 212 [Hess 61] (1793)

Ludwig van Beethoven - Anglaise in D major, H. 61

Ronald Brautigam

2 Bagatelles, WoO 216 (Landsberg 7 Sketchbook) (?December 1800): No. 1 in C [Hess 73]. [no tempo marking]

Ludwig van Beethoven - Bagatelle for piano in C major, Hess 73, WoO 216a

Ronald Brautigam

2 Bagatelles, WoO 216 (Landsberg 7 Sketchbook) (?December 1800): No. 2 in E-flat [Hess 74]. Allegro

Ludwig van Beethoven - Bagatelle for piano in E-flat major, Hess 74, WoO 216b

Ronald Brautigam

Minuet in F, WoO 217 [Biamonti 66] (c. 1794)

Ludwig van Beethoven - Minuet for Piano in F major, Biamonti 66, WoO 217

Ronald Brautigam

Bagatelle in C, Hess 57 (1824)

Ludwig van Beethoven - Sketch for Piano in C major, Hess 57 (unfinished)

Ronald Brautigam

Piece in f, Kullak Sketchbook f.51/52 (1826)

Ludwig van Beethoven - Piece in f, Kullak Sketchbook f.51/52 (1826)

Tobias Koch

Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 1 Andante in D-flat

Ludwig van Beethoven - 4 Bagatelles, WoO 213: No. 1 in D‐flat major. Andante

Tobias Koch

Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 2 Finale in G

Ludwig van Beethoven - 4 Bagatelles, WoO 213: No. 2 in G major. Finale

Tobias Koch

Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 3 Allegro in A

Ludwig van Beethoven - 4 Bagatelles, WoO 213: No. 3 in A major. Allegro

Tobias Koch

Bagatelles, WoO 213 "Bagatellen" Portfolio nos. 7, 8, 9 & 11: No. 4 Rondo in A

Ludwig van Beethoven - 4 Bagatelles, WoO 213: No. 4 in A major. Rondo

Tobias Koch

Bagatelle in a, WoO 59 (Revised version of “Für Elise”) (1822) "Bagatellen" Portfolio no. 12

Ludwig van Beethoven - Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto

Tobias Koch

Waltz in c, WoO 219 [Hess 68], Wielhorsky Sketchbook (1803)

Ludwig van Beethoven - Small Waltz (Allemande) for piano in C minor, Hess 68, WoO 219 (incomplete)

Tobias Koch

Variations in B-flat “Zur übung der Faust”, Hess 58 Kafka Sketch Miscellany (c. 1792). Theme - Variation I

Ludwig van Beethoven - Variations in B-flat “Zur übung der Faust”, Hess 58

Tobias Koch

Allegretto in a/A, Kafka Sketch Miscellany f.47v

Ludwig van Beethoven - Piece for piano in A major (Kafka Miscellany, folio 47v)

Tobias Koch

Piano Piece in A, Kafka Sketch Miscellany f.160r staves 1-6

Ludwig van Beethoven - Piano Piece in A, Kafka Sketch Miscellany f.160r staves 1-6

Tobias Koch

Piano Piece in A, Kafka Sketch Miscellany f.41v staves 13-16

Ludwig van Beethoven - Piano Piece in A, Kafka Sketch Miscellany f.41v staves 13-16

Tobias Koch

Piano Piece in C, Kafka Sketch Miscellany f.47v staves 5-8

Ludwig van Beethoven - Piano Piece in C, Kafka Sketch Miscellany f.47v staves 5-8

Tobias Koch

Piano Piece (Minuet) in C, Hess 59 (c. 1794-95)

Ludwig van Beethoven - Exercise for Piano in C major, Hess 59

Tobias Koch

Adagio ma non molto in G, Hess 70 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04)

Ludwig van Beethoven - Adagio ma non molto in G major, Hess 70

Tobias Koch

Molto Adagio in G, Hess 71 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04)

Ludwig van Beethoven - Molto adagio in G major, Hess 71

Tobias Koch

Theme and Variation in A, Hess 72 Landsberg 6 Sketchbook, Fragment (1803-04)

Ludwig van Beethoven - Theme and Variations for piano in A major, Hess 72 (incomplete sketch)

Tobias Koch

2 German Dances, Hess 67 Petter Sketchbook (1812): No. 1 in F / No. 2 in f

Ludwig van Beethoven - 2 German Dances for Piano, Hess 67

Tobias Koch

Minuet in A-flat, WoO 209 [Hess 88] (1790-92)

Ludwig van Beethoven - Menuet for piano in F-sharp major, Hess 88

Tobias Koch

Piano Sonata in D/d, Unv 12 [Biamonti 213] (c. 1793), Fragment

Ludwig van Beethoven - Composition for Piano in D major, Bia. 213

Tobias Koch

On “Dona nobis pacem” (Haydn), Hess Anh. 57: Piano Arrangement by Julia Ronge of a 4-Part Fugue for Voices a cappela (c. 1795)

