The John Eliot Gardiner Collection

Vespro della Beata Vergine: 1. Deus in adiutorium. Domine ad adiuvandum

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 2. Dixit Dominus

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 3. Nigra sum

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 4. Laudate pueri

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 5. Punchra es

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 6. Laetatus sum

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 7. Duo Seraphim

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 8. Nisi Dominus

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 9. Audi coelum

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 10. Lauda Jerusalem

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists

Vespro della Beata Vergine: 11. Sonata sopra Sancta Maria

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Vespro della Beata Vergine: 12. Ave maris stella

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Vespro della Beata Vergine: 13a. Magnificat a 7

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Vespro della Beata Vergine: 13b. Magnificat a 6

Claudio Monteverdi - Vespro della Beata Vergine, SV 206

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

The Fairy Queen: First Music: 1. Prelude

Henry Purcell - The Fairy Queen, Z. 629: First Musick, no. 1. Prelude

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: First Music: 2. Hornpipe

Henry Purcell - The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Second Music: 3. Air

Henry Purcell - The Fairy Queen, Z. 629: Second Musick, no. 3. Air

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Second Music: 4. Rondeau

Henry Purcell - The Fairy Queen, Z. 629: Second Musick, no. 4. Rondeau

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Second Music: 5. Overture

Henry Purcell - The Fairy Queen, Z. 629: Act I, no. 5. Overture

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 1. 6. Song in Two Parts: "Come, come, come, let us leave the Town"

Henry Purcell - The Fairy Queen, Z. 629: Act I, no. 6. Duet: "Come Let Us Leave the Town"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 1. 7. Scene of the Drunken Poet: "Fill up the Bowl"

Henry Purcell - The Fairy Queen, Z. 629: Act I, no. 7. Scene of the Drunken Poet: "Fill Up the Bowl"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 1. 8. First Act Tune: Jig

Henry Purcell - The Fairy Queen, Z. 629: Act I, no. 8. First Act Tune: Jig

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 9. Prelude and Song: "Come all ye Songsters of the Sky"

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 9. Prelude and Song: "Come All Ye Songsters of the Sky"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 10. Prelude

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 10. Prelude

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 11. Trio: "May the God of Wit inspire"

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 11. Trio: "May the God of Wit Inspire"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 12. Echo

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 12. Echo

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 13a. Chorus: "Now join your Warbling Voices all"

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 13a. Chorus: "Now Joyn Your Warbling Voices All"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 13b. A Dance of Fairies

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 13c. A Dance of Fairies

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 13c. Song and Chorus: "Sing while we trip it on the Green"

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 13b. Song and Chorus: "Sing While We Trip It on the Green"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 14. Song: "See, even Night herself is here" (Night)

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 14. Song: "See, Even Night Her Self Is Here" (Night)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 15. Song: "I am come to lock all fast" (Mystery)

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 15. Song: "I Am Come to Lock All Fast (Mystery)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 16. Song: "One charming Night" (Secresy)

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 16. Song: "One Charming Night" (Secresie)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 17. Song and Chorus: "Hush, no more, be silent all" (Sleep)

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 17. Song and Chorus: "Hush, No More, Be Silent All" (Sleep)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. 18. A Dance for the Followers of Night

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 18. A Dance for the Followers of Night

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 2. Second Act Tune: Air

Henry Purcell - The Fairy Queen, Z. 629: Act II, no. 19. Second Act Tune: Air

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 20. A Song in Two Parts and Chorus: "If Love's a Sweet Passion"

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 20. A Song in Two Parts and Chorus: "If Love's a Sweet Passion"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 21. Overture: Symphony while the Swans come forward

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 21. Overture: Symphony While the Swans Come Forward

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 22. Dance for the Fairies

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 22. Dance for the Fairies

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 23. Dance for the Green Men

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 23. Dance for the Green Men

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 24. Song: "Ye Gentle Spirits of the Air, appear"

