The All-Baroque Box From Monteverdi to Bach
Simon Standage · Trevor Pinnock · John Eliot Gardiner · Paul McCreesh · Reinhard Goebel · Jaap ter Linden · Micaela Comberti · Marc Minkowski · Anthony Rooley · Nigel Rogers
The All-Baroque Box From Monteverdi to Bach (2012), CD, on Archiv Produktion. Music by Claudio Monteverdi, Henry Purcell, Arcangelo Corelli, Jean-Baptiste Lully, performed by Simon Standage, Trevor Pinnock, John Eliot Gardiner, Paul McCreesh; 1,024 tracks.
Composers
Tracklist
Showing first 200 of 1024 tracks.
Disc 1
Claudio Monteverdi - L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro)
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
L'Orfeo, SV 318, Act 1: "Lasciate i monti": "Ma tu, gentil cantor"
Claudio Monteverdi - L'Orfeo: Atto primo. Ma tu, gentil cantor (Pastore)
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Claudio Monteverdi - L’Orfeo: Atto primo. Rosa del ciel (Orfeo)
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
L'Orfeo, SV 318, Act 1: "Ma se il nostro gioir": "Ecco Orfeo"
Claudio Monteverdi - L'Orfeo: Atto primo. Ma se il nostro gioir dal ciel deriva (Pastore)
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
L'Orfeo, SV 318, Act 2: Sinfonia-Ecco pur ch'a voi ritorno
Claudio Monteverdi - L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
L'Orfeo, SV 318, Act 2: Mira che sé n'alletta: Dunque fa degni, Orfeo
Claudio Monteverdi - L’Orfeo: Atto secondo. Qui le Napee vezzose (Due pastori, Coro)
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
L'Orfeo, SV 318, Act 2: Ritornello-Vi ricorda o bosch'ombrosi
Claudio Monteverdi - L'Orfeo: Atto secondo. Vi ricorda, o bosch'ombrosi (Orfeo)
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
L'Orfeo, SV 318, Act 2: "Ahi, caso acerbo": "In un fiorito prato"
Claudio Monteverdi - L'Orfeo: Atto secondo. In un fiorito prato (Messaggiera, Pastori)
John Eliot Gardiner, English Baroque Soloists, Anne Sofie von Otter
Disc 2
Claudio Monteverdi - L'Orfeo: Atto terzo. Dove, ah, dove ten vai
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
L'Orfeo, SV 318, Act 3: O tu ch'innanzi morte
Claudio Monteverdi - L'Orfeo: Atto terzo. O tu ch'inanzi morte
John Eliot Gardiner, English Baroque Soloists, John Tomlinson
L'Orfeo, SV 318, Act 3: Possente spirto
Claudio Monteverdi - L'Orfeo: Atto terzo. Ritornello
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
L'Orfeo, SV 318, Act 3: "Ben mi lusinga": "Ahi, sventurato amante" - Sinfonia - "Ei dorme"
Claudio Monteverdi - L'Orfeo: Atto terzo. Ei dorme, e la mia cetra (Orfeo)
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
L'Orfeo, SV 318, Act 3: Sinfonia-Nulla impresa per huom
Claudio Monteverdi - L'Orfeo: Atto terzo. Sinfonia / Nulla impressa per uom si tenta invano (Coro di spiriti) / Sinfonia
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Claudio Monteverdi - L'Orfeo: Atto quarto. Benché severo e immutabil fato (Plutone)
John Eliot Gardiner, English Baroque Soloists, Diana Montague
L'Orfeo, SV 318, Act 4: Pietade, oggi, e amore: Ecco il gentil cantor
Claudio Monteverdi - L'Orfeo: Atto quarto. Pietade, oggi, e amore / Ecco il gentil cantore
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
L'Orfeo, SV 318, Act 4: Qual onor di te: O dolcissimi lumi - Rotto hai
Claudio Monteverdi - L'Orfeo: Atto quarto. Rott'hai la legge
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
L'Orfeo, SV 318, Act 4: Ahi, vista troppo dolce: Torn'a l'ombra -Dove ten vai
Claudio Monteverdi - L'Orfeo: Atto quarto. Ahi, vista troppo dulce e troppo amara (Euridice)
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
L'Orfeo, SV 318, Act 4: Sinfonia-É la virtite un raggio
Claudio Monteverdi - L'Orfeo: Atto quarto. È la virtute un raggio
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
L'Orfeo, SV 318, Act 5: Ritornello-Questi i campi di Tracia
Claudio Monteverdi - L'Orfeo: Atto quinto. Ritornello
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
L'Orfeo, SV 318, Act 5: Sinfonia-Perch'a lo sdegno ed al dolor
Claudio Monteverdi - L'Orfeo: Atto quinto. Perché a lo sdegno e al dolor in preda (Apollo)
