Complete Mozart Edition, Vol. 12: Arias, Vocal Ensembles, Canons, Lieder, Notturni

Aria for Tenor and Orchestra in C major, K. 19c / KV 21: Allegro “Va, dal furor portata”

Wolfgang Amadeus Mozart - Aria for Tenor and Orchestra in C major, K. 19c / KV 21: Allegro "Va, dal furor portata"

Leopold Hager, Mozarteum Orchestra of Salzburg, Thomas Moser

Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso – allegretto “Conservati fedele”

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele"

Leopold Hager, Mozarteum Orchestra of Salzburg, Hanna Schwarz

Recitative for Tenor and Orchestra in C major, K. 33i / KV 36: “Or che il dover m’astringe” / “Tali e cotanti sono”

Wolfgang Amadeus Mozart - Recitative and Aria for Tenor & Orchestra in C major, K. 33i/36: "Or che il dover… Tali e cotanti sono"

Leopold Hager, Mozarteum Orchestra of Salzburg, Thomas Moser

Recitative for Soprano and Orchestra in G major, K. 61c / KV 70: “A Berenice e Vologeso sposi” / “Sol nascente in questo giorno”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano and Orchestra in G major, K. 61c/70

Leopold Hager, Mozarteum Orchestra of Salzburg, Lucia Popp

Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante “Cara, se le mie pene”

Wolfgang Amadeus Mozart - Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Aria for Soprano and Orchestra in E‐flat major, K. 73b / KV 78: Andante con moto “Per pietà, bell’idol mio”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in E-flat major, K. 73b/78: "Per pietà, bell'idol mio"

Leopold Hager, Mozarteum Orchestra of Salzburg, Lucia Popp

Aria for Soprano and Orchestra in C major, K. 73c / KV 88: Allegro maestoso “Fra cento affanni e cento”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in C major, K. 73c/88: "Fra cento affanni e cento"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edita Gruberová

Recitative for Soprano and Orchestra in B‐flat major, K. 73d / KV 79: “O temerario Arbace!” / “Per quel paterno ampesso”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in B-flat major, K. 73d/79: "O temerario Arbace!… Per quel paterno"

Leopold Hager, Mozarteum Orchestra of Salzburg, Lucia Popp

Recitative for Soprano and Orchestra in B‐flat major, K. 73e / KV 77: “Misero me!” / “Misero pargoletto”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in B-flat major, K. 73e/77: "Misero me!… Misero pargoletto"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Aria for Soprano and Orchestra in F major, K. 73o / KV 82: Andante – tempo primo “Se ardire, e speranza”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in F major, K. 73o/82: "Se ardire, e speranza"

Leopold Hager, Mozarteum Orchestra of Salzburg, Lilian Sukis

Aria for Soprano and Orchestra in E‐flat major, K. Zu 73p / KV Zu 83 (first version): Adagio – allegretto – tempo primo “Se tutti i mali miei”

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Aria for Soprano and Orchestra in E major, K. 74b / KV deest: Allegro “Non curo l’affetto”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in E major, K. 74b/deest: "Non curo l'affetto"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edita Gruberová

Aria for Tenor and Orchestra in D major, K. 209: Andante – allegro assai – tempo primo “Si mostra la sorte”

Wolfgang Amadeus Mozart - Aria for Tenor & Orchestra in D major, K. 209: "Si mostra la sorte"

Leopold Hager, Mozarteum Orchestra of Salzburg, Francisco Araiza

Aria buffa for Tenor and Orchestra in C major, K. 210: Allegro assai “Con ossequio, con rispetto”

Wolfgang Amadeus Mozart - Aria for Tenor & Orchestra in C major, K. 210: "Con ossequio, con rispetto"

Leopold Hager, Mozarteum Orchestra of Salzburg, Claes-Håkan Ahnsjö

Aria for Soprano and Orchestra in G major, K. 217: Andantino grazioso – allegro – primo tempo – allegro – primo tempo – allegro “Voi avete un cor fedele”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in G major, K. 217: “Voi avete un cor fedele”

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Recitativo for Contralto and Orchestra in F major, K. 255: Andante “Ombra felice!” Aria for Contralto and Orchestra in F major, K. 255: “Io ti lascio, e questo addio”

Wolfgang Amadeus Mozart - Recitativo and Aria for Contralto and Orchestra in F major, K. 255: "Ombra felice! ... Io ti lascio, e questo addio"

Leopold Hager, Mozarteum Orchestra of Salzburg, Hanna Schwarz

Aria for Tenor and Orchestra in D major, K. 256: In tempo comodo d’un gran ciarlone “Clarice cara mia sposa”

Wolfgang Amadeus Mozart - Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa"

Leopold Hager, Mozarteum Orchestra of Salzburg, Claes-Håkan Ahnsjö

Recitative for Soprano and Orchestra in C minor, K. 272: Allegro risoluto “Ah, lo previdi!” “Ah, t’invola agl’occhi miei” “Deh, non varcar quell’onda”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in C minor, K. 272: "Ah, lo previdi… Ah, t'invola agl'occhi miei"

Leopold Hager, Mozarteum Orchestra of Salzburg, Lucia Popp

Recitative for Soprano and Orchestra in E‐flat major, K. 294: Andantino “Alcandro, Io confesso” “Non sò d’onde viene”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene"

Leopold Hager, Mozarteum Orchestra of Salzburg, Lucia Popp

Aria for Tenor and Orchestra in B‐flat major, K. 295 (first version): Adagio – allegretto – primo tempo “Se al labbro mio non credi”