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 24. Song: "Ye Gentle Spirits of the Air, Appear"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 25. Dialogue between Coridon and Mopsa: "Now the Maids and the Men"

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 25. Dialogue Between Coridon and Mopsa: "Now the Maids and the Men"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 26. Song: "When I have often heard" (A Nympph)

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 26. Song: "When I Have Often Heard" (A Nymph)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 27. A Dance of Haymekers

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 27. A Dance of Haymakers

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 28. Song and Chorus: "A Thousand Thousand ways we'll find"

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 28. Song and Chorus: "A Thousand Thousand Ways We'll Find"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 3. 29. Third Act Tune: Hornpipe

Henry Purcell - The Fairy Queen, Z. 629: Act III, no. 29. Third Act Tune: Hornpipe

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 30. Symphony

Henry Purcell - The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 31. Solo and Chorus: "Now the Night is chas'd away" (One of the Attendants)

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 31. Solo and Chorus: "Now The Night Is Chac'd Away" (One of the Attendants)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 32. Duet: "Let the Fifes, and the Clarions" (Two Others)

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 32. Duet: "Let the Fifes, and the Clarions" (Two Others)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 33. Entry of Phoebus

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 33. Entry of Phoebus

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 34. Song: "When a cruel long Winter" (Phoebus) / 35. Chorus: "Hail! Great Parent of us all"

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 35. Chorus: "Hail! Great Parent of Us All"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 36. Song: "thus the ever Grateful Spring" (Spring)

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 36. Song: "Thus The Ever Grateful Spring" (Spring)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 37. Song: "Here's the Summer, Sprightly, Gay" (Summer)

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 37. Song: "Here's the Summer, Sprightly, Gay" (Summer)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 38. Song: "See my many Colour'd Fields" (Autumn)

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 38. Song: "See My Many Colour's Fields" (Autumn)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 39. Song and Chorus: "Now Winter comes Slowly" (Winter)

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 39. Song and Chorus: "Next, Winter Comes Slowly" (Winter)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 4. 40. Fourth Act Tune: Air

Henry Purcell - The Fairy Queen, Z. 629: Act IV, no. 40. Fourth Act Tune: Air

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 41. Prelude

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 41. Prelude

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 42. Epithalamium: "Thrice happy Lovers" (Juno)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 42: Epithalamium: "Thrice Happy Lovers" (Juno)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 43. The Plaint: "O let me weep"

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 43. The Plaint: "O Let Me Weep"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 44. Entry Dance

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 44: Entry Dance

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 45. Symphony

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 45. Symphony

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 46. Song: "Thus the gloomy World" (A Chinese Man)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 46. Song: "Thus the Gloomy World" (A Chinese Man)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 47. Solo and Chorus: "Thus Happy and Free" (Chinese Woman)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 47. Solo And Chorus: "Thus Happy and Free" (A Chinese Woman)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 48. Song: "Yes, Daphne, in your Looks I find" (Chinese Man)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 48. Song: "Yes, Xansi"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 49. Monkey's Dance

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 49. Monkeys' Dance

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 50. Song: "Hark how all things" (1st Woman)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 50. Song: "Hark, How All Things" (1st Woman)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 51. Song and Chorus: "Hark now the echoing Air" (2nd Woman)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 51. Song and Chorus: "Hark! The Ech'ing Air" (2nd Woman)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 52. Duet and Chorus: "Sure the dull God of Marriage" (Both Women)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 52. Soli and Trio and Chorus: "Sure the Dull God" (Both Woman)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 53. Prelude

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 53a. Prelude

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 54. Solo: "See, see, I obey" (Hymen)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 53b. Solo: "See, I Obey" (Hymen)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 55. Duet: "Turn then thine Eyes" (Both Women)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 53c. Duet: "Turn Thine Eyes" (Both Woman)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 56. Solo: "My torch, indeed" (Hymen)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 53d. "My Torch Indeed" (Hymen)

