The Symphonies

Symphony no. 1 in D major "Titan": I. Langsam. Schleppend

Gustav Mahler - Symphony no. 1 in D major “Titan”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 1 in D major "Titan": II. Kräftig bewegt

Gustav Mahler - Symphony no. 1 in D major “Titan”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen

Gustav Mahler - Symphony no. 1 in D major “Titan”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt

Gustav Mahler - Symphony no. 1 in D major “Titan”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht "O roschen rot"

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra, Aafje Heynis

Symphony no. 2 in C minor "Resurrection": V. 1. Im tempo des Scherzos. Wild herausfahrend

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor "Resurrection": V. 2. Im tempo des Scherzos. Maestoso

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor "Resurrection": V. 3. Im tempo des Scherzos. Sehr langsam und gedehnt

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 2 in C minor "Resurrection": V. 4. Im tempo des Scherzos. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du"

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra, Groot Omroepkoor

Symphony no. 2 in C minor "Resurrection": V. 5. Im tempo des Scherzos. Etwas bewegter

Gustav Mahler - Symphony no. 2 in C minor

Bernard Haitink, Royal Concertgebouw Orchestra, Groot Omroepkoor

Symphony no. 3 in D minor: I. Part I. Kraftig. Entschieden

Gustav Mahler - Symphony no. 3 in D minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 3 in D minor: II. Part II. Tempo di minuetto. Sehr massig

Gustav Mahler - Symphony no. 3 in D minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 3 in D minor: III. Part II. Comodo. Scherzando. Ohne Hast

Gustav Mahler - Symphony no. 3 in D minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 3 in D minor: IV. Part II. Sehr langsam. Misterioso. Durchaus ppp. "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra")

Gustav Mahler - Symphony no. 3 in D minor

Bernard Haitink, Royal Concertgebouw Orchestra, Maureen Forrester

Symphony no. 3 in D minor: V. Part II. Lustig im Tempo und keck im Ausdruck "Bimm bamm/Es sungen drei Engel" (aus: "Des Knaben Wunderhorn")

Gustav Mahler - Symphony no. 3 in D minor

Bernard Haitink, Royal Concertgebouw Orchestra, Maureen Forrester

Symphony no. 3 in D minor: VI. Part II. Langsam. Ruhevoll. Empfunden

Gustav Mahler - Symphony no. 3 in D minor

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich

Gustav Mahler - Symphony no. 4 in G major

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast

Gustav Mahler - Symphony no. 4 in G major

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 4 in G major: III. Ruhevoll. Poco adagio

Gustav Mahler - Symphony no. 4 in G major

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn")

Gustav Mahler - Symphony no. 4 in G major

Bernard Haitink, Royal Concertgebouw Orchestra, Elly Ameling

Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I

Gustav Mahler - Symphony no. 5

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito

Gustav Mahler - Symphony no. 5

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell

Gustav Mahler - Symphony no. 5

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam

Gustav Mahler - Symphony no. 5

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch

Gustav Mahler - Symphony no. 5

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 10 in F-sharp minor: I. Andante - Adagio

Gustav Mahler - Symphony no. 10 in F-sharp major

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 6 in A minor: II. Scherzo. Wuchtig

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 6 in A minor: III. Andante moderato

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I

Gustav Mahler - Symphony no. 9 in D major

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam

Gustav Mahler - Symphony no. 9 in D major

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto

Gustav Mahler - Symphony no. 9 in D major

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend

Gustav Mahler - Symphony no. 9 in D major

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: III. Scherzo

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Bernard Haitink, Royal Concertgebouw Orchestra, Birgit Finnilä

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato)

Bernard Haitink, Royal Concertgebouw Orchestra

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Bernard Haitink, Royal Concertgebouw Orchestra, Hermann Prey

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)

Bernard Haitink, Royal Concertgebouw Orchestra, Hans Sotin

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor))

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)

Bernard Haitink, Royal Concertgebouw Orchestra, Birgit Finnilä

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks

Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Bernard Haitink, Royal Concertgebouw Orchestra, De Stem des Volks