Wolfgang Amadeus Mozart - Aria for Tenor and Orchestra in B-flat major, K. 295 (first version): Adagio - allegretto - primo tempo "Se al labbro mio non credi"

Leopold Hager, Mozarteum Orchestra of Salzburg, Francisco Araiza

Aria for Soprano & Orchestra in E‐flat major, K. 295a/K(2) 486a: “Basta, vincesti… Ah, non lasciarmi”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi"

Leopold Hager, Mozarteum Orchestra of Salzburg, Lucia Popp

Recitative for Soprano & Orchestra in C major, K. 300b/316: I. “Popoli di Tessaglia” “Io non chiedo, eterni Dei”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in C major, K. 300b/316

Leopold Hager, Mozarteum Orchestra of Salzburg, Edita Gruberová

Recitavo for Soprano & Orchestra in F major, K. 368: I. “Ma che vi fece” “Sperai vicino il lido”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano and Orchestra in F major, K. 368 "Ma che vi fece ... Sperai vicino il lido"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edita Gruberová

Recitative and Aria for Soprano & Orchestra in E‐flat major, K. 369: “Misera, dove son? L’aure del Tebro” “Ah! non son io che parlo”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in E-flat major, K. 369: "Misera, dove son… Ah! non son io"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Recitative and Aria for Soprano & Orchestra in E‐flat major, K. 374: “A questo seno deh vieni” “Or che il cielo a me ti rende”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in E-flat major, K. 374: "A questo seno deh vieni… Or che il cielo"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Aria for Soprano & Orchestra in G major, K. 383: “Nehmt meinen Dank, ihr holden Gönner”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner"

Leopold Hager, Mozarteum Orchestra of Salzburg, Lucia Popp

Recitavo for Soprano & Orchestra in B‐flat major, K. 416: I. “Mia speranza adorata” / Aria for Soprano & Orchestra in B‐flat major, K. 416: II. “Ah, non sai qual pena sia”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416

Leopold Hager, Mozarteum Orchestra of Salzburg, Edita Gruberová

Aria for Soprano & Orchestra in A major, K. 418: “Vorrei spiegarvi, oh Dio”

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in A major, K. 418: “Vorrei spiegarvi, oh Dio”

Leopold Hager, Mozarteum Orchestra of Salzburg, Edita Gruberová

Aria for Soprano & Orchestra in C major, K. 419: “No, che non sei capace”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in C major, K. 419: "No no, che non sei capace"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edita Gruberová

Aria for Tenor & Orchestra in E‐flat major, K. 420: “Per pietà, non ricercate”

Wolfgang Amadeus Mozart - Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate"

Leopold Hager, Mozarteum Orchestra of Salzburg, Thomas Moser

Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): “Così dunque tradisci… Aspri rimorsi atroci”

Wolfgang Amadeus Mozart - Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci"

Leopold Hager, Mozarteum Orchestra of Salzburg, Robert Lloyd

Recitative for Tenor and Orchestra in E‐flat major, K. 425b / KV 431: Adagio – andante ostecon moto – allegro risoluto – andante sostenuto “Misero! O sogno” / Aria for Tenor and Orchestra in E‐flat major, K. 425b / KV 431: “Aura, che intorno spiri”

Wolfgang Amadeus Mozart - Recitative and Aria for Tenor & Orchestra in E-flat major, K. 425b/431: "Misero! oh sogno… Aura che intorno spiri"

Leopold Hager, Mozarteum Orchestra of Salzburg, Francisco Araiza

Recitative for Soprano, Piano and Orchestra in E‐flat major, K. 505: Andantino – andante “Ch’io mi scordi di te?” / Aria for Soprano, Piano and Orchestra in E‐flat major, K. 505: Rondo. Andante “Non temer, amato bene”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene"

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto – andante a tempo – tempo primo “Alcandro, Io confesso” / Aria for Bass and Orchestra in F major, K. 512: Andante – allegretto – tempo primo “Non so d’onde viene”

Wolfgang Amadeus Mozart - Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto - andante a tempo - tempo primo "Alcandro, Io confesso" / Aria for Bass and Orchestra in F major, K. 512: Andante - allegretto - tempo primo "Non so d'onde viene"

Leopold Hager, Mozarteum Orchestra of Salzburg, Robert Lloyd

Aria for Bass and Orchestra in E‐flat major, K. 513: Larghetto – allegro – più allegro “Mentre ti lascio, oh figlia”

Wolfgang Amadeus Mozart - Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia"

Leopold Hager, Mozarteum Orchestra of Salzburg, Robert Lloyd

Recitative for Soprano and Orchestra in C major, K. 528: Andante “Bella mia fiamma, addio!” / Aria for Soprano and Orchestra in C major, K. 528: Andante – allegro “Resta, oh cara!”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in C major, K. 528: “Bella mia fiamma, addio!… Resta, oh cara!”

Leopold Hager, Mozarteum Orchestra of Salzburg, Lilian Sukis

Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle”

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in F major, K. 538

Leopold Hager, Mozarteum Orchestra of Salzburg, Edita Gruberová

German War Song for Bass and Orchestra in A major, K. 539: Allegro “Ich möchte wohl der Kaiser sein”

Wolfgang Amadeus Mozart - German War Song for Bass and Orchestra in A major, K. 539: Allegro "Ich möchte wohl der Kaiser sein"

Leopold Hager, Mozarteum Orchestra of Salzburg, Walter Berry

Arietta for Bass and Orchestra in F major, K. 541: Allegretto “Un bacio di mano”

Wolfgang Amadeus Mozart - Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano"

Leopold Hager, Mozarteum Orchestra of Salzburg, Walter Berry

Aria for Soprano and Orchestra in B‐flat major, K. 578: Allegro “Alma grande e nobil core”

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in B-flat major, K. 578

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Aria for Soprano and Orchestra in C major, K. 582: Andante “Chi sà, chi sà, qual sia”

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in C major, K. 582

Leopold Hager, Mozarteum Orchestra of Salzburg, Lucia Popp

Aria for Soprano and Orchestra in E‐flat major, K. 583: Allegro – andante sostenuto “Vado, ma dove? oh Dei!”