John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson
Disc 3
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Vespro della Beata Vergine, SV 206: III. Nigra sum a 1
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Jakob Lindberg
Vespro della Beata Vergine, SV 206: IV. Laudate, pueri Dominum a 8
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Vespro della Beata Vergine, SV 206: V. Pulchra es a 2
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Jakob Lindberg
Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Vespro della Beata Vergine, SV 206: VII. Duo seraphim a 3
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Christopher Wilson
Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus a 10
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Disc 4
Vespro della Beata Vergine, SV 206: XI. Sonata sopra Sancta Maria a 1
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Patrick Russill
Vespro della Beata Vergine, SV 206: Ave maris stella a 8
Claudio Monteverdi - Vespro della Beata Vergine, SV 206
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Disc 5
Madrigals, Book 7: Con che soavità, SV 139
Claudio Monteverdi - Settimo libro de madrigali: Con che soavità, labbra odorate, SV 139
Madrigals, Book 7: Vorrei baciarti, SV 123
Claudio Monteverdi - Settimo libro de madrigali: Vorrei baciarti, o Filli, SV 123
Madrigals, Book 7: Tempro la cetra, SV 117
Claudio Monteverdi - Settimo libro de madrigali: Tempro la cetra, SV 117
Madrigals, Book 8: Mentre vaga angioletta, SV 157
Madrigals, Book 9: Come dolce oggi l'auretta, SV 173
Madrigals, Book 7: S'el vostro cor madonna, SV 131
Claudio Monteverdi - Settimo libro de madrigali: S'el vostro cor, madonna, SV 131
Madrigals, Book 7: Ohimè dove il mio ben, SV 140
Claudio Monteverdi - Ohimè dovè il mio ben, dov’è il mio core, SV 140
Disc 6
Sonata con tre violini (XXI from Canzoni et Sonate, 1615)
Giovanni Gabrieli - Sonata XXI per tre violini e basso à 4, Ch. 214 "Con tre violini"
Timor et tremor (C142) Motette
Giovanni Gabrieli - Timor et tremor à 6 (printed 1615 version), Ch. 142
Disc 7
Freue dich des Weibes deiner Jugend, SWV 453
Heinrich Schütz - Freue dich des Weibes deiner Jugend, SWV 453
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Motet: "Ist nicht Ephraim mein teurer Sohn" SWV 40
Heinrich Schütz - Ist nicht Ephraim mein teurer Sohn (Motet), SWV 40
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Concert: "Saul, Saul, was verfolgst du mich?" (SWV 415)
Heinrich Schütz - Symphoniæ Sacræ III, op. 12
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Motet: "Auf dem Gebirge hat man ein Geschrei gehöret" (SWV 396)
Heinrich Schütz - Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396
John Eliot Gardiner, English Baroque Soloists, Michael Chance
Musikalische Exequien, SWV 279/281: Part I:Concert in Form einer teutschen Begräbnis-Missa
Heinrich Schütz - Musikalische Exequien, op. 7, SWV 279-281
John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir
Disc 10
Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata XII
Heinrich Biber - Sonatae tam aris quam aulis servientes: Sonata XII a otto in C major, C 125
Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata V
Heinrich Biber - Sonatae tam aris quam aulis servientes: Sonata V a sei in E minor, C 118
Missa Salisburgensis: Sanctus: Benedictus
Heinrich Biber - Missa Salisburgensis, C. App. 101: Sanctus / Benedictus
Disc 11
Phaéton Opera in 5 Acts With Prologue, Prologue: Troupe d'Astrée dansante
Jean-Baptiste Lully - Phaéton: Troupe d'Astrée dansante (prologue)
La Nuit Ballet: Le Roi représentant le soleils levant
Jean-Baptiste Lully - Ballet de la Nuit: Le Roi représentant le soleil levant
Xerxes Ballet: Air pour les matelots jouants des trompettes marines
Jean-Baptiste Lully - Ballet de Xerxes: 2e Air pour les matelots jouans des Trompettes marines; 3 Air pour les Esclaves et Singes dansans
Xerxes Ballet: Air pour les esclaves et singes dansants
Jean-Baptiste Lully - Ballet de Xerxes: Air pour les Esclaves dansans (minuet and passepied versions)