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 57. Trio: "They shall be as happy" (Both Women, Hymen)

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 53e. Trio and Chorus: "They Shall Be As Happy"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 58. Air

Henry Purcell - The Fairy Queen, Z.629: Act V Aire

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 59. Chorus: "They shall be as happy"

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 53e. Trio and Chorus: "They Shall Be As Happy"

John Eliot Gardiner, English Baroque Soloists

The Fairy Queen: Act 5. 60. Chaconne: Dance for Chinese Man and Woman

Henry Purcell - The Fairy Queen, Z. 629: Act V, no. 54. Chaconne: Dance for Chinese Man and Woman

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. Chorus: "Kommt, irh Töchter, helft mir klagen" / Chorale: "O Lamm Gottes, unschuldig"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 1. Recitative: "Da Jesus diese Rede vollendet hatte"n (Evangelist, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. Chorale: "Herzliebster Jesu, was hast du verbrochen"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 4a. Recitative: "Da versammleten sich die Hohenpriester" (Evangelist) / 4b. Chorus: "Ja nicht auf das Fest" / 4c. Recitative: "Da nun Jesus war zu Bethanien" (Evangelist) / 4d. Chorus: "Wozu dienet dieser Unrat?" / 4e. Recitative: "Da das Jesus merkete" (Evangelist, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 1. 5. Recitative: "Du lieber Heiliand du" (alto)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 6. Aria: "Buß und Reu" (alto)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 7. Recitative: "Da ging hin der Zwölfen einer" (Evangelist, Judas)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 8. Aria: "Blute nur, du liebes Herz!" (soprano)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 9a. Recitative: "Aber am ersten Tage der süßen Brot" (Evangelist) / 9b. Chorus: "Wo willst du, dass wir bereiten" / 9c. Recitative: "Er sprach: Gehet hin in die Stadt" (Evangelist, Jesus) / 9d. Recitative: "Und sie wurden sehr betrübt" (Evangelist) / 9e. Chorus: "Herr, ich bin's"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 1. 10. Chorale: "Ich bin's, ich sollte büßen"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 11. Recitative: "Er antewortete und sprach" (Evangelist, Jesus, Judas)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 12. Recitative: "Wiewohl mein Herz in Tränen schwimmt" (soprano)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 13. Aria: "Ich will dir mein Herze schenken" (soprano)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 14. Recitative: "Und da sie den Lobgesang gesprochen hatten" (Evangelist, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 15. Chorale: "Erkenne mich, mein Hüter"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 16. Recitative: "Petrus aber antwortete und sprach zu ihm" (Evangelist, Peter, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 17. Chorale: "Ich will hier bei dir stehen"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 18. Recitative: "Da kam Jesus mit ihnen zu einem Hofe" (Evangelist, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 19. Recitative: "O Schmerz! Hier zittert das gequälte Herz" (tenor) / Chorale: "Was ist die Ursach' aller solcher Plagen"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 20. Aria: "Ich will bei meinem Jesu wachen" (tenor) / Chorus: "So schlafen unsre Sünden ein"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 1. 21. Recitative: "Und ging hin ein wenig" (Evangelist, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 22. Recitative: "Der Heiland fällt vor seinem Vater nieder" (bass)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 23. Aria: "Gerne will ich mich bequemen" (bass)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 24. Recitative: "Und er kam zu seinen Jüngern" (Evangelist, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 25. Chorale: "Was mein Gott will, das g'scheh allzeit"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 26. Recitative: "Und er kam und fand sie aber schlafend" (Evangelist, Jesus) / Recitative: "Und als er noch redete" (Evangelist, Judas, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 27a. Aria (Duet): "So ist mein Jesus nun gefangen" (soprano, alto) / Chorus: "Lasst ihn, haltet, bindet nicht" / 27b. Chorus: "Sing Blintze, sind Donner in Wolken verschwunden?"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 1. 28. Recitative: "Und siehe, einer aus denen, die mit Jesu waren" (Evangelist, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 1. 29. Chorale: "O Mensch, bewein dein Sünde groß"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 30. Aria: "Ach, nun ist mein Jesus hin!" (alto) / Chorus: "Wo ist denn dein Freund hingegangen"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 31. Recitative: "Die aber Jesum gegriffen hatten" (Evangelist)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 32. Chorale: "Mir hat die Welt trüglich gericht'"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten" (Evangelist, Witnesses I/II, High Priest)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 34. Recitative: "Mein Jesus schweigt zu falschen Lügen stille" (tenor)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 35. Aria: "Geduld! Wenn mich falsche Zungen stechen!"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 36a. Recitative: "Und der Hohepriester antwortete" (Evangelist, High Priest, Jesus) / 36b. Chorus: "Er ist des Todes schuldig" / 36c. Recitative: "Da speieten sie aus" (Evangelist) / 36d. Chorus: "Weissage uns, Christe"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 37. Chorale: "Wer hat dich so geschlagen"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 38a. Recitative: "Petrus aber saß draußen" (Evangelist, Ancilla I/II, Peter) / 38b. Chorus: "Wahrlich, du bist auch einer von denen" / 38c. Recitative: "Da hub er an, sich zu verfluchen" (Evangelist, Peter)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 39. Aria: "Erberme dich, mein Gott" (alto)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 40. Chorale: "Bin ich gleich von dir gewichen"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 41a. Recitative: "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) / 41b. Chorus: "Was gehet uns das an?" / 41c. Recitative: "Und er warf die Silberlinge in den Tempel" (Evangelist, High Priest)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 42. Aria: "Gebt mir meinen Jesum wieder" (bass)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 43. Recitative: "Sie hielten aber einen Rat" (Evangelist, Pilate, Jesus)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 44. Chorale: "Befiehl du deine Wege"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 45a. Recitative: "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelist, Pilate, Pilate's Wife, chorus) / 45b. Chorus: Lass ihn kreuzigen