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in E-flat major, K. 583

Leopold Hager, Mozarteum Orchestra of Salzburg, Edith Mathis

Aria for Two Voices and Orchestra in D major, K. 612: Andante – adagio – allegro (Bass, Contrabass) “Per questa bella mano”

Wolfgang Amadeus Mozart - Aria for Bass, Double Bass & Orchestra in D major, K. 612: "Per questa bella mano"

Leopold Hager, Mozarteum Orchestra of Salzburg, Alois Posch

Aria for Bass and Orchestra in E‐flat major, K. 621a / KV Anh 245: Adagio “Io ti lascio, oh cara, addio”

Wolfgang Amadeus Mozart - Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio"

Leopold Hager, Mozarteum Orchestra of Salzburg, Robert Lloyd

Aria for Soprano and Orchestra in E‐flat major, K. 73p / KV 83: Adagio – allegretto – tempo primo “Se tutti i mali miei”

Wolfgang Amadeus Mozart - Aria for Soprano & Orchestra in E-flat major, K. 73p/83: "Se tutti i mali miei"

Jörg-Peter Weigle, Munich Radio Orchestra, Julie Kaufmann

Ornamentation Cadenza for Johann Christian Bach: Adriano in Siria, T 211: Aria “Cara, la dolce fiamma”, K. 293e/deest

Wolfgang Amadeus Mozart - Ornamentation Cadenza for Johann Christian Bach: Adriano in Siria, T 211: Aria "Cara, la dolce fiamma", K. 293e/deest

Jörg-Peter Weigle, Munich Radio Orchestra, Julie Kaufmann

Recitative for Soprano and Orchestra in E‐flat major, K. 294: Andantino “Alcandro, Io confesso” / Aria for Soprano and Orchestra in E‐flat major, K. 294: Andante sostenuto – allegro agitato – primo tempo “Non sò d’onde viene”

Wolfgang Amadeus Mozart - Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene"

Jörg-Peter Weigle, Munich Radio Orchestra, Julie Kaufmann

Aria for Tenor and Orchestra in B‐flat major, K. 295: Adagio – allegretto – primo tempo “Se al labbro mio non credi”

Wolfgang Amadeus Mozart - Aria for Tenor & Orchestra in B-flat major, K. 295: "Se al labbro… Il cor dolente"

Jörg-Peter Weigle, Dresden Philharmonic, Hans Peter Blochwitz

Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro “Der Liebe himmlisches Gefühl”

Wolfgang Amadeus Mozart - Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro "Der Liebe himmlisches Gefühl"

Jörg-Peter Weigle, Dresden Philharmonic, Eva Lind

Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): “In te spero, oh sposo amato”

Wolfgang Amadeus Mozart - Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): "In te spero, oh sposo amato"

Jörg-Peter Weigle, Dresden Philharmonic, Eva Lind

Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): “Müßt ich auch durch tausend Drachen”

Erik Smith - Aria for Tenor and Orchestra in D major, K. 416b / KV 435: "Müßt ich auch durch tausend Drachen"

Colin Davis, Academy of St Martin in the Fields, Stuart Burrows

Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) “Warnung”: “Maenner suchen stets zu naschen”

Erik Smith - Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen"

Colin Davis, Academy of St Martin in the Fields, Robert Lloyd

Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) “Ah, spiegarti, oh Dio”

Wolfgang Amadeus Mozart - Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) "Ah, spiegarti, oh Dio"

Jörg-Peter Weigle, Munich Radio Orchestra, Julie Kaufmann

Aria for Soprano and Orchestra in B‐flat major, K. 580 (Erik Smith completion): “Schon lacht der holde Fruhling”

Erik Smith - Aria for Soprano and Orchestra in B-flat major, K. 580 (Erik Smith completion): "Schon lacht der holde Frühling"

Colin Davis, Academy of St Martin in the Fields

La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1–2 Anh No. 2: Act I, Scene III. No. 5 Aria. Adagio maestoso – andante – allegro – adagio – andante – allegro “Guarda la donna in viso” (Fracasso)

Wolfgang Amadeus Mozart - La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 5 Aria. Allegro moderato "Guarda la donna in viso" (Fracasso)

Jörg-Peter Weigle, Dresden Philharmonic, Hans Peter Blochwitz

La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1–2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto – allegretto – tempo primo – allegretto “Sono in amore, voglio marito” (Ninetta)

Wolfgang Amadeus Mozart - La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta)

Neville Marriner, Academy of St Martin in the Fields, Elżbieta Szmytka

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria “Al destin, che la minaccia” (Aspasia)

Wolfgang Amadeus Mozart - Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)

Neville Marriner, Academy of St Martin in the Fields, Edith Wiens

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria “In faccia all’oggetto” (Ismene)

Wolfgang Amadeus Mozart - Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene)

Neville Marriner, Academy of St Martin in the Fields, Elżbieta Szmytka

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria “Lungi da te, mio bene” (Sifare)

Wolfgang Amadeus Mozart - Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare)