Ludwig van Beethoven - On “Dona nobis pacem” (Haydn), Hess Ang. 57: Piano Arrangment by Julia Ronge of a 4-Part Fugue for Voices a cappela (c. 1795)

Tobias Koch

Andante maestoso in C, WoO 62 “Letzter musikalischer Gedanke” Arrangement for Piano by Anton Diabelli of Movement I of an incomplete String Quintet in C (1827)

Ludwig van Beethoven - Piece for piano in C major, WoO 62 ("Letzter musikalischer Gedanke")

Ronald Brautigam

Symphony no. 7 in A, op. 92 Piano Arrangement by Beethoven, Hess 96, Fragment (c. 1814): I. Poco sostenuto

Ludwig van Beethoven - Symphony no. 7, Hess 96

Tobias Koch

Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16 Arranged for Piano, Violin, Viola and Cello by Beethoven (1796-1801): I. Grave - Allegro, ma non troppo

Ludwig van Beethoven - Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16a

Isaac Stern, Jaime Laredo, Emanuel Ax

Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16 Arranged for Piano, Violin, Viola and Cello by Beethoven (1796-1801): II. Andante cantabile

Ludwig van Beethoven - Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16a

Isaac Stern, Jaime Laredo, Emanuel Ax

Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16 Arranged for Piano, Violin, Viola and Cello by Beethoven (1796-1801): III. Rondo. Allegro, ma non troppo

Ludwig van Beethoven - Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16a

Isaac Stern, Jaime Laredo, Emanuel Ax

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 1. Air tirolien: “I bin a Tiroler Bua”: Tema. Moderato - Var. I-III - Var. IV. Allegro

Ludwig van Beethoven - 10 National Airs with Variations, op. 107: No. 1 Air tirolien in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro

Daniel Hope, Sebastian Knauer

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 3. Volkslied aus Kleinrussland: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I

Ludwig van Beethoven - 10 National Airs with Variations, op. 107: No. 3 Volkslied aus Kleinrussland in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I

Daniel Hope, Sebastian Knauer

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 4. Air écossais “St. Patrick's Day”: Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I

Ludwig van Beethoven - 10 National Airs with Variations, op. 107: No. 4 Air écossais in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I

Daniel Hope, Sebastian Knauer

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 6. Air écossais “Peggy's Daughter”: Tema. Andante comodo - Var. I-III - Var. IV. Vivace

Ludwig van Beethoven - 10 National Airs with Variations, op. 107: No. 6 Air écossais in E-flat major "Peggy's Daughter": Tema. Andante commodo - Var. I-III - Var. IV. Vivace

Daniel Hope, Sebastian Knauer

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 7. Air russe “Schöne Minka”: Tema. Andante - Var.' I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante comodo - Poco vivace

Ludwig van Beethoven - 10 National Airs with Variations, op. 107: No. 7 Air russe in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace

Daniel Hope, Sebastian Knauer

10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 9. Air écossais “Oh, Thou art the Lad of my Heart”: Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace

Ludwig van Beethoven - 10 National Airs with Variations, op. 107: No. 9 Air écossais in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace

Daniel Hope, Sebastian Knauer

Andante maestoso in C for String Quintet, WoO 62 “Letzter musikalischer Gedanke” (1827)

Ludwig van Beethoven - String Quintet in C major, WoO 62

Daniel Hope, Amihai Grosz, Daniel Müller-Schott

String Quartet Arrangement of the Fugue from the Overture to Handel's “Solomon”, Hess 36

George Frideric Handel - Fugue for String Quartet in B-flat major, Hess 36

Hagen Quartet, Lukas Hagen, Rainer Schmidt

Violin Sonata in A, Unv 11 [Hess 46] (c. 1791)

Ludwig van Beethoven - Violin Sonata in A, Hess 46

Daniel Hope, Sebastian Knauer

Duo for Violin and Cello in E-flat, Unv 8 [Gardi 2] (c. 1791)

Ludwig van Beethoven - Duo for Violin and Cello in E-flat, Unv 8 [Gardi 2] (c. 1791)

Daniel Hope, Daniel Müller-Schott

Scherzo to String Trio op. 9 no. 1 with Alternative Trio (1797-98): Scherzo - Trio II, Hess 28 - Scherzo

Ludwig van Beethoven - Scherzo to String Trio, Hess 28

Daniel Hope, Amihai Grosz, Daniel Müller-Schott

Allegretto for String Quartet in b, WoO 210 (1817)

Ludwig van Beethoven - Allegretto in B minor for String Quartet

Endellion String Quartet

2-Voice Fugues, Hess 236 (1794): No. 1 in d

Ludwig van Beethoven - 2-Voice Fugues, Hess 236: no. 1 in D

Tobias Koch

2-Voice Fugues, Hess 236 (1794): No. 2 in E phrygian

Ludwig van Beethoven - 2-Voice Fugues, Hess 236: no. 2 in E Minor

Tobias Koch

2-Voice Fugues, Hess 236 (1794): No. 3 in F

Ludwig van Beethoven - 2-Voice Fugues, Hess 236: no. 3 in F

Tobias Koch

2-Voice Fugues, Hess 236 (1794): No. 4 in B-flat

Ludwig van Beethoven - 2-Voice Fugues, Hess 236: no. 4 in B-flat

Tobias Koch

2-Voice Fugues, Hess 236 (1794): No. 5 in d

Ludwig van Beethoven - 2-Voice Fugues, Hess 236: no. 5 in D

Tobias Koch

3-Voice Fugues, Hess 237 (1794): No. 1 in G

Ludwig van Beethoven - Seven 3-part simple fugues in strict counterpoint, Hess 237