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 46. Chorale: "Wie wunderbarlich ist doch diese Strafe!"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 47. Recitative: "Der Landpfleger sagte" (Evangelist, Pilate)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 48. Recitative: "Er hat uns allen wohlgetan" (soprano)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 49. Aria: "Aus Liebe will mein Heiland sterben" (soprano)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 50a. Recitative: "Sie schrieen aber noch mehr" (Evangelist) / 50b. Chorus: "Lass ihn kreuzigen" / 50c. Recitative: "Da aber Pilatus sahe" (Evangelist, Pilate) / 50d. Chorus: "Sein Blut komme über uns" / 50e. Recitative: "Da gab er ihnen Barrabam los" (Evangelist)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 51. Recitative: "Erbarm es Gott!" (alto)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 52. Aria: "Können Tränen meiner Wangen"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 53a. Recitative: "Da nahmen die Kriegsknechte" (Evangelist) / 53b. Chorus: "Gegrüßet seist du, Jüdenkönig" / 53c. Recitative: "Und speieten ihn an" (Evangelist)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 54. Chorale: "O Haupt voll blut und Wunden"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 55. Recitative: "Und da sie ihn verspottet hatten" (Evangelist)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 56. Recitative: "Ja freilich will in uns das Fleisch und blut" (bass)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 57. Aria: "Komm, süßes Kreuz, so will ich sagen" (bass)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 58a. Recitative: "Und da sie an die Stätte kamen" (Evangelist) / 58b. Chorus: "Der du den Tempel Gottes zerbrichst" / 58c. Recitative: "Desgleichen auch die Hohenpriester" (Evangelist) / 58d. Chorus: "Andern hat er geholfen" / 58e. Recitative: "Desgleichen schmäheten ihn auch die Mörder" (Evangelist)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 59. Recitative: "Ach, Golgatha" (alto)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 60. Aria: "Sehet, Jesus hat die Hand" (alto) / Chorus: "Wohin?"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 61a. Recitative: "Und von der sechsten Stunde an" (Evangelist, Jesus) / 61b. Chorus: "Der rufet dem Elias" / 61c. Recitative: "Und bald lief einer unter ihnen" (Evangelist) / 61d. Chorus: "Halt! laß sehen" / 61e. Recitative: "Aber Jesus schriee abermal" (Evangelist)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 62. Chorale: "Wenn ich einmal soll scheiden"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 63a. Recitative: "Und siehe da, der Vorhang im Tempel zerriss" (Evangelist) / 63b. Chorus: "Wahrlich, dieser ist Gottes Sohn gewesen" / 63c. Recitative: "Und es waren viel Weiber da" (Evangelist)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 64. Recitative: "Am Abend, da es kühle war" (bass)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 65. Aria: "Mache dich, mein Herze, rein" (bass)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"