Neville Marriner, Academy of St Martin in the Fields, Edith Wiens

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto “Se viver non degg’io” (Sifare, Aspasia)

Wolfgang Amadeus Mozart - Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia)

Neville Marriner, Academy of St Martin in the Fields, Edith Wiens

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria “Vado incontro al fato estremo” (Mitridate)

Wolfgang Amadeus Mozart - Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate)

Neville Marriner, Academy of St Martin in the Fields

Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria “Ah se a morir mi chiama” (Cecilio)

Wolfgang Amadeus Mozart - Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio)

Jörg-Peter Weigle, Munich Radio Orchestra, Iris Vermillion

Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più tutto ascoltai… Non temer, amato bene”

Wolfgang Amadeus Mozart - Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene”

Peter Schreier, Sächsische Staatskapelle Dresden

Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo “Principessa, a’ tuoi sguardi” (Idamante, Ilia) / Duet for Soprano and Tenor in A major, K. 489: “Spiegarti no poss’io”

Wolfgang Amadeus Mozart - Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)

Karl Böhm, Peter Schreier, Sächsische Staatskapelle Dresden

Duet for 2 Tenors in E‐flat major, K. 384A/389 (Erik Smith completion): “Welch ängstliches Beben”

Wolfgang Amadeus Mozart - Duet for 2 Tenors in E-flat major, K. 384a/389 (Erik Smith completion): "Welch ängstliches Beben"

Colin Davis, Robert Tear, Academy of St Martin in the Fields

Le nozze di Figaro, K. 492: “Ehi, Sor paggio” “Non più andrai”

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)

Neville Marriner, Academy of St Martin in the Fields, Bryn Terfel

Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo “Giunse alfin il momento” (Susanna) / Aria for Soprano & Orchestra in F major, K. 577: “Al desio di chi t’adora”

Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)

Jörg-Peter Weigle, Munich Radio Orchestra, Julie Kaufmann

Aria for Soprano in G major, K. 579: “Un moto di gioia mi sento”

Wolfgang Amadeus Mozart - Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento"

Jörg-Peter Weigle, Dresden Philharmonic, Eva Lind

Il dissoluto punito, ossia il Don Giovanni for Soprano in C major, K. 540b/deest: No. 21a. Appendix. Duetto “Per queste tue manine” (Soprano, Bass)

Wolfgang Amadeus Mozart - Don Giovanni: Atto II. Anhang. No. 21a Duetto “Per queste tue manine” (Zerlina, Leporello) [K. 540b]

Jörg-Peter Weigle, Dresden Philharmonic, Anton Scharinger

Così fan tutte ossia La scuola degli amanti, K. *584: Appendix. Act. I, Scene XI No. 15 Aria. Allegro (Bass) “Rivolgete a lui lo sguardo” (Guglielmo)

Wolfgang Amadeus Mozart - Rivolgete a lui lo sguardo, K. 584

Jörg-Peter Weigle, Munich Radio Orchestra, Anton Scharinger

Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) “Gibraltar”: (Tenor) “O Calpe! dir donnert’s am Fuße”

Wolfgang Amadeus Mozart - Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) "Gibraltar": (Tenor) "O Calpe! dir donnert's am Fuße"

Jörg-Peter Weigle, Munich Radio Orchestra, Hans Peter Blochwitz

Aria for Trio and Orchestra in B‐flat major, K. 480b / K3 424b / KV 434 (Erik Smith completion): “Del gran regno delle amazzoni”

Erik Smith - Aria for Trio and Orchestra in B-flat major, K. 480b / K3 424b / KV 434 (Erik Smith completion): "Del gran regno delle amazzoni"

Jörg-Peter Weigle, Munich Radio Orchestra, Anton Scharinger

Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) “Liebes Manndel, wo ist’s Bandel?”

Wolfgang Amadeus Mozart - Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?"

Jörg-Peter Weigle, Munich Radio Orchestra, Anton Scharinger

Aria for Quartetto and Orchestra in E‐flat major, K. 479: Allegro – allegro assai – più stretto (Soprano, Tenor, 2 Basses) “Dite almeno, in che mancai”

Wolfgang Amadeus Mozart - Quartetto with Orchestra in E-flat major, K. 479: "Dite almeno, in che mancai" (Soprano, Tenor, 2 Basses)

Jörg-Peter Weigle, Munich Radio Orchestra, Anton Scharinger

Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) “Mandina amabile, questo danaro”

Wolfgang Amadeus Mozart - Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) "Mandina amabile, questo danaro"

Jörg-Peter Weigle, Dresden Philharmonic, Anton Scharinger

La Libertà a Nice: Canzonetta “Grazie agl’inganni tuoi” in B‐flat major, K. 532 Fr 1784k Skb 1787β (1) (fragment): (Soprano, Tenor, Bass) “Grazie agl’inganni tuoi”

Michael Kelly - Trio for Soprano, Bass and Tenor based on the Canzonetta "La Libertà a Nice" by M. Kelly, K. 532: "Grazie agl'inganni tuoi"

Anton Scharinger, Hans Peter Blochwitz, Julie Kaufmann

Song for Solo Voice and Piano in A major, K. 552 “Leid beim Auszugin in das Feld”: Mit Würde. “Dem hohen Kaiserworte treu”

Wolfgang Amadeus Mozart - Song for Solo Voice and Piano in A major, K. 552 "Leid beim Auszugin in das Feld": Mit Würde. "Dem hohen Kaiserworte treu"

Hans Peter Blochwitz, Rudolf Jansen

Humorous Quartet for 4 voices in E‐flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) “Caro mio Druck und Schluck”

Erik Smith - Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck"

