| Concert Overture Neville Marriner, Academy of St Martin in the Fields | Neville Marriner, Academy of St Martin in the Fields | - | - | 10:31 |
| Missa solemnis in G for Louis XVIII (1819) - III. Credo Riccardo Muti, London Philharmonic Choir | Riccardo Muti, London Philharmonic Choir | - | - | 12:01 |
| Missa solemnis in G for Louis XVIII (1819) - IV. Sanctus & O salutaris Riccardo Muti, London Philharmonic Choir | Riccardo Muti, London Philharmonic Choir | - | - | 6:40 |
| Messa in fa maggiore “Di Chimay”: Kyrie: I. Kyrie eleison: Sostenuto Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | - | - | 3:16 |
| Messa in fa maggiore “Di Chimay”: Gloria: IV. Qui tollis: Sostenuto – Andante con moto Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | - | - | 6:58 |
| Messa in fa maggiore “Di Chimay”: Credo: IV. Et resurrexit: Largo moderato Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | - | - | 5:22 |
| Messa in fa maggiore “Di Chimay”: Sanctus: Maestoso assai – Allegro Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | - | - | 2:30 |
| Messa in fa maggiore “Di Chimay”: Benedictus: Larghetto – Allegro Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | - | - | 6:44 |
| Messa in fa maggiore “Di Chimay”: Agnus Dei: II. Dona nobis pacem: Allegro – Più allegro Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | Michael Gläser, Riccardo Muti, Bavarian Radio Symphony Orchestra | - | - | 5:27 |
| Medea: Atto II. “Figli miei, miei tesor” (Medea, Giasone) Leonard Bernstein, Orchestra of the Teatro alla Scala, Milan, Maria Meneghini Callas | Leonard Bernstein, Orchestra of the Teatro alla Scala, Milan, Maria Meneghini Callas | - | - | 7:10 |
| In paradisum Christoph Spering, Chorus Musicus Köln | Christoph Spering, Chorus Musicus Köln | - | - | 7:51 |
| Requiem in c-moll: Introitus Christoph Spering, Chorus Musicus Köln | Christoph Spering, Chorus Musicus Köln | - | - | 6:08 |
| Requiem in c-moll: Graduale Christoph Spering, Chorus Musicus Köln | Christoph Spering, Chorus Musicus Köln | - | - | 1:17 |
| Requiem in c-moll: Dies irae Christoph Spering, Chorus Musicus Köln | Christoph Spering, Chorus Musicus Köln | - | - | 9:34 |
| Requiem in c-moll: Offertorium Christoph Spering, Chorus Musicus Köln | Christoph Spering, Chorus Musicus Köln | - | - | 15:12 |
| Requiem in c-moll: Pie Jesu Christoph Spering, Chorus Musicus Köln | Christoph Spering, Chorus Musicus Köln | - | - | 3:16 |
| Medea: Atto II. “Hai dato pronto ascolto” (Medea, Neris) Leonard Bernstein, Orchestra of the Teatro alla Scala, Milan, Fedora Barbieri | Leonard Bernstein, Orchestra of the Teatro alla Scala, Milan, Fedora Barbieri | - | - | 1:23 |
| Il Mesenzio, rè d'Etruria, Act 1: "No non cercar per ora" - "La gran vendetta ancora" (Lauso) Wrocławska Orkiestra Barokowa, Bruno de Sá | Wrocławska Orkiestra Barokowa, Bruno de Sá | - | - | 5:14 |
| Médée: Overture Neville Marriner, Academy of St Martin in the Fields | Neville Marriner, Academy of St Martin in the Fields | - | - | 7:55 |
| Overture 'L'Hotellerie portugaise' Neville Marriner, Academy of St Martin in the Fields | Neville Marriner, Academy of St Martin in the Fields | - | - | 9:47 |