John Eliot Gardiner, English Baroque Soloists

Matthäus-Passion, BWV 244: Part 2. 66a. Recitative: "Und Joseph nahm den Lieb" (Evangelist) / 66b. Chorus: "Herr, wir haben gedacht" / 66c. Recitative: "Pilatus sprach zu ihnen" (Evangelist, Pilate)

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 67. Recitative: "Nun ist der Herr zur Ruh gebracht (soprano, alto, tenor, bass) / Chorus: "Mein Jesu, gute Nacht!"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Matthäus-Passion, BWV 244: Part 2. 68. Chorus: "Wir setzen und mit Tränen nieder"

Johann Sebastian Bach - Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"

John Eliot Gardiner, English Baroque Soloists, Patrick Russill

Jephtha, HWV 70: Overture - Menuet

George Frideric Handel - Jephtha, HWV 70: no. 0. Overture

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 1. "It must be so: or these vile Ammonites" (Zebul)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 1. Accompagnato "It must be so or these wile Ammonites" (Zebul)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 1. "Pour forth no more unheeded pray'rs" (Zebul)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 2. Air "Pour forth no more unheeded pray'rs" (Zebul)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 1. "No more to Ammon's god and king" (chorus)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 3. Chorus "No more to Ammon's god and King"

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 2. "But Jephtha comes" (Zebul, Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 3a. Recitative "But Jephtha comes" (Zebul, Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 2. "Virtue my soul shall still embrace" (Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 4. Air "Virtue my soul shall still embrace" (Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 2. "'Twill be a painful separation, Jephtha" (Storgè) / "In gentle murmurs will I mourn" (Storgè)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 4a. Recitative "Twill be a painful separation" (Storge)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 3. "Happy this embassy, my charming Iphis" (Hamor) / "Dull delay, in piercing anguish" (Hamor)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 5a. Recitative "Happy this embassy" (Hamor)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 3. "Ill suits the voice of love when glory calls" (Iphis) / "Take the heart you fondly gave" (Iphis)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 6a. Recitative "Ill suits the voice of love" (Iphis)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 3. "I go. My soul, inspir'd by thy command" (Hamor) / "These labours past, how happy we!" (Iphis, Hamor)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 7a. Recitative "I go. My soul, inspir'd by thy command" (Hamor)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 4. "What mean these doubtful fancies" (Jephtha) / "If, Lord, sustain'd by Thy almighty pow'r" (Jephtha) - Recitative: "'Tis said. Attend, ye chiefs" (Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 8a. Recitative "What mean these doubtful fancies" (Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 4. "O God, behold our sore distress" (chorus)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 10. Chorus "O God, behold our sore distress"