Peter Schreier, Anton Scharinger, Hans Peter Blochwitz

Comical Duet for Soprano & Bass in D major, K. 592a/625: “Nun, liebes Weibchen”

Benedikt Schack - Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen"

Jörg-Peter Weigle, Dresden Philharmonic, Anton Scharinger

Triple Canon for 12 Voices in 3 in G major, K. 382g / KV 348: Canon. “V’amo di core teneramente”

Wolfgang Amadeus Mozart - Triple Canon for 12 Voices in 3 in G major, K. 382g / KV 348: Canon. "V'amo di core teneramente"

Guido Mancusi

Canon for 4 Voices in 1 in G major, K. 509a / KV 232: Canon. “Lieber Freistädtler, lieber Gaulimauli”

Wolfgang Amadeus Mozart - Canon for 4 Voices in G major, K. 509a/232: Canon. "Lieber Freistädtler, lieber Gaulimauli"

Uwe Christian Harrer, Chorus Viennensis

Canon for 4 Voices in 1 in B‐flat major, K. 558: Allegro. “Gehn wir im Prater, gehn wir in d’Hetz”

Wolfgang Amadeus Mozart - Canon for 4 Voices in 1 in B-flat major, K. 558: Allegro. "Gehn wir im Prater, gehn wir in d'Hetz"

Uwe Christian Harrer, Chorus Viennensis

Canon for 3 Voices in 1 in F major, K. 559: Canon. “Difficile lectu mihi mars”

Wolfgang Amadeus Mozart - Canon for 3 Voices in 1 in F major, K. 559: Canon. "Difficile lectu mihi mars"

Chorus Viennensis

Canon for 4 Voices in 1 in F major, K. 559a / K3 560a / KV deest: Canon. “O du eselhafter Peierl”

Wolfgang Amadeus Mozart - Canon for 4 Voices in 1 in F major, K. 559a / K3 560a / KV deest: Canon. "O du eselhafter Peierl"

Uwe Christian Harrer, Chorus Viennensis

Canon for 3 Voices in 1 in C minor, K. 382a / KV 229: Canon. “Sie ist dahin”

Wolfgang Amadeus Mozart - Canon in 3 Parts in C minor, K. 382a/229: "Sie ist dahin"

Chorus Viennensis

Canon for 2 Voices in 1 in C major, K. 382b / KV 230: Canon. “Selig, selig”

Wolfgang Amadeus Mozart - Canon in 2 Parts in C major, K. 382b/230: "Selig, selig alle"

Guido Mancusi, Chorus Viennensis

Canon (arranged for 4 Clarinets) in A major, K. 73i

Wolfgang Amadeus Mozart - Canon (arranged for 4 Clarinets) in A major, K. 73i

Karl-Heinz Steffens

Double Canon for 4 Voices in 2 in F major, K. 515b / KV 228: Canon. “Ach! zu kurz ist unsers Lebens Lauf”

Wolfgang Amadeus Mozart - Double Canon in F major for 4 Voices, K. 228/515b: "Ach! zu kurz" / "Lebet wohl"

Guido Mancusi, Chorus Viennensis

Canon for 3 Voices in 1 in A major, K. 562: Canon. “Caro bell’idol mio”

Wolfgang Amadeus Mozart - Canon for 3 Voices in 1 in A major, K. 562: Canon. "Caro bell'idol mio"

Guido Mancusi

Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 1 “Canone a tre soprani”: Canon. (3 Sopranos) / Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 2 “Canone a tre soprani”: Canon. (3 Sopranos)

Wolfgang Amadeus Mozart - Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest no. 1 "Canone a tre soprani": Canon. (3 Sopranos) / Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest no. 2 "Canone a tre soprani": Canon. (3 Sopranos)

Karl-Heinz Steffens

5 Canons in F major, K. deest Nos. 1–5 / Canon in F, K. 508a, No. 3 in F major

Wolfgang Amadeus Mozart - 5 Canons in F major, K. deest Nos. 1-5 / Canon in F, K. 508a, no. 3 in F major

Karl-Heinz Steffens

Canon for 6 Voices in 1 in D major, K. 382f / KV 347: Canon. “Wo der perlende Wein im Glase blinkt”

Wolfgang Amadeus Mozart - Canon for 6 Voices in 1 in D major, K. 382f / KV 347: Canon. "Wo der perlende Wein im Glase blinkt"

Guido Mancusi, Chorus Viennensis

Canon for 3 Voices in 1 in F major, K. 507: Canon. “Heiterkeit und leichtes Blut”

Wolfgang Amadeus Mozart - Canon for 3 Voices in 1 in F major, K. 507: Canon. "Heiterkeit und leichtes Blut"

Guido Mancusi, Chorus Viennensis

Canon for 3 Voices in 1 in F major, K. 508: Canon. “Auf das Wohl aller Freunde”

Wolfgang Amadeus Mozart - Canon for 3 Voices in 1 in F major, K. 508: Canon. "Auf das Wohl aller Freunde"

Chorus Viennensis

Canon for 4 Voices in 1 in G major, K. 556: Allegretto. “Grechtelt’s enk”

Wolfgang Amadeus Mozart - Canon for 4 Voices in 1 in G major, K. 556: Allegretto. "Grechtelt's enk"

Uwe Christian Harrer, Chorus Viennensis

Canon for 6 Voices in 1 in B‐flat major, K. 382c / KV 231: Canon. “Leck mich im Arsch” “Laßt uns froh sein”

Wolfgang Amadeus Mozart - Canon in 6 Parts in B-flat major, K. 382c/231: "Leck mich im Arsch"