Tobias Koch

3-Voice Fugues, Hess 237 (1794): No. 2 in F

Ludwig van Beethoven - Seven 3-part simple fugues in strict counterpoint, Hess 237

Tobias Koch

3-Voice Fugues, Hess 237 (1794): No. 3 in e

Ludwig van Beethoven - Seven 3-part simple fugues in strict counterpoint, Hess 237

Tobias Koch

3-Voice Fugues, Hess 237 (1794): No. 4 in d

Ludwig van Beethoven - Seven 3-part simple fugues in strict counterpoint, Hess 237

Tobias Koch

Chorale Fugues, Hess 239 (1794): No. 2 in d

Ludwig van Beethoven - Three choral fugues, Hess 239, no. 2 in D minor

Tobias Koch

Chorale Fugues, Hess 239 (1794): No. 3 in G

Ludwig van Beethoven - Three choral fugues, Hess 239, no. 3 in G major

Tobias Koch

Fugue for String Quartet in d, Hess 245, Fragment (c. 1794-95)

Ludwig van Beethoven - Fugue in D minor (fragment), Hess 245

Endellion String Quartet

Sonata for Piano and Flute in B-flat, Anh. 4 [Hess A11] Probably not Beethoven: I. Allegro

Ludwig van Beethoven - Sonata for Flute and Piano in B-flat major, Anh. 4

Bruno Canino, Severino Gazzelloni

Sonata for Piano and Flute in B-flat, Anh. 4 [Hess A11] Probably not Beethoven: II. Polonoise - Trio

Ludwig van Beethoven - Sonata for Flute and Piano in B-flat major, Anh. 4

Bruno Canino, Severino Gazzelloni

Sonata for Piano and Flute in B-flat, Anh. 4 [Hess A11] Probably not Beethoven: III. Largo

Ludwig van Beethoven - Sonata for Flute and Piano in B-flat major, Anh. 4

Bruno Canino, Severino Gazzelloni

Sonata for Piano and Flute in B-flat, Anh. 4 [Hess A11] Probably not Beethoven: IV. Tema [Allegretto] con Variazioni

Ludwig van Beethoven - Sonata for Flute and Piano in B-flat major, Anh. 4

Bruno Canino, Severino Gazzelloni

2 Sonatinas, Anh. 5: No. 1 in G. I. Moderato / II. Romance

Ludwig van Beethoven - 2 Sonatinas for Piano, Anh.5: 1. Sonatina in G

Tobias Koch

2 Sonatinas, Anh. 5: No. 2 in F. I. Allegro assai / II. Rondo

Ludwig van Beethoven - 2 Sonatinas for Piano, Anh.5: 2. Sonatina in F

Tobias Koch

8 Variations for Piano on “Ich hab' ein kleines Hüttchen nur”, Anh. 10 Probably not Beethoven (1790s)

Ludwig van Beethoven - 8 Variations on "Ich hab ein kleines Huttchen nur" in B-Flat Major, Anh 10

Rudolf Buchbinder

Symphony no. 5 in c, op. 67: I. Allegro con brio

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Arthur Nikisch, Berlin Philharmonic

Symphony no. 7 in A, op. 92: IV. Allegro con brio (excerpt)

Ludwig van Beethoven - Symphony no. 7 in A major, op. 92

Richard Strauss, Berlin Staatskapelle

Overture “Leonore” no. 3, op. 72b: Adagio - Allegro

Ludwig van Beethoven - Overture “Leonore” no. 3 in C major, op. 72b

Otto Klemperer, Berlin Staatskapelle

Symphony no. 7 in A, op. 92: IV. Allegro con brio

Ludwig van Beethoven - Symphony no. 7 in A major, op. 92

Herbert von Karajan, Berlin Staatskapelle

Overture “Leonore” no. 2, op. 72a: Adagio - Allegro

Ludwig van Beethoven - Overture “Leonore” no. 2 in C major, op. 72a

Fritz Busch

Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marcia funebre. Adagio assai

Ludwig van Beethoven - Symphony no. 3 in E‐flat major, op. 55 “Eroica”

