The History of Classical Music, Part 5: Modern: From Sibelius to Glass
Claudio Abbado · Pierre Boulez · Herbert von Karajan · Charles Dutoit · Rafael Kubelík · Carlo Maria Giulini · David Atherton · Robert Tear · Seiji Ozawa · Mstislav Rostropovich
The History of Classical Music, Part 5: Modern: From Sibelius to Glass (2013), CD, on Deutsche Grammophon. Music by Igor Stravinsky, Arnold Schoenberg, Leoš Janáček, Maurice Ravel, performed by Claudio Abbado, Pierre Boulez, Herbert von Karajan, Charles Dutoit; 271 tracks.
Composers
Tracklist
Showing first 200 of 271 tracks.
Disc 1
Symphony no. 5 in E‐flat, op. 82: Ia. Tempo molto moderato – Largamente
Symphony no. 5 in E‐flat, op. 82: Ib. Allegro moderato – Presto
Symphony no. 5 in E‐flat, op. 82: II. Andante mosso, quasi allegretto
Symphony no. 5 in E‐flat, op. 82: III. Allegro molto
Disc 2
Piano Sonata no. 2 “Concord, Mass., 1840–1860”: I. “Emerson”. Slowly - Slowly and quietly
Charles Ives - Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Piano Sonata no. 2 “Concord, Mass., 1840–1860”: II. “Hawthorne”. Very fast
Charles Ives - Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Piano Sonata no. 2 “Concord, Mass., 1840–1860”: III. “The Alcotts”
Charles Ives - Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. “Thoreau”. Starting slowly and quietly
Charles Ives - Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Three Places in New England, S 7: II. Putnam’s Camp, Redding, Connecticut
Charles Ives - Orchestral Set No. 1, S. 7 "Three Places in New England"
Disc 3
Concertino für Klavier, 2 Violinen, Viola, Klarinette, Horn und Fagott: I. Moderato
Leoš Janáček - Concertino for Piano & Chamber Orchestra, JW 7/11
Concertino für Klavier, 2 Violinen, Viola, Klarinette, Horn und Fagott: II. Più mosso
Leoš Janáček - Concertino for Piano & Chamber Orchestra, JW 7/11
Concertino für Klavier, 2 Violinen, Viola, Klarinette, Horn und Fagott: III. Con moto
Leoš Janáček - Concertino for Piano & Chamber Orchestra, JW 7/11
Concertino für Klavier, 2 Violinen, Viola, Klarinette, Horn und Fagott: IV. Allegro
Leoš Janáček - Concertino for Piano & Chamber Orchestra, JW 7/11
Disc 4
Ma mère l’oye: Danse du rouet et scène – Interlude
Maurice Ravel - Ma mère l’Oye : Tableau I : Danse du rouet et scène
Ma mère l’oye: Pavane de la Belle au bois dormant
Maurice Ravel - Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant
Ma mère l’oye: Les entretiens de la Belle et de la Bête
Maurice Ravel - Ma mère l’Oye : Tableau III : Les Entretiens de la Belle et de la Bête
Disc 5
Verklärte Nacht, op. 4: IV. Sehr breit und langsam (bar 229)
Pierrot lunaire, op. 21: Part I: I. Mondestrunken
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part I: II. Colombine
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part I: III. Der Dandy
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part I: IV. Eine blasse Wäscherin
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part I: V. Valse de Chopin
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part I: VI. Madonna
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part I: VII. Der kranke Mond
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part II: VIII. Die Nacht
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part II: IX. Gebet an Pierrot
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part II: X. Raub
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part II: XI. Rote Messe
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part II: XII. Galgenlied
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part II: XIII. Enthauptung
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part II: XIV. Die Kreuze
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part III: XV. Heimweh
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part III: XVI. Gemeinheit!