Uwe Christian Harrer, Chorus Viennensis

Canon for 3 Voices in 1 in B‐flat major, K. 382d / KV 233: Andante. “Nichts labt mich mehr als Wein” “Leck mir den Arsch fein recht schön sauber”

Wenzel Trnka - Canon in 3 Parts in B-flat major, K. 382d/233: "Leck mir den Arsch fein recht schön sauber"

Uwe Christian Harrer, Chorus Viennensis

Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. “Essen, Trinken, das erhält”

Wenzel Trnka - Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält"

Uwe Christian Harrer, Chorus Viennensis

Canon for 4 Voices in 1 in A major, K. 561: Canon. “Bona nox! bist a rechta Ox”

Wolfgang Amadeus Mozart - Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox"

Uwe Christian Harrer, Chorus Viennensis

“Interval” Canons Nos. 6–10 in F, K. deest – Canons Nos. 4–6 in F, K. 508a Nos. 4–6

Wolfgang Amadeus Mozart - "Interval" Canons Nos. 6-10 in F, K. deest - Canons Nos. 4-6 in F, K. 508a Nos. 4-6

Karl-Heinz Steffens

4 Riddle Canons No. 1 for 3 Male Voices in 1 in F major, K. 73r / K2 89aII / KV deest “Sit trium series una”: Canon. “Incipe Menalios”

Wolfgang Amadeus Mozart - Riddle Canon in F major, K. 73r no. 1 "Incipe menalios mecum"

Guido Mancusi, Chorus Viennensis

4 Riddle Canons No. 2 for 9 Female Voices in 1 in C major, K. 73r / K2 89aII / KV deest “Ter ternis canite vocibus”: Canon. “Cantate Domino”

Wolfgang Amadeus Mozart - Riddle Canon in C major, K. 73r no. 2 "Cantate Domino omnis"

Chorus Viennensis

4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice in C major, K. 73r / K2 89aII / KV deest “Clama ne cesses. Tertia pars si placet”: Canon ad duodecimam. “Confitebor tibi Domine”

Wolfgang Amadeus Mozart - Riddle Canon in C major, K. 73r no. 3 "Confitebor tibi Domine"

Guido Mancusi, Chorus Viennensis

4 Riddle Canons No. 4 for 6 Mixed Voices in 2 in C major, K. 73r / K2 89aII / KV deest “Ter voce ciemus. Voce ter insonuit”: Canon. “Thebana bella cantus / Troiana cantat”

Wolfgang Amadeus Mozart - Riddle Canon in C major, K. 73r no. 4 "Thebana bella cantus"

Guido Mancusi, Chorus Viennensis

Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon

Wolfgang Amadeus Mozart - Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon

Wen-Sinn Yang

Canon for 3 in 1 in C major, K. 508A / KV deest: Canon

Wolfgang Amadeus Mozart - Canon for 3 in 1 in C major, K. 508A / KV deest: Canon

Wen-Sinn Yang

Canon for 4 Voices in 1 in A minor, K. 555: Adagio. “Lacrimoso son’io”

Wolfgang Amadeus Mozart - Canon for 4 Voices in 1 in A minor, K. 555: Adagio. "Lacrimoso son'io"

Guido Mancusi

Canon for 4 Voices in 1 in F minor, K. 557: Adagio. “Nascoso è il mio sol”

Wolfgang Amadeus Mozart - Canon for 4 Voices in 1 in F minor, K. 557: Adagio. "Nascoso è il mio sol"

Guido Mancusi

4 Canons in F, K. deest Nos 11–14

Wolfgang Amadeus Mozart - 4 Canons in F, K. deest Nos 11-14

Karl-Heinz Steffens

Canon for 4 in 1 in B‐flat major, K. 562a / KV deest: Canon

Wolfgang Amadeus Mozart - Canon for 4 in 1 in B-flat major, K. 562a / KV deest: Canon

Karl-Heinz Steffens

Canon in F, K.deest

Wolfgang Amadeus Mozart - Canon in F, K.deest

Karl-Heinz Steffens

Canon for 4 (or 5) Voices in 1 in G major, K. 73k / KV 89: Canon ad unisonum. (5 Sopranos) “Kyrie”

Wolfgang Amadeus Mozart - Kyrie for 5 Sopranos in G major, K. 73k/89

Guido Mancusi

Canon for 4 Voices in 1 in F major, K. 554: Andante. “Ave Maria”

Wolfgang Amadeus Mozart - Canon for 4 Voices in 1 in F major, K. 554: Andante. "Ave Maria"

Guido Mancusi

Canon for 3 Voices in 1 in C major, K. 553: Allegro. “Alleluia”

Wolfgang Amadeus Mozart - Canon for 4 Voices in 1 in C major, K. 553: Allegro. "Alleluia"

Guido Mancusi

Song for Voice & Piano in F major, K. 47e/53 “An die Freude”: “Freude, Königin der Weisen”

Wolfgang Amadeus Mozart - Song for Voice & Piano in F major, K. 47e/53 "An die Freude": "Freude, Königin der Weisen"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in F major, K. 125g/147 “Wie unglücklich bin ich nit”

Wolfgang Amadeus Mozart - Wie unglücklich bin ich nit, K. 125g/147

Dalton Baldwin, Elly Ameling

Song for Tenor, Men’s Chorus & Piano in D major, K. 125h/148 “Lobgesang auf die feierliche Johannisloge”: “O heiliger Bund, dir weih’ ich meine Lieder”

