The Complete Symphonies

Symphony no. 1 in D major "Titan": I. Langsam, schleppend

Gustav Mahler - Symphony no. 1 in D major “Titan”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell

Gustav Mahler - Symphony no. 1 in D major “Titan”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen

Gustav Mahler - Symphony no. 1 in D major “Titan”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt

Gustav Mahler - Symphony no. 1 in D major “Titan”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 1 in D major "Titan": II. Blumine (original 2nd movement)

Gustav Mahler - Symphonic Movement “Blumine”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck

Gustav Mahler - Symphony no. 2 in C minor

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich

Gustav Mahler - Symphony no. 2 in C minor

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung

Gustav Mahler - Symphony no. 2 in C minor

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 2 in C minor "Resurrection": IV. Sehr feierlich, aber schlicht

Gustav Mahler - Symphony no. 2 in C minor

Antoni Wit, Polish National Radio Symphony Orchestra, Jadwiga Rappé

Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend

Gustav Mahler - Symphony no. 2 in C minor

Antoni Wit, Polish National Radio Symphony Orchestra, Polish Radio Choir – Lusławice

Symphony no. 3: I. Kräftig - Entschieden

Gustav Mahler - Symphony no. 3 in D minor

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 3: II. Tempo di menuetto. Sehr mässig

Gustav Mahler - Symphony no. 3 in D minor

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 3: III. Comodo. Scherzando. Ohne Hast

Gustav Mahler - Symphony no. 3 in D minor

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 3: IV. Sehr langsam. Misterioso: "O Mensch! Gib Acht!"

Gustav Mahler - Symphony no. 3 in D minor

Antoni Wit, Polish National Radio Symphony Orchestra, Ewa Podleś

Symphony no. 3: V. Lustig im Tempo und keck im Ausdruck: "Es sungen drei Engel"

Gustav Mahler - Symphony no. 3 in D minor

Antoni Wit, Polish National Radio Symphony Orchestra, Ewa Podleś

Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden

Gustav Mahler - Symphony no. 3 in D minor

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 10: Adagio

Gustav Mahler - Symphony no. 10 in F-sharp major

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 4 in G major: I. Bedachtig, nicht eilen

Gustav Mahler - Symphony no. 4 in G major

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast

Gustav Mahler - Symphony no. 4 in G major

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 4 in G major: III. Ruhevoll, poco adagio

Gustav Mahler - Symphony no. 4 in G major

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 4 in G major: IV. Sehr behaglich

Gustav Mahler - Symphony no. 4 in G major

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt

Gustav Mahler - Symphony no. 5

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz

Gustav Mahler - Symphony no. 5

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 5 in C-sharp minor: III. Scherzo

Gustav Mahler - Symphony no. 5

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 5 in C-sharp minor: IV. Adagietto

Gustav Mahler - Symphony no. 5

Antoni Wit, Polish National Radio Symphony Orchestra, Polish Radio Orchestra in Warsaw

Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro

Gustav Mahler - Symphony no. 5

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 6 in A minor, "Tragic": I. Allegro energico, ma non Troppo. Heftig, aber markig

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 6 in A minor, "Tragic": II. Scherzo. Wuchtig

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 6 in A minor, "Tragic": III. Andante moderato

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 6 in A minor, "Tragic": IV. Finale: Sostenuto - Allegro moderato - Allegro energico

Gustav Mahler - Symphonie Nr. 6 in a-Moll

Antoni Wit, Polish National Radio Symphony Orchestra

Symphony no. 7: I. Langsam - Allegro con fuoco

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 7: II. Nachtmusik: Allegro moderato

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 7: III. Scherzo: Schattenhaft

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 7: IV. Nachtmusik: Andante amoroso

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 7: V. Rondo-Finale

Gustav Mahler - Symphony no. 7 in E minor “Lied der Nacht”

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: I. Allegro impetuoso: "Veni Creator Spiritus"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: II. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend: "Imple superna gratia"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: III. Etwas drängend - Noch einmal so langsam. (Nicht schleppend): "Infirma nostri corporis"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: IV. Tempo I (Allegro, etwas hastig)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra

Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: V. Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend: "Infirma nostri corporis"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra, Izabela Kłosińska

Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VI. Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung: "Accende lumen sensibus"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VII. "Veni Creator Spiritus"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part One: Hymnus: Veni, Creator Spiritus: VIII. Wieder frisch: "Gloria sit Patri Domino"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': I. Poco adagio