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part III: XVII. Parodie
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part III: XVIII. Der Monfleck
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part III: XIX. Serenade
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part III: XX. Heimfahrt
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Pierrot lunaire, op. 21: Part III: XXI. O alter Duft
Arnold Schoenberg - Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21
Pierre Boulez, Ensemble InterContemporain, Christine Schäfer
Six Pieces for Orchestra, op. 6: IV. Langsam. Marcia funebre
Disc 6
3 Pieces for Orchestra, op. 6: II. Reigen. Anfangs etwas zögernd – Leicht beschwingt
3 Pieces for Orchestra, op. 6: III. Marsch. Mäßiges Marschtempo
Violin Concerto: I. Andante – Allegretto
Alban Berg - Violinkonzert „Dem Andenken eines Engels“
Rafael Kubelík, Bavarian Radio Symphony Orchestra, Henryk Szeryng
Violin Concerto: II. Allegro, ma sempre rubato, frei wie eine Kadenz – Adagio
Alban Berg - Violinkonzert „Dem Andenken eines Engels“
Rafael Kubelík, Bavarian Radio Symphony Orchestra, Henryk Szeryng
Disc 7
Petrushka, Scene I: The Shrovetide Fair – the Crowds – the Conjuring-trick
Igor Stravinsky - Pétrouchka : Tableau I. Fête populaire de la semaine grasse
Petrushka, Scene III: The Moor’s Room – Dance of the Ballerina
Petrushka, Scene III: Waltz (The Ballerina and the Moor)
Igor Stravinsky - Pétrouchka : Tableau IIIc. Valse de la ballerine et du Maure
Petrushka, Scene IV: The Shrovetide Fair (Evening)
Igor Stravinsky - Pétrouchka : Tableau IVa. Fête populaire de la semaine grasse (vers le soir)
Petrushka, Scene IV: Dance of the Wet-nurses
Igor Stravinsky - Pétrouchka : Tableau IVb. Danse de nounous
Petrushka, Scene IV: Dance of the Peasant and the Bear
Igor Stravinsky - Pétrouchka : Tableau IVc. L’Ours et un paysan
Petrushka, Scene IV: The Jovial Merchant With Two Gypsy Girls
Igor Stravinsky - Pétrouchka : Tableau IVd. Le Joyeux négociant et deux Bohémiennes
Petrushka, Scene IV: Dance of the Coachmen and the Grooms
Igor Stravinsky - Pétrouchka : Tableau IVe. Danse des cochers et des palefreniers
Petrushka, Scene IV: The Masqueraders
Igor Stravinsky - Pétrouchka : Tableau IVf. Les Artistes de théâtre
Petrushka, Scene IV: The Scuffle
Igor Stravinsky - Pétrouchka : Tableau IVg. Le Combat entre le Maure et Pétrouchka
Petrushka, Scene IV: Death of Petrouchka
Igor Stravinsky - Pétrouchka : Tableau IVh. Mort de Pétrouchka
Petrushka, Scene IV: The Police and the Charlatan
Igor Stravinsky - Pétrouchka : Tableau IVi. La Police et le charlatan
Petrushka, Scene IV: Apparition of Petrouchka’s Ghost
Igor Stravinsky - Pétrouchka : Tableau IVj. Apparition du double de Pétrouchka
Apollo (Apollon musagète), Scene I: (Prologue) Naissance d’Apollon. Largo – Allegretto – Tempo I
Apollo (Apollon musagète), Scene II: Variation d’Apollon (Apollon et les Muses) (1947 version)
Apollo (Apollon musagète), Scene II: Variation de Calliope (L’Alexandrin). Allegretto
Apollo (Apollon musagète), Scene II: Variation de Polymnie. Allegro
Apollo (Apollon musagète), Scene II: Variation de Terpsichore. Allegretto
Apollo (Apollon musagète), Scene II: Variation d’Apollon. Lento
Apollo (Apollon musagète), Scene II: Pas de deux (Apollon et Terpsichore). Adagio
Apollo (Apollon musagète), Scene II: Coda (Apollon et les Muses). Vivo – Tempo sostenuto – Agitato
Disc 8
Pulcinella: I. Overture: Allegro moderato
Igor Stravinsky - Pulcinella: Overture
Claudio Abbado, London Symphony Orchestra, John Shirley-Quirk
Pulcinella: II. Serenata. Larghetto “Mentre l’erbetta pasce l’agnella”
Pulcinella: VII. Allegretto “Contento forse vivere”
Igor Stravinsky - Pulcinella: Ancora poco meno "Contento forse vivere"
Pulcinella: IX. Allegro (alla breve) “Con queste paroline”
Claudio Abbado, London Symphony Orchestra, John Shirley-Quirk
Pulcinella: XVII. Tempo di minuetto “Pupillette, fiammette d’amore”
Igor Stravinsky - Pulcinella: Tempo di minuetto "Pupillette, fiammette d'amore"
Claudio Abbado, London Symphony Orchestra, John Shirley-Quirk
Le Sacre du printemps, part I: The Adoration of the Earth: Introduction. Lento
Le Sacre du printemps, part I: The Adoration of the Earth: Ritual of Abduction
Le Sacre du printemps, part I: The Adoration of the Earth: Spring Rounds
Igor Stravinsky - Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières
Le Sacre du printemps, part I: The Adoration of the Earth: Dance of the Earth