Wolfgang Amadeus Mozart - Song for Tenor, Men's Chorus & Piano in D major, K. 125h/148 "Lobgesang auf die feierliche Johannisloge": "O heiliges Band"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano, K. 125d/149 “Die großmütige Gelassenheit”: “Ich hab’ es längst gesagt”

Leopold Mozart - Song for Voice & Piano, K. 125d/149 "Die großmütige Gelassenheit": "Ich hab' es längst gesagt"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano, K. 125e/150 “Geheime Liebe”: “Was ich in Gedanken küsse”

Leopold Mozart - Song for Voice & Piano, K. 125e/150 "Geheime Liebe": "Was ich in Gedanken küsse"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano, K. 125f/151 “Die Zufriedenheit im niedrigen Stande”: “Ich trachte nicht nach solchen Dingen”

Leopold Mozart - Song for Voice & Piano, K. 125f/151 "Die Zufriedenheit im niedrigen Stande": "Ich trachte nicht nach solchen Dingen"

Dalton Baldwin, Elly Ameling

Song Reduction on Josef Mysliveček: Aria “Il mio caro bene attendo sospiro” for Voice & Piano in F major, K. 210a/152 (possibly spurious) “Ridente la calma”

Josef Mysliveček - Ridente la calma, K. 210a/152

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in C major, K. 284d/307 “Oiseaux, si tous les ans”

Wolfgang Amadeus Mozart - Song for Voice & Piano in C major, K. 284d/307 “Oiseaux, si tous les ans”

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in A‐flat major, K. 295b/308 “Dans un bois solitaire”

Wolfgang Amadeus Mozart - Song for Voice & Piano in A-flat major, K. 295b/308 “Dans un bois solitaire”

Dalton Baldwin, Elly Ameling

2 German Sacred Songs for Voice & Organ in F major, K. 336c/343 No. 1 “O Gottes Lamm”

Wolfgang Amadeus Mozart - 2 German Church Songs, K. 336c/343: No. 1 in F major "O Gottes Lamm"

Dalton Baldwin, Elly Ameling

2 German Sacred Songs for Voice & Organ in C major, K. 336c/343 No. 2 “Als aus Ägypten”

Wolfgang Amadeus Mozart - 2 German Church Songs, K. 336c/343: No. 2 in C major "Als aus Ägypten"

Dalton Baldwin, Elly Ameling

Song for Voice & Mandolin in G major, K. 367a/349 “Die Zufriedenheit”: “Was frag’ ich viel nach Geld und Gut”

Wolfgang Amadeus Mozart - Song for Solo Voice and Mandolin in G major, K. 367a / KV 349 "Die Zufriedenheit": (Treble) Mäßig. "Was frag' ich viel nach Geld und Gut"

Benny Ludemann, Elly Ameling

Song for Voice & Mandolin in C major, K. 367b/351 (possibly spurious): “Komm, liebe Zither, komm”

Wolfgang Amadeus Mozart - Song for Solo Voice and Mandolin in C major, K. 367b / KV 351: (Treble) "Komm, liebe Zither, komm"

Benny Ludemann, Elly Ameling

Song for Voice & Piano in D minor, K. 340c/390 “An die Hoffnung”: “Ich würd auf meinem Pfad”

Wolfgang Amadeus Mozart - Song for Voice & Piano in D minor, K. 340c/390 "An die Hoffnung": "Ich würd auf meinem Pfad"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in B‐flat major, K. 340b/391 “An die Einsamkeit”: “Sei du mein Trost”

Wolfgang Amadeus Mozart - Song for Voice & Piano in B-flat major, K. 340b/391 "An die Einsamkeit": "Sei du mein Trost"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in F major, K. 340a/392 “Verdankt sei es dem Glanz der Großen”

Wolfgang Amadeus Mozart - Song for Voice & Piano in F major, K. 340a/392 "Verdankt sei es dem Glanz der Großen"

Dalton Baldwin, Elly Ameling

Aria for Bass in F major, K. 416c/433 (fragment) “Warnung”: “Männer suchen stets zu naschen”

Wolfgang Amadeus Mozart - Aria for Bass in F major, K. 416c/433 (fragment) "Warnung": "Männer suchen stets zu naschen"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in B‐flat major, K. 468 “Gesellenreise”: “Wenn den langen Weg durchs Leben”

Wolfgang Amadeus Mozart - Song for Voice & Piano in B-flat major, K. 468 "Gesellenreise": "Wenn den langen Weg durchs Leben"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in G minor, K. 472 “Der Zauberer”: “Ihr Mädchen, flieht Damöten ja!”

Wolfgang Amadeus Mozart - Song for Voice & Piano in G minor, K. 472 "Der Zauberer": "Ihr Mädchen, flieht Damöten ja!"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in B‐flat major, K. 473 “Die Zufriedenheit”: “Wie sanft, wie ruhig fühl’ ich hier”

Wolfgang Amadeus Mozart - Song for Voice & Piano in B-flat major, K. 473 "Die Zufriedenheit": "Wie sanft, wie ruhig fühl' ich hier"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in G major, K. 474 “Die Betrogene Welt”: “Der reiche Tor”

Wolfgang Amadeus Mozart - Song for Voice & Piano in G major, K. 474 "Die Betrogene Welt": "Der reiche Tor"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand”

Wolfgang Amadeus Mozart - Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand”

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in F major, K. 506 “Lied der Freiheit”: “Wer unter eines Mädchens Hand”

Wolfgang Amadeus Mozart - Song for Voice & Piano in F major, K. 506 "Lied der Freiheit": "Wer unter eines Mädchens Hand"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in E minor, K. 517 “Die Alte”: “Zu meiner Zeit”