Paul van Kempen, Berlin Philharmonic

Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio

Ludwig van Beethoven - Symphony no. 8 in F major, op. 93

Hermann Scherchen, Royal Philharmonic Orchestra

Symphony no. 8 in F, op. 93: II. Allegretto scherzando

Ludwig van Beethoven - Symphony no. 8 in F major, op. 93

Hermann Scherchen, Royal Philharmonic Orchestra

Symphony no. 8 in F, op. 93: III. Tempo di Menuetto

Ludwig van Beethoven - Symphony no. 8 in F major, op. 93

Hermann Scherchen, Royal Philharmonic Orchestra

Symphony no. 8 in F, op. 93: IV. Allegro vivace

Ludwig van Beethoven - Symphony no. 8 in F major, op. 93

Hermann Scherchen, Royal Philharmonic Orchestra

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro

Ludwig van Beethoven - Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro

Wilhelm Furtwängler, Berlin Philharmonic

Overture “Leonore” no. 3, op. 72b: Adagio - Allegro

Ludwig van Beethoven - Overture “Leonore” no. 3 in C major, op. 72b

Wilhelm Furtwängler, Vienna Philharmonic

Overture “Coriolan”, op. 62: Allegro con brio

Ludwig van Beethoven - Ouvertüre Coriolan, op. 62

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 5 in c, op. 67: I. Allegro con brio

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 5 in c, op. 67: II. Andante con moto

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 5 in c, op. 67: III. Allegro -

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 5 in c, op. 67: IV. Allegro

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Wilhelm Furtwängler, Berlin Philharmonic

Grosse Fuge, op. 133: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e con brio - Allegro

Ludwig van Beethoven - Große Fugue, op. 133

Wilhelm Furtwängler, Berlin Philharmonic

Symphony no. 5 in c, op. 67: I. Allegro con brio

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Erich Kleiber, Royal Concertgebouw Orchestra

Symphony no. 5 in c, op. 67: II. Andante con moto

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Erich Kleiber, Royal Concertgebouw Orchestra

Symphony no. 5 in c, op. 67: III. Allegro -

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Erich Kleiber, Royal Concertgebouw Orchestra

Symphony no. 5 in c, op. 67: IV. Allegro

Ludwig van Beethoven - Symphony no. 5 in C minor, op. 67

Erich Kleiber, Royal Concertgebouw Orchestra

Symphony no. 6 in F, op. 68 “Pastoral”: I. Allegro ma no troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande”

Ludwig van Beethoven - Symphony no. 6 in F major, op. 68 “Pastorale”

Erich Kleiber, Royal Concertgebouw Orchestra

Symphony no. 6 in F, op. 68 “Pastoral”: II. Andante molto mosso “Szene am Bach”

Ludwig van Beethoven - Symphony no. 6 in F major, op. 68 “Pastorale”

Erich Kleiber, Royal Concertgebouw Orchestra

Symphony no. 6 in F, op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein der Landleute”

Ludwig van Beethoven - Symphony no. 6 in F major, op. 68 “Pastorale”

Erich Kleiber, Royal Concertgebouw Orchestra

Symphony no. 6 in F, op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm”

Ludwig van Beethoven - Symphony no. 6 in F major, op. 68 “Pastorale”

Erich Kleiber, Royal Concertgebouw Orchestra

Symphony no. 6 in F, op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm”

Ludwig van Beethoven - Symphony no. 6 in F major, op. 68 “Pastorale”

Erich Kleiber, Royal Concertgebouw Orchestra

Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro

Ludwig van Beethoven - Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro

Ferenc Fricsay, Berlin Philharmonic

Symphony no. 9 in d, op. 125: I. Allegro ma non troppo, un poco maestoso

Ludwig van Beethoven - Symphony no. 9 in D minor, op. 125 “Choral”

Ferenc Fricsay, Berlin Philharmonic

Symphony no. 9 in d, op. 125: II. Molto vivace

Ludwig van Beethoven - Symphony no. 9 in D minor, op. 125 “Choral”

Ferenc Fricsay, Berlin Philharmonic

Symphony no. 9 in d, op. 125: III. Adagio molto e cantabile

Ludwig van Beethoven - Symphony no. 9 in D minor, op. 125 “Choral”

Ferenc Fricsay, Berlin Philharmonic

Symphony no. 9 in d, op. 125: IV. Presto - Allegro assai -

Ludwig van Beethoven - Symphony no. 9 in D minor, op. 125 “Choral”

Ferenc Fricsay, Karl Forster, Berlin Philharmonic

Symphony no. 9 in d, op. 125: IV. Presto - “O Freunde, nicht diese Töne!” - Allegro assai: “Freude, schöner Götterfunken” - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo

Ludwig van Beethoven - Symphony no. 9 in D minor, op. 125 “Choral”