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 5. "Some dire event hangs o'er our heads" (Storgè) / "Scenes of horror, scenes of woe" (Storgè)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 10a. Recitative "Some dire event hangs o'er our heads" (Storge)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 6. "Say, my dear mother" (Iphis)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 11a. Recitative "Say, my dear mother" (Iphis, Storge)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 6. "The smiling dawn of happy days" (Iphis)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 12. Air "The smiling dawn of happy days" (Iphis)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 7. "Such, Jephtha, was the haughty king's reply" (Zebul, Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 12a. Recitative "Such, Jephtha, was the haughty King's reply" (Zebul, Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act One, Scene 7. "When his loud voice in thunder spoke" (chorus)

George Frideric Handel - Jephtha, HWV 70: Act I, no. 13. Chorus "When His loud voice in thunder spoke"

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 1. "Glad tidings of great joy to thee, dear Iphis" (Hamor)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 13a. Recitative "Glad things of great joy" (Hamor)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 1. "Cherub and Seraphim, unbodied forms" (chorus)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 14. Chorus "Cherub and Seraphim, unbodied forms"

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 1. "Up the dreadful steep ascending" (Hamor)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 15. Air "Up the dreadful steep ascending" (Hamor)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 1. "'Tis well. Haste, haste, ye maidens" (Iphis) / "Tune the soft melodious lute" (Iphis)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 15a. Recitative "'Tis well. Haste, haste, ye maidens" (Iphis)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 2. "Heav'n smiles once more on his repentant people" (Jephtha) / "His mighty arm, with sudden blow" (Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 16a. Recitative "Heav'n smiles once more" (Zebul)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 3. "In glory high, in might serene" (chorus)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 19. Chorus: "In glory high, in might serene"

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 3 Symphony - "Hail, glorious conqueror" (Iphis)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 20. Symphony

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 3. "Welcome as the cheerful light" (Iphis, chorus)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 21. Air and Chorus: "Welcome, as the cheerful light" (Iphis)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 3. "Horror! confusion!" (Jephtha) / "Open thy marble jaws, O tomb" (Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 21a. Recitative "Horror! Confusion! Harsh this music grates" (Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 3. "Why is my brother thus afflicted?" (Zebul, Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 22a. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 3. "First perish thou, and perish all the world!" (Storgè)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 23. Accompagnato and Arioso "First perish thou and perish all the world!" (Storge)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 3. "If such thy cruel purpose" (Hamor) / "On me let blind mistaken zeal" (Hamor)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 23a. Recitative "If such thy cruel purpose, lo!" (Hamor)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 3. "O spare your daughter!" (Zebul, Storgè, Hamor, Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 25. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 4. "Such news flies swift" (Iphis)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 25a. Recitative "Such news flies swift" (Iphis)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 4. "Happy they! this vital breath" (Iphis)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 27. Air "Happy they! This vital breath with content" (Iphis)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 4. "Deeper, and deeper still" (Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act II, no. 28. Accompagnato "Deeper and deeper still, thy goodness" (Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Two, Scene 4. "How dark, O Lord, are Thy decrees!"

George Frideric Handel - Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!"

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. "Hide thou thy hated beams, o sun" (Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 30. Arioso "Hide thou thy hated beams" (Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. "Waft her, angels, through the skies" (Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. "Ye sacred priests" (Iphis) / "Farewell, ye limpid springs and floods" (Iphis)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 33. Accompagnato "Ye sacred priests, whose hands" (Iphis)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. "Doubtful fear and rev'rent awe"

George Frideric Handel - Jephtha, HWV 70: Act III, no. 35. Chorus "Doubtful fear and reverend awe" (Preists)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. Symphony

George Frideric Handel - Jephtha, HWV 70: Act III, no. 36. Symphony

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. "Rise, Jephtha, and ye rev'rend priests" (Angel)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 36a. Recitative "Rise, Jephtha, and ye reverend priests" (Angel)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. "Happy, Iphis shalt thou live" (Angel)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 37. Air "Happy, Iphis, shalt thou live" (Angel)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. "For ever blessed be Thy holy name" (Jephtha)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 38. Arioso "For ever blessed be thy holy name" (Jephtha)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 1. "Theme sublime of endless praise" (chorus)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 39. Chorus "Theme sublime of endless praise"

