| Wesendonk Lieder, WWV 91 No. 5: Träume "Sag, welch wunderbare Träume" Donald Runnicles, London Symphony Orchestra, Jane Eaglen | Donald Runnicles, London Symphony Orchestra, Jane Eaglen | 2000 | - | 4:46 |
| Seven Early Songs, No. 7: Sommertage Donald Runnicles, London Symphony Orchestra, Jane Eaglen | Donald Runnicles, London Symphony Orchestra, Jane Eaglen | 2000 | - | 1:59 |
| Seven Early Songs, No. 5: Im Zimmer Donald Runnicles, London Symphony Orchestra, Jane Eaglen | Donald Runnicles, London Symphony Orchestra, Jane Eaglen | 2000 | - | 1:23 |
| Seven Early Songs, No. 6: Liebesode Donald Runnicles, London Symphony Orchestra, Jane Eaglen | Donald Runnicles, London Symphony Orchestra, Jane Eaglen | 2000 | - | 1:45 |
| Seven Early Songs, No. 3: Die Nachtigall Donald Runnicles, London Symphony Orchestra, Jane Eaglen | Donald Runnicles, London Symphony Orchestra, Jane Eaglen | 2000 | - | 2:18 |
| Seven Early Songs, No. 1: Nacht Donald Runnicles, London Symphony Orchestra, Jane Eaglen | Donald Runnicles, London Symphony Orchestra, Jane Eaglen | 2000 | - | 4:08 |
| Wesendonk Lieder, WWV 91 No. 4: Schmerzen "Sonne, weinest jeden Abend..." Donald Runnicles, London Symphony Orchestra, Jane Eaglen | Donald Runnicles, London Symphony Orchestra, Jane Eaglen | 2000 | - | 2:27 |
| Wesendonk Lieder, WWV 91 No. 1: Der Engel "In der Kinkheit frühen Tagen" Donald Runnicles, London Symphony Orchestra, Jane Eaglen | Donald Runnicles, London Symphony Orchestra, Jane Eaglen | 2000 | - | 3:21 |
| Brünnhilde's "Battle Cry" from Die Walküre Mark Elder, Jane Eaglen | Mark Elder, Jane Eaglen | 1999 | - | 2:17 |
| Norma: Atto II, scena 3. “In mia man alfin tu sei“ Riccardo Muti, Stabile Orchestrale Fiorentina, Jane Eaglen | Riccardo Muti, Stabile Orchestrale Fiorentina, Jane Eaglen | 1999 | - | 7:11 |
| Norma: Atto II, scena 3. “Squilla il bronzo del Dio!” Riccardo Muti, Stabile Orchestrale Fiorentina, Dimitri Kavrakos | Riccardo Muti, Stabile Orchestrale Fiorentina, Dimitri Kavrakos | 1999 | - | 1:37 |
| Norma: Atto II, scena 1. “Me chiami, o Norma?” Riccardo Muti, Stabile Orchestrale Fiorentina, Eva Mei | Riccardo Muti, Stabile Orchestrale Fiorentina, Eva Mei | 1999 | - | 2:04 |
| Norma: Atto I, scena 2. “Oh! Di qual sei tu vittima” Riccardo Muti, Stabile Orchestrale Fiorentina, Eva Mei | Riccardo Muti, Stabile Orchestrale Fiorentina, Eva Mei | 1999 | - | 7:23 |
| Norma: Atto I, scena 2. “Ma di'... l'amato giovane” Riccardo Muti, Stabile Orchestrale Fiorentina, Eva Mei | Riccardo Muti, Stabile Orchestrale Fiorentina, Eva Mei | 1999 | - | 1:15 |
| Norma: Atto II, scena 1. “Deh! con te, con te li prendi” Riccardo Muti, Stabile Orchestrale Fiorentina, Eva Mei | Riccardo Muti, Stabile Orchestrale Fiorentina, Eva Mei | 1999 | - | 3:51 |
| Norma: Atto II, scena 1. “Dormono entrambi” Riccardo Muti, Stabile Orchestrale Fiorentina, Carmela Remigio | Riccardo Muti, Stabile Orchestrale Fiorentina, Carmela Remigio | 1999 | - | 5:06 |
| Norma: Atto I, scena 1. “Ah! bello a me ritorna” Riccardo Muti, Stabile Orchestrale Fiorentina, Dimitri Kavrakos | Riccardo Muti, Stabile Orchestrale Fiorentina, Dimitri Kavrakos | 1999 | - | 4:48 |
| Norma: Atto I, scena 2. “Vanne, e li cela entrambi” Riccardo Muti, Stabile Orchestrale Fiorentina, Carmela Remigio | Riccardo Muti, Stabile Orchestrale Fiorentina, Carmela Remigio | 1999 | - | 4:12 |
| Norma: Atto II, scena 3. “Qual cor tradisti” Riccardo Muti, Stabile Orchestrale Fiorentina, Dimitri Kavrakos | Riccardo Muti, Stabile Orchestrale Fiorentina, Dimitri Kavrakos | 1999 | - | 5:23 |
| Norma: Atto II, scena 3. “Nè compi il rito, o Norma?” Riccardo Muti, Stabile Orchestrale Fiorentina, Carmela Remigio | Riccardo Muti, Stabile Orchestrale Fiorentina, Carmela Remigio | 1999 | - | 3:22 |