Ferenc Fricsay, Berlin Philharmonic, St. Hedwig's Cathedral Choir

Piano Concerto no. 3 in c, op. 37: I. Allegro con brio

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 3 in C minor, op. 37

Ferenc Fricsay, Bavarian State Orchestra, Annie Fischer

Piano Concerto no. 3 in c, op. 37: II. Largo

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 3 in C minor, op. 37

Ferenc Fricsay, Bavarian State Orchestra, Annie Fischer

Piano Concerto no. 3 in c, op. 37: III. Rondo. Allegro

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 3 in C minor, op. 37

Ferenc Fricsay, Bavarian State Orchestra, Annie Fischer

Violin Concerto in D, op. 61: I. Allegro ma non troppo

Ludwig van Beethoven - Concerto for Violin and Orchestra in D major, op. 61

Eugen Jochum, Berlin Philharmonic, Wolfgang Schneiderhan

Violin Concerto in D, op. 61: II. Larghetto

Ludwig van Beethoven - Concerto for Violin and Orchestra in D major, op. 61

Eugen Jochum, Berlin Philharmonic, Wolfgang Schneiderhan

Violin Concerto in D, op. 61: III. Rondo. Allegro

Ludwig van Beethoven - Concerto for Violin and Orchestra in D major, op. 61

Eugen Jochum, Berlin Philharmonic, Wolfgang Schneiderhan

Sonata no. 30 in E, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I

Ludwig van Beethoven - Sonata for Piano no. 30 in E major, op. 109

Artur Schnabel

Sonata no. 30 in E, op. 109: II. Prestissimo

Ludwig van Beethoven - Sonata for Piano no. 30 in E major, op. 109

Artur Schnabel

Sonata no. 30 in E, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung)

Ludwig van Beethoven - Sonata for Piano no. 30 in E major, op. 109

Artur Schnabel

Sonata no. 8 in c, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio

Ludwig van Beethoven - Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”

Wilhelm Kempff

Sonata no. 8 in c, op. 13 “Pathétique”: II. Adagio cantabile

Ludwig van Beethoven - Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”

Wilhelm Kempff

Sonata no. 8 in c, op. 13 “Pathétique”: III. Rondo. Allegro

Ludwig van Beethoven - Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”

Wilhelm Kempff

Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo

Ludwig van Beethoven - Sonata for Piano no. 31 in A-flat major, op. 110

Wilhelm Kempff

Sonata no. 31 in A-flat, op. 110: II. Allegro molto

Ludwig van Beethoven - Sonata for Piano no. 31 in A-flat major, op. 110

Wilhelm Kempff

Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga

Ludwig van Beethoven - Sonata for Piano no. 31 in A-flat major, op. 110

Wilhelm Kempff

Sonata no. 23 in f, op. 57 “Appassionata”: I. Allegro assai

Ludwig van Beethoven - Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”

Claudio Arrau

Sonata no. 23 in f, op. 57 “Appassionata”: II. Andante con moto

Ludwig van Beethoven - Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”

Claudio Arrau

Sonata no. 23 in f, op. 57 “Appassionata”: III. Allegro ma non troppo

Ludwig van Beethoven - Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”

Claudio Arrau

Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro

Ludwig van Beethoven - Sonata for Piano no. 18 in E-flat major, op. 31 no. 3

Clara Haskil

Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo. Allegretto vivace

Ludwig van Beethoven - Sonata for Piano no. 18 in E-flat major, op. 31 no. 3

Clara Haskil

Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto. Moderato e grazioso

Ludwig van Beethoven - Sonata for Piano no. 18 in E-flat major, op. 31 no. 3

Clara Haskil

Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco

Ludwig van Beethoven - Sonata for Piano no. 18 in E-flat major, op. 31 no. 3

Clara Haskil

Sonata no. 11 in B-flat, op. 22: I. Allegro con brio

Ludwig van Beethoven - Sonata for Piano no. 11 in B-flat major, op. 22

Sviatoslav Richter

Sonata no. 11 in B-flat, op. 22: II. Adagio con molta espressione

Ludwig van Beethoven - Sonata for Piano no. 11 in B-flat major, op. 22

Sviatoslav Richter

Sonata no. 11 in B-flat, op. 22: III. Menuetto

Ludwig van Beethoven - Sonata for Piano no. 11 in B-flat major, op. 22

Sviatoslav Richter

Sonata no. 11 in B-flat, op. 22: IV. Rondo. Allegretto

Ludwig van Beethoven - Sonata for Piano no. 11 in B-flat major, op. 22

Sviatoslav Richter

Sonata no. 28 in A, op. 101: I. Erwas lebhaft und mit der innigsten Empfindung (Allegro ma non troppo)

Ludwig van Beethoven - Sonata for Piano no. 28 in A major, op. 101

Wilhelm Backhaus

Sonata no. 28 in A, op. 101: II. Lebhaft. Marschmäßig (Vivace all marcia)

Ludwig van Beethoven - Sonata for Piano no. 28 in A major, op. 101

Wilhelm Backhaus

Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) - / IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro)

Ludwig van Beethoven - Sonata for Piano no. 28 in A major, op. 101

Wilhelm Backhaus

Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo

Ludwig van Beethoven - Sonata for Piano no. 31 in A-flat major, op. 110

Rudolf Serkin

Sonata no. 31 in A-flat, op. 110: II. Allegro molto

Ludwig van Beethoven - Sonata for Piano no. 31 in A-flat major, op. 110

Rudolf Serkin

Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga

Ludwig van Beethoven - Sonata for Piano no. 31 in A-flat major, op. 110

Rudolf Serkin

Sonata no. 15 in D, op. 28 (“Pastoral”): I. Allegro

Ludwig van Beethoven - Sonata for Piano no. 15 in D major, op. 28 "Pastorale"