Igor Stravinsky - Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre
Le Sacre du printemps, part II: The Sacrifice: Introduction. Largo
Igor Stravinsky - Le Sacre du printemps: II. Le Sacrifice: I. Introduction
Le Sacre du printemps, part II: The Sacrifice: Mystical Circles of the Young Girls
Disc 9
Violin Concerto no. 1 in D major, op. 19: I. Andantino – Andante assai
Violin Concerto no. 1 in D major, op. 19: II. Scherzo. Vivacissimo
Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro
Piano Concerto no. 3 in C major, op. 26: II. Tema con variazione
Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo
Lieutenant Kijé. Symphonic Suite, op. 60: I. Naissance de Kijé
Lieutenant Kijé. Symphonic Suite, op. 60: II. Romance
Lieutenant Kijé. Symphonic Suite, op. 60: III. Noces de Kijé
Disc 10
Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
Béla Bartók - Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Music for Strings, Percussion and Celesta, Sz 106: II. Allegro
Béla Bartók - Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Music for Strings, Percussion and Celesta, Sz 106: III. Adagio
Béla Bartók - Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto
Béla Bartók - Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Concerto for Orchestra, Sz 116: I. Introduzione. Andante non troppo – Allegro vivace – Tempo I
Concerto for Orchestra, Sz 116: II. Giuoco della coppie. Allegretto scherzando
Concerto for Orchestra, Sz 116: III. Elegia. Andante, non troppo
Disc 11
Symphonie “Mathis der Maler”: III. Versuchung des heiligen Antonius
Doktor Faust, First Scene: Symphonic Intermezzo
Ferruccio Busoni - Doktor Faust: Symphonisches Intermezzo (Sarabande)
Kleine Dreigroschenmusik: II. The Ballad of Mack the Knife. Moderato assai
Kleine Dreigroschenmusik: IV. The Ballad of Pleasant Living. Foxtrott
Disc 12
Cello Concerto no. 2 in G major, op. 126: I. Largo
Dmitri Shostakovich - Cello Concerto no. 2 in G minor, op. 126
Mstislav Rostropovich, Seiji Ozawa, Boston Symphony Orchestra
Cello Concerto no. 2 in G major, op. 126: II. Allegretto
Dmitri Shostakovich - Cello Concerto no. 2 in G minor, op. 126
Mstislav Rostropovich, Seiji Ozawa, Boston Symphony Orchestra
Cello Concerto no. 2 in G major, op. 126: III. Allegretto
Dmitri Shostakovich - Cello Concerto no. 2 in G minor, op. 126
Mstislav Rostropovich, Seiji Ozawa, Boston Symphony Orchestra
Symphony no. 5 in D minor, op. 47: I. Moderato
Symphony no. 5 in D minor, op. 47: II. Allegretto
Disc 13
Serenade for Tenor, Horn & Strings, op. 31: Prologue
Benjamin Britten - Serenade for Tenor, Horn and Strings, op. 31
Carlo Maria Giulini, Robert Tear, Chicago Symphony Orchestra
Serenade for Tenor, Horn & Strings, op. 31: Pastoral: The day’s grown old
Benjamin Britten - Serenade for Tenor, Horn and Strings, op. 31
Carlo Maria Giulini, Robert Tear, Chicago Symphony Orchestra
Serenade for Tenor, Horn & Strings, op. 31: Nocturne: The splendour falls on castle walls
Benjamin Britten - Serenade for Tenor, Horn and Strings, op. 31
Carlo Maria Giulini, Robert Tear, Chicago Symphony Orchestra
Serenade for Tenor, Horn & Strings, op. 31: Elegy: O rose, thou art sick
Benjamin Britten - Serenade for Tenor, Horn and Strings, op. 31
Carlo Maria Giulini, Robert Tear, Chicago Symphony Orchestra
Serenade for Tenor, Horn & Strings, op. 31: Dirge: This ae nighte, every nighte
Benjamin Britten - Serenade for Tenor, Horn and Strings, op. 31
Carlo Maria Giulini, Robert Tear, Chicago Symphony Orchestra
Serenade for Tenor, Horn & Strings, op. 31: Hymn: Queen and huntress, chaste and fair
Benjamin Britten - Serenade for Tenor, Horn and Strings, op. 31
Carlo Maria Giulini, Robert Tear, Chicago Symphony Orchestra
Serenade for Tenor, Horn & Strings, op. 31: Sonnet: O soft embalmer of the still midnight
Benjamin Britten - Serenade for Tenor, Horn and Strings, op. 31
Carlo Maria Giulini, Robert Tear, Chicago Symphony Orchestra
Serenade for Tenor, Horn & Strings, op. 31: Epilogue
Benjamin Britten - Serenade for Tenor, Horn and Strings, op. 31
Carlo Maria Giulini, Robert Tear, Chicago Symphony Orchestra
Two Pieces for Small Orchestra: I. On Hearing the First Cuckoo in Spring
Frederick Delius - On Hearing the First Cuckoo in Spring, RT VI/19 no. 1
Two Pieces for Small Orchestra: II. Summer Night on the River
Frederick Delius - Summer Night on the River, RT VI/19 no. 2
Disc 14
El amor brujo: Canción del amor dolido
Manuel de Falla - El amor brujo
Luis Antonio García Navarro, London Symphony Orchestra, Teresa Berganza