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio

Antoni Wit, Warsaw National Philharmonic Orchestra

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': II. Piu mosso (Allegro moderato)

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato)

Antoni Wit, Warsaw National Philharmonic Orchestra

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': III. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': IV. Moderato. Pater Ecstaticus: "Ewiger Wonnebrand"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Antoni Wit, Warsaw National Philharmonic Orchestra, Wojtek Drabowicz

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': V. Allegro (Allegro appassionato). Pater Profundus: "Wie Felsenabgrund mir zu Füßen"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)

Antoni Wit, Warsaw National Philharmonic Orchestra

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VI. Allegro deciso (Im Anfang noch nicht eilen). Chor der Engel: "Gerettet ist das edle Glied der Geisterwelt vom Bösen. Chor seliger Knaben: "Hände verschlinget euch"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VII. Molto leggiero. Chor der jüngeren Engel: "Jene Rosen, aus den Händen"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor))

Antoni Wit, Warsaw National Philharmonic Orchestra

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': VIII. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: "Uns bleibt ein Erdenrest"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo))

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': IX: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: "Ich spür' soeben nebelnd um Felsenhöh". Doctor Marianus: "Hier ist die Aussicht frei". Chor Seligen Knaben: "Freudig empfangen wir"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor))

Antoni Wit, Warsaw National Philharmonic Orchestra

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': X. Sempre l'istesso tempo. Doctor Marianus: "Höchste Herrscherin der Welt!"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XI. Außerst langsam. Adagissimo: "Dir, der Unberuhrbaren". Chor der Büßerinen und Una poenitentium: "Du schwebst zu Hohen der ewigen Reiche"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XII. Fließend. Magna Peccatrix: "Bei der Liebe, die den Füßen"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix)

Antoni Wit, Warsaw National Philharmonic Orchestra

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XIII. Mulier Samaritana: "Bei dem Bronn, zu dem schon weiland"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana)

Antoni Wit, Warsaw National Philharmonic Orchestra, Jadwiga Rappé

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XIV. Maria Aegyptiaca: "Bei dem hochgeweihten Orte"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca)

Antoni Wit, Warsaw National Philharmonic Orchestra, Jadwiga Rappé

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XV. Una poenitentium: "Neige, neige, du Ohnegleiche"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Antoni Wit, Warsaw National Philharmonic Orchestra, Izabela Kłosińska

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVI. Unmerklich frischer werden. Selige Knaben: "Er uberwachst uns schon". Una poenitentium: "Vom edlen Geisterchor umgeben"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVII. Sehr langsam. Mater Gloriosa: "Komm! Hebe dich zu hohern Spharen!". Hymnenartig (Ungefahr im selben Zeitmaß weiter). Doctor Marianus: "Blicket auf zum Retterblick, alle reuig Zarten"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 8 "Symphony of a Thousand": Part Two: Final Scene from Goethe's 'Faust Part II': XVIII: Sehr langsam beginnend. Chorus mysticum: "Alles Vergangliche ist nur ein Gleichnis"

Gustav Mahler - Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)

Antoni Wit, Warsaw National Philharmonic Orchestra, Polish Radio Choir – Lusławice

Symphony no. 9 in D major: I. Andante comodo

Gustav Mahler - Symphony no. 9 in D major

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers

Gustav Mahler - Symphony no. 9 in D major

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig

Gustav Mahler - Symphony no. 9 in D major

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend

Gustav Mahler - Symphony no. 9 in D major

Michael Halász, Polish National Radio Symphony Orchestra

Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): I. Adagio

Gustav Mahler - Symphony no. 10 in F-sharp minor

Polish National Radio Symphony Orchestra

Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): II. First Scherzo

Gustav Mahler - Symphony no. 10 in F-sharp minor

Polish National Radio Symphony Orchestra

Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): III. Purgatorio oder Inferno

Gustav Mahler - Symphony no. 10 in F-sharp minor

Polish National Radio Symphony Orchestra

Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): IV. Second Scherzo

Gustav Mahler - Symphony no. 10 in F-sharp minor

Polish National Radio Symphony Orchestra

Symphony no. 10 in F-sharp minor (Wheeler, 1966 version, ed. Robert Olson): V. Finale

Gustav Mahler - Symphony no. 10 in F-sharp minor

Polish National Radio Symphony Orchestra