Friedrich Gulda

Sonata no. 15 in D, op. 28 (“Pastoral”): II. Andante

Ludwig van Beethoven - Sonata for Piano no. 15 in D major, op. 28 "Pastorale"

Friedrich Gulda

Sonata no. 15 in D, op. 28 (“Pastoral”): III. Scherzo. Allegro vivace

Ludwig van Beethoven - Sonata for Piano no. 15 in D major, op. 28 "Pastorale"

Friedrich Gulda

Sonata no. 15 in D, op. 28 (“Pastoral”): IV. Rondo. Allegro ma non troppo

Ludwig van Beethoven - Sonata for Piano no. 15 in D major, op. 28 "Pastorale"

Friedrich Gulda

Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio

Ludwig van Beethoven - Sonata for Piano no. 4 in E‐flat major, op. 7

Arturo Benedetti Michelangeli

Sonata no. 4 in E-flat, op. 7: II. Largo, con gran espressione

Ludwig van Beethoven - Sonata for Piano no. 4 in E‐flat major, op. 7

Arturo Benedetti Michelangeli

Sonata no. 4 in E-flat, op. 7: III. Allegro

Ludwig van Beethoven - Sonata for Piano no. 4 in E‐flat major, op. 7

Arturo Benedetti Michelangeli

Sonata no. 4 in E-flat, op. 7: IV. Rondo. Poco allegretto e grazioso

Ludwig van Beethoven - Sonata for Piano no. 4 in E‐flat major, op. 7

Arturo Benedetti Michelangeli

Sonata no. 32 in c, op. 111: I. Maestoso - Allegro con brio ed appassionato

Ludwig van Beethoven - Sonata for Piano no. 32 in C minor, op. 111

Ivo Pogorelić

Sonata no. 32 in c, op. 111: II. Arietta. Adagio molto semplice e cantabile

Ludwig van Beethoven - Sonata for Piano no. 32 in C minor, op. 111

Ivo Pogorelić

Sonata no. 3 for Piano and Cello in A, op. 69: I. Allegro ma non troppo

Ludwig van Beethoven - Sonata for Cello and Piano no. 3 in A major, op. 69

Pierre Fournier, Wilhelm Kempff

Sonata no. 3 for Piano and Cello in A, op. 69: II. Scherzo. Allegro molto

Ludwig van Beethoven - Sonata for Cello and Piano no. 3 in A major, op. 69

Pierre Fournier, Wilhelm Kempff

Sonata no. 3 for Piano and Cello in A, op. 69: III. Adagio cantabile - Allegro vivace

Ludwig van Beethoven - Sonata for Cello and Piano no. 3 in A major, op. 69

Pierre Fournier, Wilhelm Kempff

Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: I. Allegro con brio

Ludwig van Beethoven - Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2

Mstislav Rostropovich, Sviatoslav Richter

Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca:

Ludwig van Beethoven - Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2

Mstislav Rostropovich, Sviatoslav Richter

Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: III. Allegro - Allegro fugato

Ludwig van Beethoven - Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2

Mstislav Rostropovich, Sviatoslav Richter

Piano Trio no. 7 in B-flat, op. 97 “Archduke”: I. Allegro moderato

Ludwig van Beethoven - Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 “Archduke”

Mstislav Rostropovich, Emil Gilels, Leonid Kogan

Piano Trio no. 7 in B-flat, op. 97 “Archduke”: II. Scherzo. Allegro

Ludwig van Beethoven - Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 “Archduke”

Mstislav Rostropovich, Emil Gilels, Leonid Kogan

Piano Trio no. 7 in B-flat, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - Poco più adagio

Ludwig van Beethoven - Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 “Archduke”

Mstislav Rostropovich, Emil Gilels, Leonid Kogan

Piano Trio no. 7 in B-flat, op. 97 “Archduke”: IV. Allegro moderato

Ludwig van Beethoven - Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 “Archduke”

Mstislav Rostropovich, Emil Gilels, Leonid Kogan

String Quartet no. 13 in B-flat, op. 130: I. Adagio ma non troppo - Allegro

Ludwig van Beethoven - String Quartet no. 13 in B‐flat major, op. 130

Adolf Busch, Busch Quartet, Hermann Busch

String Quartet no. 13 in B-flat, op. 130: II. Presto

Ludwig van Beethoven - String Quartet no. 13 in B‐flat major, op. 130

Adolf Busch, Busch Quartet, Hermann Busch

String Quartet no. 13 in B-flat, op. 130: III. Andante con moto, ma non troppo

Ludwig van Beethoven - String Quartet no. 13 in B‐flat major, op. 130

Adolf Busch, Busch Quartet, Hermann Busch

String Quartet no. 13 in B-flat, op. 130: IV. Alla danza tedesca. Allegro assai

Ludwig van Beethoven - String Quartet no. 13 in B‐flat major, op. 130

Adolf Busch, Busch Quartet, Hermann Busch

String Quartet no. 13 in B-flat, op. 130: V. Cavatina. Adagio molto espressivo

Ludwig van Beethoven - String Quartet no. 13 in B‐flat major, op. 130

Adolf Busch, Busch Quartet, Hermann Busch

String Quartet no. 13 in B-flat, op. 130: VI. Finale: Allegro

Ludwig van Beethoven - String Quartet no. 13 in B‐flat major, op. 130

Adolf Busch, Busch Quartet, Hermann Busch

Grosse Fuge, op. 133: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e con brio - Allegro

