| Recitative and Aria for Tenor and Orchestra, KV 431 (KV 425b) "Misero! o sogno"..."Aura che intorno spiri" György Fischer, Vienna Chamber Orchestra, Gösta Winbergh | György Fischer, Vienna Chamber Orchestra, Gösta Winbergh | - | - | 10:17 |
| Die Entführung aus dem Serail, K. 384: Act I, Scene X. No. 7 Trio "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) Georg Solti, Vienna Philharmonic, Gösta Winbergh | Georg Solti, Vienna Philharmonic, Gösta Winbergh | - | - | 2:23 |
| Aria for Tenor and Orchestra "Clarice cara mia sposa", KV 256 György Fischer, Vienna Chamber Orchestra, Gösta Winbergh | György Fischer, Vienna Chamber Orchestra, Gösta Winbergh | - | - | 1:45 |
| Aria for Tenor and Orchestra, KV 210 "Con ossequio, con rispetto" György Fischer, Vienna Chamber Orchestra, Gösta Winbergh | György Fischer, Vienna Chamber Orchestra, Gösta Winbergh | - | - | 2:48 |
| Don Giovanni, KV 527: Atto secondo, no. 16. "V'è gente alla finestra" (Don Giovanni) Herbert von Karajan, Berlin Philharmonic, Agnes Baltsa | Herbert von Karajan, Berlin Philharmonic, Agnes Baltsa | - | - | 0:04 |
| Don Giovanni, KV 527: Atto primo, no. 2. Recitativo accompagnato "Ma qual mai s'offre, o dei" Herbert von Karajan, Berlin Philharmonic, Anna Tomowa-Sintow | Herbert von Karajan, Berlin Philharmonic, Anna Tomowa-Sintow | - | - | 3:13 |
| Iphigénie En Tauride: Act 3, Scene 3 And 4, Trio "Je Pourrais Du Tyran Tromper La Barbarie", Recitative "Au Moment Trop Heureux", Duet "Et Tu Pretends Encore Que Tu M´aime" Riccardo Muti, Orchestra of the Teatro alla Scala, Milan, Carol Vaness | Riccardo Muti, Orchestra of the Teatro alla Scala, Milan, Carol Vaness | - | - | 6:39 |
| L’elisir d’amore: Atto I. “Adina credimi” Gabriele Ferro, Stabile Orchestrale Fiorentina, Barbara Bonney | Gabriele Ferro, Stabile Orchestrale Fiorentina, Barbara Bonney | - | - | 7:25 |
| Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan) Michael Halász, Gösta Winbergh, Inga Nielsen | Michael Halász, Gösta Winbergh, Inga Nielsen | - | - | 2:45 |
| Recitative and Aria for Tenor and Orchestra "Or che il dover"..."Tali e cotanti sono", KV 36 (KV 33i) György Fischer, Vienna Chamber Orchestra, Gösta Winbergh | György Fischer, Vienna Chamber Orchestra, Gösta Winbergh | - | - | 9:39 |
| Fidelio, Act II: "Des besten Königs Wink und Wille" (Don Fernando, People and Prisoners, Rocco, Pizarro, Leonore, Marzelline, Florestan) Michael Halász, Alan Titus, Gösta Winbergh | Michael Halász, Alan Titus, Gösta Winbergh | - | - | 7:54 |
| Fidelio, Act II: no 16. Finale: "Heil! Heil sei dem Tag!" (People and Prisoners) Michael Halász, Gösta Winbergh | Michael Halász, Gösta Winbergh | - | - | 2:07 |
| Fidelio, Act II: no 13. Terzetto: "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) Michael Halász, Gösta Winbergh, Inga Nielsen | Michael Halász, Gösta Winbergh, Inga Nielsen | - | - | 5:54 |
| Fidelio, Act II: Dialogue: "Er erwacht!" (Leonore, Rocco, Florestan) Michael Halász, Gösta Winbergh, Inga Nielsen | Michael Halász, Gösta Winbergh, Inga Nielsen | - | - | 0:59 |
| Fidelio, Act II: no 12. Melodrama and Duet: "Wie kalt ist es" (Leonore, Rocco) Michael Halász, Gösta Winbergh, Inga Nielsen | Michael Halász, Gösta Winbergh, Inga Nielsen | - | - | 5:21 |
| Fidelio, Act II: no 11. Introduction and Aria: "Gott! welch' Dunkel hier!" (Florestan) Michael Halász, Gösta Winbergh | Michael Halász, Gösta Winbergh | - | - | 10:46 |
| Werther - Pourquoi Me Réveiler Gothenburg Symphony Orchestra, Gösta Winbergh | Gothenburg Symphony Orchestra, Gösta Winbergh | - | - | 2:38 |