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 2. "Let me congratulate this happy turn" (Zebul) / "Laud her, all ye virgin train" (Zebul)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 40. Air "Laud her, all ye virgin train" (Zebul)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 2. "O let me fold thee in a mother's arms" (Storgè) / "Sweet as sight to the blind" (Storgè)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 40a. Recitative "O let me fold thee in a mother's arms" (Storge)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 2. "My faithful Hamor, may that Providence" (Iphis) / "All that is in Hamor mine" (Iphis, Hamor, Storgè, Jephtha, Zebul)

George Frideric Handel - Jephtha, HWV 70: Act III, no. 42a. Recitative "My faithful Hamor, may that Providence" (Iphis)

John Eliot Gardiner, English Baroque Soloists

Jephtha, HWV 70: Act Three, Scene 2. "Ye house of Gilead, with one voice"

George Frideric Handel - Jephtha, HWV 70: Act III, no. 44. Chorus "Ye house of Gilead, with one voice"

John Eliot Gardiner, English Baroque Soloists

Iphigénie en Tauride: Premier Acte, Scène 1. Introduction / "Grands dieux! soyez-nous secourables" (Iphigénie, chœur des Prêtresses)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46

John Eliot Gardiner

Iphigénie en Tauride: Premier Acte, Scène 1. "Iphigénie, ô ciel!" (première Prêtresse, deuxième Prêtresse, Iphigénie) / "Ô songe affreux!" (chœur des Prêtresses) / "Ô race de Pélops" (Iphigénie, deuxième Prêtresse)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46

John Eliot Gardiner

Iphigénie en Tauride: Premier Acte, Scène 1. Air: "Ô toi qui prolongeas mes jours" (Iphigénie) / "Quand verrons-nous tarir nos pleurs?" (chœur des Prêtresses)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46: Ô toi qui prolongeas mes jours

John Eliot Gardiner

Iphigénie en Tauride: Premier Acte, Scène 2. "Dieux! le malheur en tous lieux suit mes pas" (Thoas, Iphigénie) / Air: "De noirs pressentiments" (Thoas)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46

John Eliot Gardiner

Iphigénie en Tauride: Premier Acte, Scène 3. "Les dieux apaisent leur courroux" (chœur des Scythes) / "Dieux! étouffez en moi" (Iphigénie, Thoas) / Scène 4. "Et vous, à vos Dieux tutélaires" (Thoas) / "Il nous fallait du sang" (chœur des Scythes)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46

John Eliot Gardiner

Iphigénie en Tauride: Premier Acte, Scène 4. Ballet: Air marqué, un peu animé / Scene 5. "Il nous fallait du sang" (chœur des Scythes)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46

John Eliot Gardiner

Iphigénie en Tauride: Deuxième Acte, Scène 1. "Quel silence effrayant!" (Pylade, Oreste)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46

John Eliot Gardiner

Iphigénie en Tauride: Deuxième Acte, Scène 1. Air: "Dieux qui me poursuivez" (Oreste) / "Quel langage accablant" (Pylade)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46

John Eliot Gardiner

Iphigénie en Tauride: Deuxième Acte, Scène 1. Air: "Unis dès la plus tendre enfance" (Pylade)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46

John Eliot Gardiner

Iphigénie en Tauride: Deuxième Acte, Scène 2. "Etrangers malheureux, il faut vois séparer!" (le ministre du sanctuaire, Pylade, Oreste) / Scene 3. "Dieux protecteurs" (Oreste)

Christoph Willibald von Gluck - Iphigénie en Tauride, Wq. 46: Act II. Recitative "Dieux protecteurs de ces affreux rivages"

John Eliot Gardiner