Ludwig van Beethoven - Große Fuge for String Quartet in B‐flat major, op. 133

Felix Slatkin, Hollywood String Quartet, Eleanor Aller

String Quartet no. 16 in F, op. 135: I. Allegretto

Ludwig van Beethoven - String Quartet no. 16 in F major, op. 135

Lindsay String Quartet, Bernard Gregor-Smith

String Quartet no. 16 in F, op. 135: II. Vivace

Ludwig van Beethoven - String Quartet no. 16 in F major, op. 135

Lindsay String Quartet, Bernard Gregor-Smith

String Quartet no. 16 in F, op. 135: III. Lento assai, cantante e tranquillo

Ludwig van Beethoven - String Quartet no. 16 in F major, op. 135

Lindsay String Quartet, Bernard Gregor-Smith

String Quartet no. 16 in F, op. 135: IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto (“Muss es sein?”) - Allegro (“Es muss sein!”) - Grave, ma non troppo tratto - Allegro

Ludwig van Beethoven - String Quartet no. 16 in F major, op. 135

Lindsay String Quartet, Bernard Gregor-Smith

String Quartet no. 6 in B-flat, op. 18 no. 6: I. Allegro con brio

Ludwig van Beethoven - Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6

Elisa Pegreffi, Franco Rossi, Paolo Borciani

String Quartet no. 6 in B-flat, op. 18 no. 6: II. Adagio ma non troppo

Ludwig van Beethoven - Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6

Elisa Pegreffi, Franco Rossi, Paolo Borciani

String Quartet no. 6 in B-flat, op. 18 no. 6: III. Scherzo. Allegro

Ludwig van Beethoven - Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6

Elisa Pegreffi, Franco Rossi, Paolo Borciani

String Quartet no. 6 in B-flat, op. 18 no. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro

Ludwig van Beethoven - Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6

Elisa Pegreffi, Franco Rossi, Paolo Borciani

String Quartet no. 15 in a, op. 132: I. Assai sostenuto - Allegro

Ludwig van Beethoven - String Quartet no. 15 in A minor, op. 132

Elisa Pegreffi, Franco Rossi, Paolo Borciani

String Quartet no. 15 in a, op. 132: II. Allegro ma non tanto

Ludwig van Beethoven - String Quartet no. 15 in A minor, op. 132

Elisa Pegreffi, Franco Rossi, Paolo Borciani

String Quartet no. 15 in a, op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart. Molto adagio - Neue Kraft fühlend. Andante - Molto adagio (Mit innigster Empfindung)

Ludwig van Beethoven - String Quartet no. 15 in A minor, op. 132

Elisa Pegreffi, Franco Rossi, Paolo Borciani

String Quartet no. 15 in a, op. 132: IV. Alla marcia, assai vivace - Più allegro - attacca:

Ludwig van Beethoven - String Quartet no. 15 in A minor, op. 132

Elisa Pegreffi, Franco Rossi, Paolo Borciani

String Quartet no. 15 in a, op. 132: V. Allegro appassionato - Presto

Ludwig van Beethoven - String Quartet no. 15 in A minor, op. 132

Elisa Pegreffi, Franco Rossi, Paolo Borciani

Adelaide, op. 46 “Einsam wandelt dein Freund im Frühlingstagen”

Ludwig van Beethoven - Adelaide, op. 46

Peter Schreier, András Schiff

An die ferne Geliebte, op. 98: 1. “Auf dem Hügel sitz' ich, spähend”

Ludwig van Beethoven - An die ferne Geliebte, S. 469: No. 1. Auf dem Hügel sitz ich spähend

Peter Schreier, András Schiff

An die ferne Geliebte, op. 98: 2. “Wo die Berge so blau”

Ludwig van Beethoven - An die ferne Geliebte, S. 469: No. 2. Wo die Berge so blau

Peter Schreier, András Schiff

An die ferne Geliebte, op. 98: 3. “Leichte Segler in den Höhen”

Ludwig van Beethoven - An die ferne Geliebte, S. 469: No. 3. Leichte Segler in den Höhen

Peter Schreier, András Schiff

An die ferne Geliebte, op. 98: 4. “Diese Wolken in den Höhen”

Ludwig van Beethoven - An die ferne Geliebte, S. 469: No. 4. Diese Wolken in den Höhen

Peter Schreier, András Schiff

An die ferne Geliebte, op. 98: 5. “Es kehret der Maien, es blühet die Au”

