| Carmen : Acte II. « Votre toast, je peux vous le rendre » (Escamillo) Georg Solti, John Alldis, John Alldis Choir | Georg Solti, John Alldis, John Alldis Choir | 1985 | - | 7:35 |
| The Ways of Zion do mourn: When the ear heard her John Eliot Gardiner, Malcolm Hicks, Monteverdi Choir | John Eliot Gardiner, Malcolm Hicks, Monteverdi Choir | 1979 | - | 3:22 |
| The Ways of Zion do mourn: The righteous shall be had John Eliot Gardiner, Malcolm Hicks, Monteverdi Choir | John Eliot Gardiner, Malcolm Hicks, Monteverdi Choir | 1979 | - | 4:05 |
| Requiem, op. 48: IV. Pie Jesu Louis Frémaux, City of Birmingham Symphony Orchestra, CBSO Chorus | Louis Frémaux, City of Birmingham Symphony Orchestra, CBSO Chorus | 1978 | - | 3:50 |
| Carmina Burana: III. Cour d’amours: 15. Amor volat undique Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes | Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes | 1976 | - | 3:36 |
| Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum Antal Doráti, László Heltay, Royal Philharmonic Orchestra | Antal Doráti, László Heltay, Royal Philharmonic Orchestra | 1976 | - | 2:34 |
| Carmina Burana: III. Cour d’amours: 21. In trutina Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes | Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes | 1976 | - | 2:20 |
| Carmen : Acte II (Conclusion) / « Enfin te voilà ! » Georg Solti, Plácido Domingo, John Alldis Choir | Georg Solti, Plácido Domingo, John Alldis Choir | 1976 | - | 20:25 |
| Carmen : Entr’acte – Acte III, scène 1 (Beginning) / « Écoute, écoute, compagnon, écoute ! » Georg Solti, Plácido Domingo, John Alldis Choir | Georg Solti, Plácido Domingo, John Alldis Choir | 1976 | - | 8:37 |
| Carmen : Entr’acte – Acte II (Beginning) / « Les tringles des sistres tintaient » Georg Solti, Plácido Domingo, John Alldis Choir | Georg Solti, Plácido Domingo, John Alldis Choir | 1976 | - | 23:54 |
| Carmina Burana: III. Cour d’amours: 23. Dulcissime Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes | Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes | 1976 | - | 0:37 |
| Thaïs: Act II, Scene 2 (conclusion) John Alldis, Lorin Maazel, Philharmonia Orchestra | John Alldis, Lorin Maazel, Philharmonia Orchestra | 1976 | - | 6:20 |
| Carmina Burana: III. Cour d’amours: 17. Stetit puella Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes | Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes | 1976 | - | 2:26 |
| Carmen : Entr’acte – Acte III, scène 2. « À deux cuartos ! » Georg Solti, Plácido Domingo, John Alldis Choir | Georg Solti, Plácido Domingo, John Alldis Choir | 1976 | - | 22:00 |
| Carmen : Acte III, scène 1 (Conclusion) / « Mêlons ! Mêlons ! Coupons ! Coupons ! » Georg Solti, John Alldis Choir, Jane Berbié | Georg Solti, John Alldis Choir, Jane Berbié | 1976 | - | 31:50 |
| Die Schöpfung, Hob.XXI:2, Sung in German, Part 1: Die Himmel erzählen die Ehre Gottes Georg Solti, Chicago Symphony Orchestra, Chicago Symphony Chorus | Georg Solti, Chicago Symphony Orchestra, Chicago Symphony Chorus | - | - | 3:31 |
| In Terra Pax Richard Hickox, City of London Sinfonia, John Shirley-Quirk | Richard Hickox, City of London Sinfonia, John Shirley-Quirk | - | - | 17:07 |
| Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) Colin Davis, Robert Tear, Academy of St Martin in the Fields | Colin Davis, Robert Tear, Academy of St Martin in the Fields | - | - | 6:38 |
| Durch Zärtlichkeit Und Schmeicheln (Nr. 8 Arie) Colin Davis, Academy of St Martin in the Fields, Norma Burrowes | Colin Davis, Academy of St Martin in the Fields, Norma Burrowes | - | - | 3:26 |
| Die Schöpfung: Die Himmel erzahlen die Ehre Gottes Georg Solti, Margaret Hillis, Chicago Symphony Orchestra | Georg Solti, Margaret Hillis, Chicago Symphony Orchestra | - | - | 3:30 |