Symphony no. 8
Yannick Nézet-Séguin · Philadelphia Orchestra · Choral Arts Society of Washington · Erin Wall · Angela Meade · Mihoko Fujimura · John Relyea · Markus Werba · Lisette Oropesa
Symphony no. 8 (2020), CD, on Deutsche Grammophon. Music by Gustav Mahler, performed by Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington, Erin Wall; 32 tracks.
Composer
Tracklist
Symphony no. 8: Part I: “Veni, creator spiritus”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part I: “Imple superna gratia”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part I: “Infirma nostri corporis”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part I: Tempo I (Allegro, etwas hastig)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Symphony no. 8: Part I: “Infirma nostri corporis”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Symphony no. 8: Part I: “Accende lumen sensibus”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part I: “Qui Paraclitus diceris”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part I: “Gloria sit Patri Domino”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: Poco adagio
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio
Symphony no. 8: Part II: Più mosso. (Allegro moderato)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato)
Symphony no. 8: Part II: “Waldung, sie schwankt heran”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Ewiger Wonnebrand”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II: “Wie Felsenabgrund mir zu Füßen”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Jene Rosen aus den Händen”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Uns bleibt ein Erdenrest”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Ich spür’ soeben nebelnd um Felsenhöh’”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor))
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Hier ist die Aussicht frei”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Höchste Herrscherin der Welt!”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II: “Jungfrau, rein im schönsten Sinne”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: Äußerst langsam. Adagissimo
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II: “Dir, der Unberührbaren” - “Du schwebst zu Höhen der ewigen Reiche”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Bei der Liebe, die den Füßen”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix)
Symphony no. 8: Part II: “Bei dem Bronn, zu dem schon weiland”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana)
Symphony no. 8: Part II: “Bei dem hochgeweihten Orte”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Yannick Nézet-Séguin, Philadelphia Orchestra, Mihoko Fujimura
Symphony no. 8: Part II: “Die du großen Sünderinnen”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k4. Die du großen Sünderinnen
Symphony no. 8: Part II: “Neige, neige, du Ohnegleiche”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II: “Er überwächst uns schon”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Vom edlen Geisterchor umgeben”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II: “Komm! hebe dich zu höhern Sphären!”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)
Yannick Nézet-Séguin, Philadelphia Orchestra, Lisette Oropesa
Symphony no. 8: Part II: “Blicket auf zum Retterblick, alle reuig Zarten”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington
Symphony no. 8: Part II: “Alles Vergängliche ist nur ein Gleichnis”
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Yannick Nézet-Séguin, Philadelphia Orchestra, Choral Arts Society of Washington