Ludwig van Beethoven - An die ferne Geliebte, op. 98: No. 5. Es kehret der Maien, es blühet die Au

Peter Schreier, András Schiff

An die ferne Geliebte, op. 98: 6. “Nimm sie hin denn, diese Lieder”

Ludwig van Beethoven - An die ferne Geliebte, op. 98: No. 6. Nimm sie hin denn, Diese Lieder

Peter Schreier, András Schiff

La partenza, WoO 124 “Ecco quel fiero istante”

Ludwig van Beethoven - Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)"

András Schiff, Cecilia Bartoli

4 Arietten, op. 82: 3. L'amante impaziente I: “Che fa il mio bene?”. Arietta buffa

Ludwig van Beethoven - 5 Lieder, op. 82

András Schiff, Cecilia Bartoli

4 Arietten, op. 82: 4. L'amante impaziente II: “Che fa il mio bene?”. Arietta assai seriosa

Ludwig van Beethoven - 5 Lieder, op. 82

András Schiff, Cecilia Bartoli

4 Arietten, op. 82: 2. “T'intendo sì, mio cor”

Ludwig van Beethoven - 5 Lieder, op. 82

András Schiff, Cecilia Bartoli

4 Arietten, op. 82: 1. “Dimmi, ben mio, che m'ami”

Ludwig van Beethoven - 5 Lieder, op. 82

András Schiff, Cecilia Bartoli

“In questa tomba oscura”, WoO 133: Ariette

Ludwig van Beethoven - "In questa tomba oscura", WoO 133

András Schiff, Cecilia Bartoli

“In questa tomba oscura”, WoO 133: Ariette

Ludwig van Beethoven - "In questa tomba oscura", WoO 133

Piero Gamba, Philharmonia Orchestra, Luciano Pavarotti

Fidelio, op. 72: Act I. No. 3 Quartet: “Mir ist so wunderbar”

Ludwig van Beethoven - Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)

Ferenc Fricsay, Bavarian State Orchestra, Friedrich Lenz

Fidelio, op. 72: Act I. No. 7 Aria with Chorus: “Ha! Welch ein Augenblick!”

Ludwig van Beethoven - Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)

Karl Böhm, Sächsische Staatskapelle Dresden, Theo Adam

Fidelio, op. 72: Act I. No. 9 Recitative and Aria: “Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern der Müden nicht erbleichen!”

Ludwig van Beethoven - Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)

Lorin Maazel, Vienna Philharmonic, Birgit Nilsson

Fidelio, op. 72: Act I. No. 10 Finale (Opening Chorus): “O welche Lust, in freier Luft den Atem leicht zu heben!”

Ludwig van Beethoven - Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)

Georg Solti, Chicago Symphony Orchestra, Chicago Symphony Chorus

Fidelio, op. 72: Act II. No. 11 Introduction and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen”

Ludwig van Beethoven - Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)

Karl Böhm, Vienna Philharmonic, Julius Patzak

Fidelio, op. 72: Act II. “Meine Leonore, was hast du ...” / No. 15 Duet: “O namenlose Freude!”

Ludwig van Beethoven - Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)

Herbert von Karajan, Vienna Philharmonic, Christa Ludwig

Fidelio, op. 72: Act II. No. 16 Finale: “Heil sei dem Tag ... Des besten Königs Wink und Wille ... Wer ein holdes Weib errungen, stimm in unsern Jubel ein!”

Ludwig van Beethoven - Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)

Karl Böhm, Peter Schreier, Sächsische Staatskapelle Dresden

Piano Concerto no. 2 in B-flat, op. 19: I. Allegro con brio

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Piano Concerto no. 2 in B-flat, op. 19: II. Adagio

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Piano Concerto no. 2 in B-flat, op. 19: III. Rondo. Molto allegro

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Rondo for Piano and Orchestra in B-flat, WoO 6 (Fragment): Allegro

Ludwig van Beethoven - Rondo

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Piano Concerto no. 1 in C, op. 15: I. Allegro con brio

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 1 in C major, op. 15

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Piano Concerto no. 1 in C, op. 15: II. Largo

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 1 in C major, op. 15

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Piano Concerto no. 1 in C, op. 15: III. Rondo. Allegro scherzando

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 1 in C major, op. 15

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Piano Concerto no. 4 in G, op. 58: I. Allegro moderato

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major, op. 58

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Piano Concerto no. 4 in G, op. 58: II. Andante con moto

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major, op. 58

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Piano Concerto no. 4 in G, op. 58: III. Rondo. Vivace

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major, op. 58

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Robert Levin

Violin Concerto in D, op. 61: I. Allegro ma non troppo

Ludwig van Beethoven - Concerto for Violin and Orchestra in D major, op. 61

Frans Brüggen, Thomas Zehetmair, Orchestra of the Eighteenth Century

Violin Concerto in D, op. 61: II. Larghetto

Ludwig van Beethoven - Concerto for Violin and Orchestra in D major, op. 61

Frans Brüggen, Thomas Zehetmair, Orchestra of the Eighteenth Century