Xerxes Ballet: Air pour les postures de Scaramouche
Jean-Baptiste Lully - Ballet de Xerxes: 2e Air pour les postures de Scaramouche
Xerxes Ballet: Air pour les docteurs, Frivelins et Polichinelles
Jean-Baptiste Lully - Ballet de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles
Xerxes Ballet: Air pour les esclaves dansants
Jean-Baptiste Lully - Xerxès: Air pour les esclaves dansants
Idylle sur la paix: Air pour Madame la Dauphine
Jean-Baptiste Lully - Idylle sur la paix: Air pour Madame la Dauphine
Alcidiane Ballet: Ritournelle et air de Mademoiselle Hilaire
Jean-Baptiste Lully - Ballet d'Alcidiane: Ritournelle et air de Mademoiselle Hilaire
Persée: Entrée des divinités infernales
Jean-Baptiste Lully - Persée: Entrée des divinités infernales (Acte III, Scène 10)
Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs
Jean-Baptiste Lully - Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
Le Bourgeois Gentilhomme (1670): Chaconne des Scaramouches, Frivelins et Arlequins
Jean-Baptiste Lully - Le Bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins
Triumphe de L'Amour (1681): Prélude pour la nuit
Jean-Baptiste Lully - Le Triomphe de l'amour: Prélude de la nuit
Pomone, Act 1: Passons nos jours dans ces vergers
Robert Cambert - Pomone: Passons nos jours dans ces vergers (Acte I, Scène 1)
Pomone, Act 2: Que voyez-vous mes yeux
Robert Cambert - Pomone: Que voyez-vous, mes yeux (Acte II, Scène 4)
Armide Opera in 5 Acts With Prologue: Plus j'observe ces lieux
Jean-Baptiste Lully - Armide : Acte second, scène 3. « Plus j’observe ces lieux, et plus je les admire » (Renaud)
Atys, "Le Sommeil" Opera in 5 actes with prologue: Dormons, dormons tous
Jean-Baptiste Lully - Atys: Acte III, Scène IV. Prélude - "Dormons, dormons tous" (Le Sommeil, Morphée, Phobétor, Phantase)
Armide Opera in 5 Acts With Prologue: Prelude
Jean-Baptiste Lully - Armide, LWV 71: Acte cinquième, scène V. Prélude
Les Amants magnifiques: Entrée d'Apollon
Jean-Baptiste Lully - Les Amants magnifiques: Entrée d'Apollon
Triumphe de L'Amour (1681): Entrée d'Apollon
Jean-Baptiste Lully - Le Triomphe de l'amour: Entrée d'Apollon
Disc 12
Te Deum for Soloists, Chorus and Orchestra, H 146: Prélude . Rondeau
Te Deum for Soloists, Chorus and Orchestra, H 146: Te Deum laudamus (Bass)
Marc-Antoine Charpentier - Te Deum, H. 146: Te Deum laudamus
Te Deum for Soloists, Chorus and Orchestra, H 146: Tu devicto mortis aculeo (Chorus, Bass)
Marc-Antoine Charpentier - Te Deum, H. 146: Tu devicto mortis aculeo
Te Deum for Soloists, Chorus and Orchestra, H 146: Te ergo quaesumus (Soprano I)
Marc-Antoine Charpentier - Te Deum, H. 146: Te Deum laudamus
In nativitatem Domini canticum, H. 416: Nuit
Marc-Antoine Charpentier - Un Oratorio de Noël: In nativitatem Domini canticum, H. 416: Praeludium
Messe de Minuit, H. 9: Offertoire: Laissez paitre vos bestes H. 531 b
Marc-Antoine Charpentier - Noël pour les instruments, H.531: Laissez paîtres vos bêtes
Disc 13
Dido and Aeneas, Z.626, Act 1: "Shake the cloud from off your brow": "Banish sorrow, banish care"
Henry Purcell - Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
Dido and Aeneas, Z.626, Act 1: "Ah! Belinda, I am press'd" ... "When monarchs unite, how happy"
Henry Purcell - Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger"
Henry Purcell - Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
Dido and Aeneas, Z.626, Act 1: "See, your royal guest appears": "Cupid only throws the dart"
Henry Purcell - Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
Dido and Aeneas, Z.626, Act 1: "If not for mine, for empire's sake" ... "To the hills and the vales"
Henry Purcell - Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
Dido and Aeneas, Z.626, Act 1: The Triumphing Dance
Henry Purcell - Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
Dido and Aeneas, Z.626, Act 2: Prelude for the Witches "Wayward sisters" ... "Ho, ho, ho"
Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch)
Dido and Aeneas, Z.626, Act 2: "Ruin'd ere the set of sun" ... "But ere we this perform"
Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus)
Dido and Aeneas, Z.626, Act 2: "In our deep vaulted cell"
Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies
Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies
Dido and Aeneas, Z.626, Act 2: Ritornelle: "Thanks to these lonesome vales"
Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
Dido and Aeneas, Z.626, Act 2: "Oft she visits"
Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
Dido and Aeneas, Z.626, Act 2: "Behold, upon my bending spear": "Haste, haste to town"
Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
Dido and Aeneas, Z.626, Act 2: "Stay, Prince"
Henry Purcell - Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
Dido and Aeneas, Z.626, Act 3: Prelude: "Come away, fellow sailors"
Henry Purcell - Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
Dido and Aeneas, Z.626, Act 3: The Sailors' Dance "See the flags and streamers curling"
Henry Purcell - Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches)
Dido and Aeneas, Z.626, Act 3: "Our next motion": "Destructions's our delight"
Henry Purcell - Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus)
Dido and Aeneas, Z.626, Act 3: The Witches' Dance
Henry Purcell - Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
Henry Purcell - Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
Disc 14
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Symphony
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Hail, bright Cecilia!
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Hark, hark, each tree its silence breaks
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Tis Nature's voice
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Soul of the world
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: With that sublime celestial lay
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Wondrous machine!
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: The airy violin
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: In vain the am'rous flute and soft guitar
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: The fife, and all the harmony of war
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Let these amongst themselves contest
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Hail, bright Cecilia, hail to thee!
Disc 15
Concerto grosso in D, op. 6, no. 1: I. Largo
Concerto grosso in D, op. 6, no. 1: II. Allegro
Concerto grosso in D, op. 6, no. 1: III. Largo: Allegro
Concerto grosso in D, op. 6, no. 1: IV. Allegro
Concerto grosso in D, op. 6, no. 1: V. Largo
Concerto grosso in D, op. 6, no. 1: VI. Allegro
Concerto grosso in D, op. 6, no. 1: VII. Allegro
Concerto grosso in F, op. 6, no. 2: I. Vivace: Allegro - Adagio - Vivace - Allegro - Largo andante
Concerto grosso in F, op. 6, no. 2: II. Allegro
Concerto grosso in F, op. 6, no. 2: III. Grave: Andante Largo
Concerto grosso in F, op. 6, no. 2: IV. Allegro
Concerto grosso in C minor, op. 6, no. 3: I. Largo
Concerto grosso in C minor, op. 6, no. 3: II. Allegro
Concerto grosso in C minor, op. 6, no. 3: III. Grave
Concerto grosso in C minor, op. 6, no. 3: IV. Vivace
Concerto grosso in C minor, op. 6, no. 3: V. Allegro
Concerto grosso in D , op. 6, no. 4: I. Adagio: Allegro
Concerto grosso in D , op. 6, no. 4: II. Adagio
Concerto grosso in D , op. 6, no. 4: III. Vivace
Concerto grosso in D , op. 6, no. 4: IV. Allegro
Concerto grosso in B-flat, op. 6, no. 5: I. Adagio: Allegro - Adagio
Arcangelo Corelli - Concerto Grosso in B-flat major, op. 6 no. 5
Concerto grosso in B-flat, op. 6, no. 5: II. Adagio
Arcangelo Corelli - Concerto Grosso in B-flat major, op. 6 no. 5
Concerto grosso in B-flat, op. 6, no. 5: III. Allegro: Adagio
Arcangelo Corelli - Concerto Grosso in B-flat major, op. 6 no. 5
Concerto grosso in B-flat, op. 6, no. 5: IV. Largo: Allegro
Arcangelo Corelli - Concerto Grosso in B-flat major, op. 6 no. 5
Concerto grosso in F, op. 6, no. 6: I. Adagio
Concerto grosso in F, op. 6, no. 6: II. Allegro
Concerto grosso in F, op. 6, no. 6: III. Largo