
Symphony no. 8 "Symphony of a Thousand"
Checking favorite status…Symphony no. 8 "Symphony of a Thousand" (1992), Format unverified, on Sony Classical. Music by Gustav Mahler, performed by Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei, Frankfurter Singakademie; 32 tracks.
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Tracklist
Symphony no. 8: Part I. "Veni, creator spiritus"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part I. "Imple superna gratia"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part I. "Infirma nostri corporis"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part I. Tempo I (Allegro, etwas hastig)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Symphony no. 8: Part I. "Infirma nostri corporis"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Faye Robinson
Symphony no. 8: Part I. "Accende lumen sensibus"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part I. "Qui Paraclitus diceris"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part I. "Gloria Patri Domino"
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. Poco adagio
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio
Symphony no. 8: Part II. Più mosso (Allegro moderato)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato)
Symphony no. 8: Part II. "Waldung, sie schwankt heran" (Heilige Anachorenten)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Ewiger Wonnebrand" (Pater ecstaticus)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Michael Gielen, Frankfurter Opern- und Museumsorchester, Richard Stilwell
Symphony no. 8: Part II. "Wie Felsenabgrund mir zu Füßen" (Pater profundus)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Simon Estes
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Jene Rosen, aus den Händen" (Chor der jüngeren Engel)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Ich spür' soeben" (Die jüngeren Engel)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor))
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Höchste Herrscherin der Welt" (Doctor Marianus)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Jungfrau, rein im schönsten Sinne" (Doctor Marianus, Chor)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. Äusserst langsam. Adagissimo
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Bei der Liebe, die den Füßen" (Magna Peccatrix)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Faye Robinson
Symphony no. 8: Part II. "Bei dem Bronn, zu dem schon Weiland" (Mulier Samaritana)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Ortrun Wenkel
Symphony no. 8: Part II. "Bei dem hochgeweihten Orte" (Maria Aegyptiaca)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Hildegard Laurich
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Faye Robinson
Symphony no. 8: Part II. "Neige, neige, du Ohnegleiche" (Una poenitentium)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II. "Er überwächst uns schon" (Selige Knaben)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II. "Vom edlen Geisterchor umgeben" (Una poenitentium)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Symphony no. 8: Part II. "Komm! Komm! Hebe dich zu höhern Sphären!" (Mater gloriosa, Chor)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Blicket auf zum Retterblick" (Doctor Marianus, Chor)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei
Symphony no. 8: Part II. "Alles Vergängliche" (Chorus mysticus)
Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
Michael Gielen, Frankfurter Opern- und Museumsorchester, Frankfurter Kantorei