Wolfgang Amadeus Mozart - Song for Voice & Piano in E minor, K. 517 "Die Alte": "Zu meiner Zeit"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in F major, K. 518 “Die Verschweigung”: “Sobald Damötas Chloen sieht”

Wolfgang Amadeus Mozart - Song for Voice & Piano in F major, K. 518 "Die Verschweigung": "Sobald Damötas Chloen sieht"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in F minor, K. 519 “Das Lied der Trennung”: “Die Engel Gottes weinen”

Wolfgang Amadeus Mozart - Song for Voice & Piano in F minor, K. 519 “Das Lied der Trennung”: “Die Engel Gottes weinen”

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in C minor, K. 520 “Als Luise die Briefe ihres ungetreuen Liebhabers”: “Erzeugt von heißer Phantasie”

Wolfgang Amadeus Mozart - Song for Voice & Piano in C minor, K. 520 "Als Luise die Briefe ihres ungetreuen Liebhabers": "Erzeugt von heißer Phantasie"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in F major, K. 523 “Abendempfindung an Laura”: “Abend ist’s”

Wolfgang Amadeus Mozart - Song for Voice & Piano in F major, K. 523 “Abendempfindung an Laura”: “Abend ist’s”

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in E‐flat major, K. 524 “An Chloë”: “Wenn die Lieb’ aus deinen blauen”

Wolfgang Amadeus Mozart - Song for Voice & Piano in E-flat major, K. 524 “An Chloë”: “Wenn die Lieb’ aus deinen blauen”

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in F major, K. 529 “Des kleinen Friedrichs Geburtstag”: “Es war einmal, ihr Leute”

Wolfgang Amadeus Mozart - Song for Voice & Piano in F major, K. 529 "Des kleinen Friedrichs Geburtstag": "Es war einmal, ihr Leute"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in E‐flat major, K. 530 “Das Traumbild”: “Wo bist du, Bild”

Wolfgang Amadeus Mozart - Song for Voice & Piano in E-flat major, K. 530 "Das Traumbild": "Wo bist du, Bild"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in C major, K. 531 “Die kleine Spinnerin”: “Was spinnst du?”

Wolfgang Amadeus Mozart - Song for Voice & Piano in C major, K. 531 "Die kleine Spinnerin": "Was spinnst du?"

Dalton Baldwin, Elly Ameling

Aria for Soprano in G major, K. 579: “Un moto di gioia mi sento”

Wolfgang Amadeus Mozart - Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in F major, K. 596 “Sehnsucht nach dem Frühling”: “Komm, lieber Mai”

Wolfgang Amadeus Mozart - Song for Voice & Piano in F major, K. 596 "Sehnsucht nach dem Frühling": "Komm, lieber Mai"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in E‐flat major, K. 597 “Der Frühling”: “Erwacht zum neuen Leben”

Wolfgang Amadeus Mozart - Song for Voice & Piano in E-flat major, K. 597 "Im Frühlingsanfang": "Erwacht zum neuen Leben"

Dalton Baldwin, Elly Ameling

Song for Voice & Piano in A major, K. 598 “Das Kinderspiel”: “Wir Kinder, wir schmecken”

Wolfgang Amadeus Mozart - Song for Voice & Piano in A major, K. 598 "Das Kinderspiel": "Wir Kinder, wir schmecken"

Dalton Baldwin, Elly Ameling

Notturno 2 Sopranos, Bass & 3 Basset Horns, in F major, K. 439: “Due pupille amabili”

Wolfgang Amadeus Mozart - Notturno for 2 Sopranos, Bass & 3 Basset Horns, in F major, K. 439: "Due pupille amabili"

Elly Ameling, Peter van der Bilt

Notturno for 2 Sopranos, Bass, 2 Clarinets & Basset Horn in E‐flat major, K. 438: “Se lontan, ben mio, tu sei”

Wolfgang Amadeus Mozart - Notturno for 2 Sopranos, Bass, 2 Clarinets & Basset Horn in E-flat major, K. 438: "Se lontan, ben mio, tu sei"

Geert van Keulen, Elly Ameling, George Pieterson

Notturno 2 Sopranos, Bass & 3 Basset Horns, in F major, K. 436 “La partenza”: “Ecco quel fiero istante”

Wolfgang Amadeus Mozart - Notturno 2 Sopranos, Bass & 3 Basset Horns, in F major, K. 436 "La partenza": "Ecco quel fiero istante"

Geert van Keulen, Elly Ameling, George Pieterson

Notturno for 2 Sopranos, Bass, 2 Clarinets & Basset Horn in G major, K. 437: “Mi lagnerò tacendo”

Wolfgang Amadeus Mozart - Notturno for 2 Sopranos, Bass, 2 Clarinets & Basset Horn in G major, K. 437: "Mi lagnero tacendo"

Geert van Keulen, Elly Ameling, George Pieterson

Notturno for 2 Sopranos, Bass & 3 Basset Horns in F major, K. 439a/346: “Luci care, luci belle”

Wolfgang Amadeus Mozart - Notturno for 2 Sopranos, Bass & 3 Basset Horns in F major, K. 439a/346: "Luci care, luci belle"

Geert van Keulen, Elly Ameling, George Pieterson

Notturno 2 Sopranos, Bass & 3 Basset Horns, in B‐flat major, K. 549 “Canzonetta”: “Più non si trovano”

Wolfgang Amadeus Mozart - Notturno for 2 Sopranos, Bass & 3 Basset Horns, in B-flat major, K. 549 "Canzonetta": "Più non si trovano"

Geert van Keulen, Elly Ameling, George Pieterson